Spacetalk Vinilo y CD

Review: Mila Anatoli is one of those artists whom we might never have heard about despite such a singular sound. It's only because one half of Pyschemagik aka Spacetalk boss Danny McLewin picked up an acetate of her early 1980s demo recordings from a record dealer in New Jersey that we are now learning of her story and hearing of her work on this reissue package. It's a fascinating listen that fuses many different sounds - wave, space music, synth and a dreamy vocal style into outlier music that is retro yet futuristic. Sure to come a real collector's favourite, this is a fine introduction to a criminally unknown artist.

Review: Well, what a way to inaugurate your label! The newly crowned Spacetalk comes through resolutely correct with this reissue of 1978's "To See One Eagle Fly" by Morrison Kincannon, a psyched-out funk bomb with a glorious blue-eyed soul twist, and a mystical sort of vibe that can proudly sit up there with the likes of Stills, Nash and Young - i.e. proggy but still groovy. There's an extended remix from Mudds, and the man goes for a kind of dub version approach; a new and different tactic to deploy over a rock tune, but effective nonetheless.

Review: Ilan Pdahtzur is as obsessive a record digger as any of his more visible peers. His particular niche is early to mid-eighties club music, and now he gets a platform to show off his skills thanks to the Spacetalk label. "Night City Life" is about music to match that exact setting - nocturnal urban metropolises with glowing neon lights shimmering in the darkness. There's a lot to love across four sides of vinyl here, from Italo disco to steamy boogie cuts and iridescent synth jams. It will make you nostalgic for a time and place you've never experienced (at least not as perfectly as this) and no doubt get plenty of dance floors on their feet.

Review: Inspired by his neon-lit walks around London's docklands, crate digger Ilan Pdahtzur's 2019 compilation Night City Life marked him out as a dusty-fingered crate digger and record collector with a distinctive, synth-heavy musical vision. It made him the toast of the selector/collector community, but more than that it was a genuinely superb selection of obscure, hard-to-find cuts. This belated sequel is every bit as essential and filled, unsurprisingly, with rare and lesser-known gems. Highlights are too plentiful to mention, but our current favourites include Sharon & Tracey's 'The Sheik' (a belly-dancing inspired slab of TB-303 bass-driven house hedonism), Jennifer's 1992 Euro-house gem 'Come Into My Life', Scicilian musician Claudio D'Ignoti's boogie-era treat 'Ache Per Noir', and the fashion scene inspired leftfield synth-pop of Lena's 'Embrasse-Moi (Strumentale)'.

Review: Spacetalk Records returns from a period of hibernation with something special: a new collection of ultra-rare, little-known nuggets from label co-founder Danny McLewin AKA Skyrager. Unlike his previous compilations as part of Psychemagik, there's no killer concept behind Traces of Illusion, just a desire to share some of the dusty obscurities he's found during years of determined crate digging. Musically, it's a mixture of psychedelic folk, leftfield synth-pop oddities, blue-eyed soul, acid-fried blue-eyed soul, Balearic boogie, Americana, ambient jazz, AOR, late 80s dancehall-soul and even a spot of grizzled progressive rock. In other words, it's as educational as it is entertaining, and packed to the rafters with private press treats and impossible-to-find curiosities.