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Back catalogue: Rock
Juno's full catalogue of Rock
Singles
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Good Thing Going (Put It On A Record) (7" limited to 300 copies)
Cat: ECR 006. Rel: 03 May 24
Review: This new series brings forth a fusion of late 60s/early 70s Funky Rock Breaks from around the world, promising dancefloor action for Hairy B-Boys and Head-Banging Breakers alike. Side-1 kicks off with 'Good Thing Going (Put It On A Record),' blending guitar riffs, big beats, rock vocals, and rap phrases to ignite any party atmosphere. On the Side-2, 'Whole Lotta Drugs!' delves into the wild world of groupies and illicit substances, featuring an obscure brassy cover of a classic rock track with added beats and samples for a backstage after-party vibe. Released on limited edition purple and black vinyl, this series delivers a high-octane soundtrack for the upcoming festival season.
… Read moreIntérprete: Juno Recommends Funky House, Juno Recommends Funk
in stock $17.47
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Review: Pressed for the first time on 7" vinyl, two killer rock club tracks from the legendary Colloseum, track 1 and 2 from their sophomore 1969 album 'Valentyne Suite' - 'Elegy' and 'The Kettle'.
The powerful and up-tempo 'Elegy' is a funky love song, with steaming guitars and heavy groove, an absolute home run of a funky club banger. On the flip is the 'The Kettle', featuring a heavy rock groove that the attentive ear will recognise as sampled by Fatboy Slim for 'Ya Mama'.
… Read moreThe powerful and up-tempo 'Elegy' is a funky love song, with steaming guitars and heavy groove, an absolute home run of a funky club banger. On the flip is the 'The Kettle', featuring a heavy rock groove that the attentive ear will recognise as sampled by Fatboy Slim for 'Ya Mama'.
Intérprete: Mukatsuku Records Chart, Dynamite Cuts
in stock $18.29
Álbumes
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Stay Free: Live In NYC 1979 (heavyweight vinyl LP)
Cat: CL 85128. Rel: 31 Jan 22
Review: On September 21 1979 The Clash took to the stage of The Palladium in New York City and performed one of the most significant gigs of their lives. At that point they'd released their self-titled debut and Give 'Em Enough Rope, and their position as vital progenitors of the British punk explosion was assured on an international level. This particular performance was broadcast on the radio and subsequently became one of the most widely bootlegged of all Clash gigs, but it attained an even more legendary status as the gig where Paul Simonon smashed his bass into the floor, captured on camera and subsequently used as the iconic cover for London Calling.
… Read more in stock $15.51
