Back catalogue: Psych/Garage Rock

Review: The Pambele band's debut album blends Afro-Colombian influences taken from their shared heritage with the vivid sounds of 60s psychedelic rock. It's a work rich in "Caribbean creolisation" with traditional Colombian percussion, joyful, rhythmic vocals and intricate guitar melodies all underpinned with wild organ tones. This powerful cross-fertilisation creates a transatlantic but also distinctly Caribbean sound that draws you into a world of exuberant musical atmosphere. The tunes often get you into a trance-like state while combining raw improvisation and dancey rhythms. It's an authentic escape to a very distant part of the world but one with a universal sense of rhythm that cannot be escaped.

Review: The fifth album from Newcastle's finest heavy riff providers Pigs, Pigs, Pigs, Pigs, Pigs, Pigs, Pigs is a must for those moved by the band's live shows over the past few years. Black Sabbath-inspired crashing riffs, growling vocals and body lurching songs that are served up with ease as the band give the listener the intended 'slap in the face' producer and guitarist Sam Grant promised. Early release 'Stitches' comes just over a year since their previous album Land of Sleeper and Death Hilarious continues the frantic momentum the band have set themselves. An Exhilarating album that sounds even angrier than ever leaving the listener gasping for breath by the end. Run the Jewels EI-P features on 'Glib Tongued', a track the band felt had a hip-hop feel to it when presented to them by bassist John-Michael Hedley. Anyone that has been fortunate to witness the band's incendiary live shows will be satisfied that this collection of huge sounding songs is a great representation of the live experience, one which will soon be available to all to witness.

Review: Ahhhh. Pigs Pigs Pigs Pigs Pigs Pigs Pigs don't miss a trick, do they? Kings of grinding guitar riffs, and probably the loudest thing to roar out of Newcastle since The Wildhearts were upstarts, 2025's follow up to the stunning Land of Sleeper breaks from it predecessor's focus on headphone listening and launches itself into the real world with the snarling ferocity of a wolf that was injured, got nursed back to health, and now wants some revenge. Death Hilarious certainly tastes sweet enough, although it's anything but cold. Guaranteed to make you sweat like a pig - you get the point... this is dense, thick, unrelenting psyche-metal that owes plenty to pioneers like Sabbath and Motorhead, but makes no secret of the fact these North Easterners are looking to nobody for their sound. An original powerhouse.

Review: The Newcastle five-piece double down on doom, derision and distortion in their most scathing record yet. Death Hilarious flails between cosmic thrash, anxious noise rock and Sabbath-sized sludge, driven by Matt Baty's sneering vocals and a rhythm section that sounds like it's eating itself alive. 'Blockage' bursts out the gates like an angry sermon, while 'Toecurler' stretches into hypnotic, post-metal territory. 'Stitches' has a twisted glam feel, like a battered Motorhead tape rewound with cheap synths, and 'Glib Tongued' throws a curveball: a blistering feature from El-P over jagged guitar loops. The band's sharpest move here is restraintipiano motifs and synth lines creep in under the wreckage, giving moments like 'Carousel' and 'The Wyrm' a strange solemnity. It's unrelentingly heavy but never cartoonish, embracing dread with clarity, and proof Pigs x7 are still levelling up, even as they gnaw at their own nerves.

Review: The band often described as the British MC5, The Pink Fairies wore the clothes of the hippy era but their garage rock also paved the way for space rockers like Hawkwind, metalheads Motorhead - Larry Willis of the Fairies featured in their original line up - and the punk movement. This neat collection compiles ten tracks recorded for different BBC sessions, with versions of PF classics like 'Uncle Harry's Last Freak-Out' and 'Portobello Shuffle' - paying tribute to the then West London squatland and alternative lifestyle HQ - rubbing shoulders with uniquely executed covers of well worn rock standard like Chuck Berry's 'Johnny B Goode' and the early Lennon/McCartney classic 'I Saw Her Standing There'. A sumptuous slice of anarcho rock history.