Review: Japanese talent DJ Koco aka Shimokita is a hardcore 45rpm devotee. They are his chosen tools as a beat-juggling DJ who can do logic-defying things with his grooves. He is a regal on Bloom and already dropped serious heat in January with 'World Famous'. This time he is back with a fresh take on 'Made In New York' which is a 1985 classic by renowned Brazilian funk and jazz pianist Tania Maria. He brings his signature hip-hop flair and creativity with his trusted crew, 45trio, and enlists the dynamic saxophonist King TJ (DA-Dee-MiX) to elevate things further.
Review: KAU return just one year after their debut on Sdban Ultra, and they're not slowing down. Their latest double single release is another energetic showcase of the trio's tight band dynamics, with intricate synthesiser arrangements, rapid drum patterns and deep basslines that capture the raw energy of their live performances. The first track, 'Kaugummi', fuses a dub bassline with complex drumming, resulting in a groove that feels both fresh and familiar. On the flip side, 'Mad Kau'-a reimagining of 2022's 'Mad Max'-stays true to the live version, bursting with frenetic arpeggios and synths. Both tracks push forward into the vibrant space where jazztronica meets jam band sensibilities, with nods to British jazz and that unmistakable 'Brussels sound'. This double A-side, set to drop on limited 7" vinyl in September 2024, is a must-have for fans who crave the trio's signature fusion of live energy and studio precision
Review: A Delusional Guide for the Disillusioned is an all new collaboration between Kemastry and Jazz T that takes in five seriously heavyweight cuts that skirt around the edges of hip-hop. The beats have a futuristic and otherworldy quality with sinewy synths and twinkling celestial pads as the well-articulated and menacing bars are delivered with precision and an absorbing narrative. Some fine guest features from Ramson Badbonez and Roughneck Jihad add extra character to the beats and the artwork to this vinyl pressing, and the flipside full of instrumentals, is the icing on the cake.
Review: You might well have caught wind of Kenny Dope's exhaustive Wild Style Breakbeats box set which came out in 2014. It found the New York legend offering up six 7"s carrying iconic breaks used in seminal hip hop movie Wild Style. Well now you can cop something from that highly sought after box and enjoy it for yourself as the first disc gets its own individual release. On the A side we've got the low slung bass and dusty groove of 'Down By Law', and on the flip it's 'Subway Beat' with a sweet low funk groove. Both should evoke strong memories for anyone versed in the roots of hip hop culture, but regardless they're just kick ass beats you could have a lot fun juggling and blending into other people's music.
Review: For five years, Acid Jazz has been showcasing Kevin Fingier's productions with each one carrying his signature Latin flair. It all began with 'Latin Dynamite', which sold out 15 days before its release and was followed by 'Cocktail de Medianoche' and 'Why Don't You Go Home', which were both instant sellouts. The second pressing of 'Latin Dynamite' included a fiery Latin rendition of the r&b classic 'It's Your Voodoo Working'. When Fingier released 'Not Strictly Soul,' it featured the Latin gem 'El Popcorn' which is now available on 7" for the first time. These four Latin Soul anthems are now united in one explosive Boogaloo EP that arrives just in time for summer.
Tu Tak Tu Tak Tutiyan (Elado's Gulab Jamun rework) (4:10)
Tu Tak Tu Tak Tutiyan (Elado's 4 AM mix) (4:48)
Review: Elado Gulab Jamun did a fantastic job with his edit of this Bollywood gem to the extent that it has become a real dancefloor gem that's been much loved all around the world for the last two years. Now it makes its way to a 7" vinyl pressing and is backed with his 4am mix of the same tune. This one is a sublime and dubbed out, acid tinged electronic trip that comes with original CD artwork that pays great tribute to original artist Nadim Khan. Another tasteful outing from Razor-N-Tape for this fresh edit.
Review: Hailing from Medellin, Colombia, Killabeatmaker is a Global Bass DJ / Producer, audio engineer, singer and songwriter; a multi-faceted artist you'll be hearing a lot about in the near future. Drawing his inspiration from his Afro-Colombian and Indigenous roots, Killabeatmaker efficiently mixes traditional sounds and rhythms with urban beats and raw club music. His EP "Matiela Suto" is an homage to the diversity of Colombia's people and cultures, packed with progressive house buildups, Nigerian club music influences and enchanting female voices.
Review: Fashioned around the concept of a Swiss zoo, Kind & Kinky Zoo are the animistic four-piece coming-together of Olivier Bill (flute), Adrien Knecht (bass), Marc Siegenthaler (keys) and Sylvain Rutti (drums). Together they routinely invoke a wild and spirited jamboree in the veins of funk, groove and rock, best exemplified by their latest single 'Pamukkale' here, a bustling thicket of offbeat stinkplant wafts, big drum canopies and hitherto undiscovered species of sound. The two new follow-ups on this Soul Garden edition, a remix by Soulsupreme and a new original featuring Koperu, plunge us further into the band's audio jungle, expanding outwards into six-eighting funk-hop and Hammond-organic house.
Review: Boom Bap Classics does exactly what it says on the tin once more here. For the eighth time, it has chosen some real heat to offer up on 7" as King Tee and The Alkaholiks feature with two of their golden era boom-bap gems. 'Bus Dat Ass' has a mix of raw and dusty drum breaks and big, bouncy bars that bring a party feel. On the flip things get more slow and dirty, the bars are less playful and more serious and the production features squelchy bass and hypnotic Middle Eastern melodies. Two gems, to be sure.
Review: Kool Keith, Jazz T and Doctor Zygote deliver a lyrical gem with 'Heavyweights.' This track isn't a diss, but a declaration of superior MC skills, featuring a heavy bassline and a jazz-infused, ominous mood reminiscent of a detective movie soundtrack. Kool Keith's standout chops make this a classic. Side-2 offers the instrumental version, showing the intricate production and allowing the dark, jazzy atmosphere to shine on its own sounding like an eerie detective show. 'Heavyweights' is a great addition to any hip-hop/r&b collection, highlighting the artistry of these heavy-hitting collaborators.
Review: Kool Keith's album Keith's Salon was a big hit when it came out back in 2001. It was produced by the talented electronic mainstay Bruno Pronsato and now it has been remixed with just as much elan by a stellar team assembled by French label Logistic. First to reimagine Kool Keith's hip-hop hit 'Wiggle' is the masterful micro-house don Losoul who keeps it deft and abstract. Ben Nevile then brings crunchy texture and slow motion beats to his version. Last of all, Flabbergast (aka Vincent Lemieux and Guillaume Coutu Dumont) keep things elegant with lovely hits riding a skeletal rhythm and with shuffling pads down low.
Review: Over the last three years, DJ/producer Mimmo "MoBlack" Falcone has turned MoBlack Records into arguably the World's leading label for African house music. Defected clearly thinks so, because the label has decided to put out this EP featuring tracks from remixes from Falcone and some of his regular collaborators. On side A Falcone joins forces with Armonica to deliver two sparkling, rubbery, positive and heavily electronic reworks of Fela Kuti classic 'International Thief Thief'. Both hit the spot, though it's the Dub, with its extended vocal breakdown and trippy effects, that floats our boat. Over on the flip we're treated to two versions of MoBlack, Emmanuel Jal and Henrick Schwarz hook-up 'Chagu': a bouncy Afro-tech take from Schwarz and a warmer, deep Afro-house interpretation by Falcone.
Review: The Nextmen team up once more with Kiko Bun here and he is proving himself to really be one of the UK's standout vocal talents right now. Together they to deliver a big anthem bursting with feel-good vibes. Perfect for sunny days, this track begs for windows down and volume up. The vocals are packed with soul and flow freely over instrumental beats with a cool sense of funk. The tune has another robust groove doused in club culture and a love of hip-hop, as is often the case with Dom Search and Brad Baloo aka The Nextmen who are renowned UK DJs and producers celebrated for their eclectic mixes, albums and podcasts.
Review: Phill Most Chill and Krash Slaughta have teamed up for Definition of Ill, a fiery collaboration that showcases their exceptional skills as rappers and producers. The EP features two tracks, 'Definition of Ill' and 'I Ain't Playin' With Y'all', both of which are packed with hard-hitting rhymes and infectious beats. Krash Slaughta's production is top-notch, providing the perfect backdrop for Phill Most Chill's lyrical prowess. The beats are heavy and energetic, while the rhymes are clever and witty. The duo's chemistry is evident on both tracks, resulting in a cohesive and powerful listening experience.
I Thot There Was One Wound In This House, There's Two (2:11)
Way Eye (1:22)
Rectifiya (2:25)
Hvnli (2:42)
Hvnli (reprise) (3:28)
Do Yourself A Favor (2:27)
A Mile A Way (1:56)
I Want My Things! (2:12)
Change The Story (interlude) (2:43)
Every Nigga Is A Star (2:33)
I! Gits! Weary! (1:55)
Negus Poem 1 & 2 (2:26)
Forreal??? (3:53)
FWU (3:01)
Nu World Burdens (3:21)
Keep It Real (3:03)
Review: XL Recordings presents the long-awaited repress of keiyaA's 2020 album Forever, Ya Girl. The singer-songwriter, producer and multi-instrumentalist was raised in Chicago's South Side; now based in New York, her jazz training, R&B sensibilities, and hip-hop inheritability are all deployed to full effect, crafting an experimental soul sound inundated with powerfully sultry voice and dense lyricism. Aiming to to foreground the standpoint and intellect of the black woman in the late-stage capitalist landscape, Forever, Ya Girl brings a sawn-off, digital neo-soul inflection to themes of struggle and grace, all while deploying many a quirky interjection and voice-modded sample between the beats.
Review: Kid Sundance was last on our favourite Munich-based breakbeat label Ilian Tape in 2022 when he dropped the superb Tien Seconden record. Now he returns and once again the SP1200 is at the heart of what he does on this entry into the Ilian Beat Tape series. It's a magnificent selection of 13 tracks that are variously lo-fi and frazzled, super soulful and stoned, and blissed out and jazzy. Each one hooks you in for different reasons and the whole thing makes for a nice listen overall as well as offering up plenty of heat for hard-working DJs who like whipping through short but sweet joints.
Review: Since 2017, KOKOKO! has been trailblazing Kinshasa's sonic revolution while earning global acclaim for their unique sound and vibrant performances. Recognised as the best live band by AIF, they've been featured on NPR Tiny Desk, Boiler Room, and major festivals like SXSW and Pitchfork. Their debut album, Fongola, received rave reviews, and now they are back with another album that is unlike much else you will have heard. BUTU, which is inspired by Kinshasa's vibrant nightlife, has been proceeded by the lead single 'Mokili.' The album has further cues taken from Kinshasa, Kwaito, and '90s dance music and channels the band's hometown's frenetic energy with a sense of social activism into a powerful statement.
Review: B. Bravo and Rojai return as Kool Customer with their sophomore album At Your Service, a ten-track offering of modern funk designed for sun-soaked poolside parties. Following their 2018 debut, the duo pushes their funk sound further, evoking the laid-back vibes of LA's rooftop hotel gatherings while blending boogie, g-funk, and club influences. From the opener 'Endless Summer' to the mellow space grooves of 'One Day At A Time', the album maintains an effortlessly cool, future funk energy. Tracks like 'Fly Away' and 'Learned My Lesson' will undoubtedly find their way into DJ sets from LA's MoFunk to San Francisco's Sweater Funk. With roots in NorCal and SoCal, the pair infuses their music with a cross-regional modern funk spectrum. B. Bravo's use of vintage synths like the Minimoog Voyager and Yamaha DX-100 anchors the project in boogie tradition, while songs like 'DX Heaven' and 'West Coast Livin'' showcase inventive twists on g-funk. Kool Customer's At Your Service is the epitome of smooth, effortless funk.
Review: Avant-garde percussionist, singer, self-taught trumpet player, composer and author. Edmony Krater, since the late 1970s has been a go to reference for French Caribbean music and all things Gwakasonne. This Guadelopean great had been somewhat quiet since the mid 80s, however in 2019, after the recording of a live show for Cult Berlin club night, African Acid Is The Future that received a release via The Vinyl Factory, his light was relit.
Review: Talib Kweli and J Rawls reunite after 25 years to deliver a heartfelt tribute to hip-hop's golden era. Their collaboration blends Kweli's razor-sharp lyricism with Rawls' authentic boom-bap production, crafting a rich, soulful journey through the genre's essence. Tracks like 'Breath, Eyes, Memory' bring introspection, while 'Turnstyle' captures nostalgia and 'Native Sons' pays homage to the Native Tongues collective. With an impressive roster of collaborators including Blu, Georgia Anne Muldrow and Skyzoo, the album underscores the depth of rap culture. A celebration of roots, growth and timeless artistry, firmly rooted in the traditions that shaped the genre.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.