Back catalogue: All genres

Review: The celebrated 'Live from Studio S2' performance is now available on vinyl once more featuring all four tracks from the session, including the unreleased 'Hawaii Oslo' and 'Glass'. Premiered on the Gondwana Records YouTube channel back in 2021, this session has since picked up over three million views and captivated fans worldwide in the process. It was recorded this session at the Berlinale Film Festival's EFM sessions in Studio S2 in Warsaw, where Hania Rani had previously recorded for her debut album Esja. The set includes new arrangements of beloved tracks that are all sumptuous and beautiful.

Review: Hana Rani presents Nostalgia, a live album recorded at Witold Lutoslawski's Concert Studio at the Polish Radio in Warsaw, captured in breath-held detail, shortly after the release of her third solo album Ghosts. An homage to the Polish radio station, Rani describes the nine-piece record as a response to her visitation in 2018, just before the release of her debut record Esja. Soon establishing a recording studio in the proximate municipality of Mokotow, Rani channelled Polish Radio's historic broadcast energies into a locus of inspiration; Nostalgia builds on this in concert, in turn responding to a set of personal video recordings and photographs taken on a quiet, snowy day in the building. Weaving tinkling, clastic acoustic and electric piano around intervalent drones, and backed up by a string ensemble, Rani sound-paints a unique picture of Polish radiophonic history through a personal lens.

Review: Hania Rani has a knack for blending the ethereal with the intimate, and her latest offering, Nostalgia, captures that perfectly. This is her first live album, but it's much more than just a performance recording. Filmed at the Polish Radio studios in Warsaw, it feels like a love letter to a place steeped in history and meaning for her. The space itself, with all its ghosts and hidden stories, becomes a character in the album, lending an air of mystery and depth to Rani's signature mix of piano, voice, and electronics. Nostalgia moves through delicate melodies and cinematic arrangements, with Rani's touch feeling both familiar and experimental. She brings the studio's spirit alive, layering sound and memory in a way that feels both spontaneous and deliberate. This isn't just a snapshot of a live show; it's an immersive, intimate dive into Rani's creative world. With its mix of lush textures and haunting vocals, Nostalgia solidifies her status as an artist who can create both in the moment and with timeless grace.

Review: This is the CD version of Ghosts, the third solo album from Polish pianist and composer Hania Rani, courtesy of Mathew Halsall's Gondwana. It comes after an artist residency in Switzerland in an abandoned sanitarium amongst the mountains so is inspired by the numerous rumoured ghosts that inhabit the hills. Lead singles 'Hello' and 'Dancing with Ghosts' take drastically different approaches, with the former being an electro-ambient take on lounge jazz sensibilities and 'Dancing with Ghosts' being a moody and grumbling duet ballad with Patrick Whatson. The whole album has a lingering sense of finality and creeping doom and is another absorbing listen from front to back.