Back catalogue: Hip Hop/R&B

Review: It's not often we pass on much trappy EDM to listeners at Juno, but Eprom is a special case, having made a name for himself for pushing the glossy post-dubstep trap style that made many artists like him famous. At the same time, Barclay Crenshaw (Claude VonStroke) is another name in the EDM world whose direction isn't quite the same as Eprom's, but nevertheless shares a space with the former artist for having also remixed Yung Skrrt's wilfully trashy hit 'McDonalds' of late. As both artists have dropped their respective cuts in many a DJ set all over the world, Skrrt's label DIRTYBIRD have now orchestrated a meeting of the two minds - not least to mention this juicy vinyl compilation of the two remixes.

Review: No Fear of Time, the long-awaited sophomore album from the legendary hip-hop duo Black Star, is finally available in physical formats, including a stunning gatefold LP. After a digital-only debut in 2022, this release celebrates the dynamic collaboration between yasiin bey and Talib Kweli, who first captured hearts with their iconic 1998 album. Produced by Madlib, No Fear of Time showcases the duo's evolved artistry, recorded in diverse locations worldwide, including hotel rooms and backstage at Dave Chappelle's shows. The album's unique style flows seamlessly, with tracks like 'So be it' and 'Sweetheart. Sweethard. Sweetodd', igniting old-school vibes while addressing contemporary issues with sharp wit. With their powerful reunion, Black Star reaffirms their influential status in hip-hop, reminding listeners of the genre's rich cultural depth.

Review: We are still being treated to superb albums that were written during the Coronavirus pandemic lockdowns and this is one of them. It took shape across a two-year period in New York, Seoul, and London and finds the highly rated Yaeji looking closely at her relationship with anger. In something of a shift away from the sound of previous work, she brings in rock and hip-hop elements as well as her signature house style. The lyrics in English and Korean are dark and self-reflective, while the artist also employs live instrumentation for the first time. Guests include K Wata and Enayet, plus vocals from London's Loraine James and Baltimore's Nourished by Time.

Review: YASMIN's much loved A Scent Of Flowers album has more than stood the test of time which is why it is now being reissued for the first time. It features the 90s r&b classic 'Wanna Dance' which has long been a staple in many mixtapes and dance compilations. This edition also includes a cover of Roy Ayers' ubiquitous 'Everybody Loves The Sunshine' which was the second successful single on the album which was first released in 1993. It's back by Soulshock who is known for his work with 2Pac and Monica, and Cutfather, famous for remixing Mark Morrison's 'Return Of The Mack.' Elsewhere on the record are many more killers including covers of 'Best Of My Love' and Ray Charles' 'Let Me Take Over.'

Review: With a snaffled picnic basket under one arm and an MPC in the other, Yogi (AKA Sam Rose) invites us to "Jellystoned Park" to discover why he is smarter than your average beat-maker. It's the little-known producer's first solo set - or at least the first of his lone albums to be pressed onto vinyl - and an unassumingly impressive affair at that. Utilising a wide range of ear-pleasing samples (from quirky easy listening and AOR, to jazz, funk-rock and folk) and his own skittish, often off-kilter hip-hop beats, Rose delivers a series of short sketches, interludes and blink-and-you-miss-them workouts that tend towards the stoned, bleary-eyed end of the spectrum. The result is a hugely entertaining collection of instrumental hip-hop jams that's a cut above many of its competitors.

Review: Five years on since their last, Young Fathers are finally back with their fourth album (if you don't include their introductory mixtapes Tape One and Tape Two). Heavy Heavy finds the trio of Alloysious Massaquoi, Kayus Bankole and G. Hastings embracing a back to basics approach formed around working in their own basement studio, keeping the equipment turned on and allowing the ideas to flow freely. Cherry picking the most fruitful moments from these extended sessions has resulted in a striking, invigorating album which bursts forth with the opening salvo of 'Rice' and 'I Saw', clutching you tight and not letting go for the duration of the album. It's been worth the wait.

Review: With their Mercury-winning 2014 debut 'Dead', Edinburgh trio Young Fathers set the bar high for themselves, which they met with 2015's follow-up 'White Men Are Black Men Too', and continue to do so with new album 'Cocoa Sugar'. Their third record isn't as brash and in-your-face as their previous two, but that's not to say that this any less impactful, instead 'Cocoa Sugar' is a stripped back, concentrated The group have a unique ability in that they can draw elements from a range of genres, with an outcome sounding in a class of its own and tantalisingly hard to define. Also, in their use off-kilter loops, gospel-esque vocals, haunting samples and breakneck speed verses, Young Fathers create dualities and contrasts that playfully subvert. Tracks like 'See How', 'In My View' and 'Lord' appear to tread into joyous and cathartic pop territory, before being pinned down by unnerving scraping samples and dissonant synthesis. It's these intelligently executed sonics and structures that make 'Cocoa Sugar' an addictive, thrilling and beguiling listen.

Review: Slime Season 3 is the third mixtape by American rapper Young Thug and it was initially released on March 25 back in 2016. Continuing the Slime Season series, the mixtape features Thug's signature blend of eccentric delivery and melodic flows which now stand alone within the trap genre. Highlights include standout tracks like 'With That' and 'For Ya'll' where Thug combines inventive wordplay with hard-hitting beats. While it wasn't initially available in the UK on vinyl, Slime Season 3 solidified Thug's influence in the hip-hop world and got praise for its and boundary-pushing approach to trap.

Review: The original entry in the Slime Season series from Yung Thug is a mixtape filled with highs and lows. While the rapper showcases his eccentric style and talent, the compilation feels like a patchwork of unfinished ideas. Some tracks are fast-paced while others, like 'Hey I' and 'Best Friend' shine as highlights. Thug's strongest songs display subtle, carefully structured melodies, and many have high replay value, especially the opening tracks. Despite this, the mixtape features standout moments, such as 'Draw Down' and 'Wood Would' which demonstrate his lyrical unpredictability and emotional depth and remind why Thug is so revered in trap.

Review: Famously self-taught musician Adrian Younge is at the forefront of modern soul music after starting as a hip-hop producer in 1998. He expanded his skills by learning multiple instruments and took inspiration from classic soul and Italian soundtracks before he self-released his debut album Venice Dawn, a moody, synth-heavy album blending Ennio Morricone's style with contemporary flair. His Something About April album followed years later and is a modern classic that merges psychedelic soul, cinematic instrumentals and hip-hop aesthetics while taking cues from greats of the genre like Wu-Tang Clan.

Review: Over the last 12 months, Adrian Younge and A Tribe Called Quest member Ali Shaheed Muhammad have been inviting some legendary musicians to swing by the former's Los Angeles studio to make fresh tracks with vintage equipment. The results are detailed on "Jazz Is Dead", a superb album that combines elements of dusty soundtrack jazz, soul, jazz-funk, Latin jazz and head-nodding live beats influenced by the duo's hip-hop roots. Highlights include the atmospheric, slow-motion warmth of Roy Ayers collaboration "Hey Lover", the floor-rocking fusion heaviness of epic Azymuth hook-up "Apocaliptico", the languid sweetness of 'Down Deep" (featuring Doug Carn) and the samba-soaked sunshine that is Marcos Valle composition "Nao Saia Da Praca".

Review: Adrian Younge and A Tribe Called Quest man Ali Shaheed Muhammad's recently released "Jazz Is Dead" album had the feel of a landmark set: a collection of inspired, all-star workouts that combined live, hip-hop style beats with the effervescent musicality of soundtrack jazz, soul, jazz-funk and Latin jazz. This speedy sequel flips the script, stripping back the guest list to a single guest collaborator: jazz-funk and fusion legend Roy Ayers. From start to finish, the set bristles with sweet female group vocals, mazy Vibraphone solos, ultra-warm electric piano, hybrid hip-hop/jazz-funk beats, and Ayers' effortless musical positivity. While nowhere near as eclectic as its predecessor, "Jazz Is 2" is arguably an even more coherent and enjoyable album - and that's saying something.

Review: Brooklyn heavyweight Your Old Droog is one of the most prolific rappers in the game right now, and following up quickly on his Time LP (which featured the likes of Doom and Edan) comes this sure shot. As ever the beats sport a maverick touch where major label rock gets squashed into a funk and the drums slip and slide around seriously loose grooves. The ideas just spill out of this guy, and he's brought some co-conspirators along for the ride. Look out for Lil Ugly Mane and Billy Woods on 'Meteor Man' and Nickelus F on 'Mojito', all weighing in on another gold standard drop from a supreme mic man and producer extraordinaire.

Review: Here comes Brooklyn's finest, Your Old Droog, with a double feature of EPs previously confined to Bandcamp. Natures Sounds have gathered together 2022's The Yodfather and The Shining and pressed them up on a platter and there's no doubt both releases are more than worthy of the extra shine. While you might expect such cinema-referencing projects to be loaded with bait samples, Droog works in more subtle ways, laying down his killer flows over those blunted, off-kilter beats that mark him out as one of the strongest voices in US hip-hop right now.

Review: When Your Old Droog first emerged in the hip-hop scene, he was shrouded in mystery. Born in Ukraine and raised in Brooklyn, he became known for his sharp lyrics and distinct, gritty delivery. His self-titled debut marked the beginning of a prolific career and quickly established him as an underground force with mainstream appeal. Over the years, Droog has gained widespread recognition and earned co-signs from hip-hop legends. With his latest project Movie, he embraces a new chapter by collaborating with Method Man, Denzel Curry, and producers like Just Blaze and Madlib to showcase the full range of his artistry and personal journey.

Review: Your Old Droog emerges with Movie, an introspective exploration that marks a significant evolution in his career. Cloaked in anonymity a decade ago, the Ukraine-born rapper has since carved a niche for himself in hip-hop, showcasing his sharp lyricism and distinctive style. The album's title derives from a nostalgic phrase from his childhood, symbolising moments of unexpected joy. With features from Method Man and Denzel Curry, alongside production from industry heavyweights like Madlib and Just Blaze, Movie is both engaging and emotionally resonant. Tracks like 'A Damn Shame' highlight his vulnerability, while 'Mantra' delves into his immigrant experience. Droog balances introspection with a playful edge, as seen in the catchy 'Yodi Dodi'. His storytelling shines on 'The Sandbox', addressing poignant themes of struggle. Ultimately, Movie stands as a layered masterpiece, affirming Droog's status as a thoughtful artist ready to embrace the spotlight.

Review: Swedish-Japanese vocalist Yukimi Nagano (best known as the lead singer of the post-punk and electronica group Little Dragon) shares her debut album on Ninja Tune, embodying the best of her charms as a solo artist whose space away from the band allows her ample time to reflect on her own emotions. Born of the first production 'Sad Makeup' - a song about the inevitably, always-botched attempt to suppress and sweep sad feelings under the rug, and the ways this backfires when around close friends - the entire album in fact threads a narrative yarn centring on the overcoming of "darkest nights", externalised in the repeated mention in the lyrics of Sweden's long, dark and shivery winters. Taking cues from everyone to filmmaker Ingmar Bergman to collaborator Lianne La Havas, Nagano wears her vulnerability on her sleeve.

Review: Yuna's self-titled debut album came with three tracks produced by none other than Pharrell Williams. That was a decade ago when she was just 24 years old and one of the hottest properties in the scene. Freshly signed to Fader for the album, it was a great showcase of the young singer's voice across a mix of sounds that took in r&b, soul and pop with a mature edge and moving emotional narrative. It was initially only put out on CD but a decade on that is corrected as Fader drop this vinyl version just in time for Christmas.

Review: To the best of our knowledge, Sweden does not have a particularly active cloud rap scene, though Stockholm's Yung Lean has been delivering notable albums in the Deep South-pioneered style for the best part of seven years. Of course, as new album Starz shows, his typically lo-fi, pop-tinged take draws just as much from frowning EMO rock as it does from, say, crunk or classic cloud rap. He's undoubtedly good at what he does and Starz boasts plenty of highlights, not least the fragile sweetness of 'Outta My Head', the auto-tune sporting 'Acid at 7/11', surprise Ariel Pink hook-up 'Starz' and the impressively heavy 'Boylife in EU'.

Review: Featuring a stellar lineup of guest artists including Boldy James, Kool Keith, Grip, Blu, Fatboi Sharif and more, here's an album that truly showcases a seamless synergy between Real Bad Man's atmospheric production and YUNGMORPHEUS's captivating lyricism. From the stony and atmospheric ambiance to the funky undertones, each track on the album offers a unique sonic experience that pushes the boundaries of traditional hip-hop. Real Bad Man's meticulous attention to detail in tailoring the beats to complement YUNGMORPHEUS' flow is evident throughout the project, resulting in a cohesive and engaging product. YUNGMORPHEUS's introspective lyrics delve into themes of dichotomies and self-reflection, adding depth and substance to the album's narrative. Tracks like 'Tripleback Tuck,' 'Just The Three of Us,' and 'Flick of The Wrist' showcase his lyrical prowess and ability to effortlessly navigate complex subject matter. With The Chalice & The Blade, Real Bad Man and YUNGMORPHEUS have crafted an album that transcends genre conventions, delivering a thought-provoking and sonically rich experience that is sure to resonate with fans of innovative hip-hop.