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Review: The tenth album from French-Syrian flautist Naissam Jalal brings together some of jazz's most distinctive wind players in an intimate and remarkably cohesive set of duets. On Souffles ('Breaths'), she engages in raw, unhurried dialogue with Emile Parisien, Louis Sclavis, Sylvain Rifflet and others, each piece anchored in mutual listening and the elemental pulse of breath. Rather than showcasing virtuosity, these recordings draw power from restraint. 'Souffle #1' with Archie Shepp is the most meditative, an unspooling conversation between two voices that barely rise above a whisper. On 'Souffle #5', Thomas de Pourquery's sax lifts Jalal's flute into a playful, unsteady dance, while 'Souffle #3' with Yom pulls from deeper tonal reserves, evoking both lament and resolve. Jalal's talent lies in evoking weight from simplicity - not just through technique but through presence. The album foregrounds breath as both material and metaphor: exhalation as expression, resistance, memory. Her unforced phrasing and instinctive sense of space bring a disarming honesty to every track. Though rooted in jazz, this is music beyond genre - personal, embodied and open to the world. It's less about improvisation as freedom and more about the quiet intensity of listening.