Back catalogue: All genres

Review: Adeen Records is back with its The Bird series and this time Cad73 is the one at the buttons. First up he flips the age old classic 'Love and Happiness' into a smooth and seductive sound with lush chords and warming melodies. Flip it over and you will find a rework of 'How Can I Forget You' which becomes a Northern Soul great with big hooks and driving rhythms that will get big reactions in the club. Two different but equally effective and cultured cuts.

Review: The Bird series is back once again with a fourth offering and it is label founder Jason Wilkins who takes care of this one under his Camille moniker. It kicks off with a flip of 'Hogin' Machine' that has raw and dusty drums and funky basslines that keep on coming and keep you locked. things slow down n the B-Side with 'Safari in D'. This one becomes a more mellow and laidback sound that offer a different take on an original by L'Eclair. The bass is warm and melodic, the drums loveably lazy and the keys jazzy and pensive. Super stuff for lo-fi lovers.

Review: Phil Mison, long revered for his chill-out sets and Balearic sensibility as a DJ, not to mention over two dozen releases under his belt, returns as Cantoma with a new single that perfectly captures the spirit of sunset listening. 'Light As Before' is a gentle and evocative piece built on Latin percussion, breezy guitar work and a standout horn section that lifts the track into a golden-hour daydream. It's the kind of track that feels tailor-made for a coastal terrace, a glass in hand and nowhere to be but the present. The B-side remix is a tasteful reimagining that dials down the horns and replaces them with soft flutes and delicate acoustic textures. This version leans deeper into the groove with a more introspective yet still melodic mood. It trades some of the exuberance for warmth and depth, making it an ideal complement to the original. Both sides highlight Mison's continued mastery of Balearic downtempo.

Review: Like his Windy City compatriots Mark Grusane and Rahan, Cratebug specialises in high-grade, razor-and-tape style re-edits subtly re-framed for 21st century dancefloors. The Chicagoan has released many fine collections of reworks over the last decade and this two-tracker is another high-grade treat. Up first is 'Fiyah', a heavyweight tease-and-release loop jam built around low-slung disco grooves, layered vocal samples and subtle effects trickery. While he appears not to have add any beats, its' Soundstream-esque construction makes it perfectly suited to house dancefloors. Over on the flip, he gives his take on one of the most beloved disco classics of all time: Diana Ross's incredible 'Love Hangover'. He extends the upbeat sections, paying more attention to hear vocalisations, the infectious instrumentation and killer groove.

Review: REPRESS ALERT!: Drop Music marks a marvellous quarter of a century of releases with this new slab of vinyl featuring some gems from disco funksters Crazy P and the house mainstays Inland Knights. Crazy P go first with 'Disc Odyssey' which is perfectly indicative of their much beloved sound with its low slung kicks and funky bassline. Inland Knights then offer a trio of in demand & unreleased tracks. 'Overnight' is a bumming deep house joint, 'Walk On' has an icy late night vibe and balmy pads and 'Do It Again is a more playful closer, with some killer b-line action. All four, needless to say, are timeless gems, and the fact the last two are appearing on vinyl first the first time makes it an even more desirable cop.

Review: Under the Cicciolina alias, Ilona-Elana Anna Staller enjoyed an eclectic career that included spells modelling, making pornographic films, and representing her native country Hungary in Italy's national parliament. Crucially, during the mid-to-late 1980s she also made a string of albums with the assistance of producer Jayhorus. Avec-Toi was one of those sets, with the showcased music being recorded at some point around 1986-87. It's a joyously camp and at times verbally risque affair, with Staller singing and speaking over synth-heavy backing tracks that variously mine Italo-disco, formative Euro-dance, hi-NRG, European synth-pop and contemporaneous adult movie soundtracks for inspiration.

Review: Cola Boyy tragically passed away in March 2024 so Quit to Play Chess is his final album. He was well known and loved for his unique blend of neo-disco, funk and innovative musical styles and gained fans worldwide from Coachella to Paris. Following his EP Black Boogie Neon in 2018 and debut album Prosthetic Boombox back in 2021, this album is his grooviest yet as it blends hip-hop, r&b and drum & bass while featuring collaborations with Andrew VanWyngarden of MGMT, Jared Solomon and Nate Fox, who has worked with Chance the Rapper. These 12 inventive, passionate tracks are a fitting, boundary-pushing farewell to Cola Boyy's musical legacy.