Back catalogue: House

Review: Hastings-born prog/tech veteran Danny Howells' latest foray into the world of house music proves once again why he's a staple of the scene. Lead track 'Powershow' is a sprawling 12-minute exploration that encapsulates everything great about houseideep, soulful, yet endlessly driving. Following that is 'Stereodrama,' which shifts gears slightly, upping the ante with a raucous, percussive workout. It's a perfect reflection of Howells' deft touch for crafting emotionally resonant yet unrelentingly danceable moments. Finally, there's 'Earthlings X,' a track that might have been created years ago but still feels entirely of the moment. Despite being Danny's first release for Selador, it's aged like fine wineiits ever-present freshness matching its ability to still sound like a future classic. It's the kind of cut that seems to embody everything Howells stands for, the perfect intersection of intelligence, energy, and soul. Sounding both timeless and cutting-edge this is another feather in his already many-feathered cap.

Review: Per Hammar and Berlin-based label Sushitech are a match made in heaven as both have long since proven their credential in the world of dub techno. As the label turns 20, it kicks off its year with an album that has been two years in the making and features a top-quality array of dub techno sounds. Malin Genie features on two of the more kicking and propulsive cuts, while Jannik Jivung adds an organic touch to two more. In between those sounds are percolating slow-mo jams like 'Representant Dubb' and more kinetic sounds like 'TX Files' with its fresh kicks and rolling bass.