Resultados de la búsqueda

Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

*** New firmware update (26th October 2021) *** Arturia are happy to announce another major new firmware update for MicroFreak, bringing massive new creative functionality for users free of charge.

Firmware V4.0 elevates this hybrid desktop synthesizer's status as a sound design powerhouse even further:
New WaveUser sound engine
Allows for user wavetables(!!)
64-new presets
Sequencer Unison & Chord Voices
Faster Oscillator Encoder Response
....and more!

This update, plus ALL the of previous updates (see Vocoder & Noise Engineering oscillators etc.) cement the MicroFreak as one of the most interesting, powerful and flexible synthesizers on the market, whilst maintaining excellent value for money.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.

Notes: The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analogue signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Page for Classic version of MATHS

Specifications

Width: 20hp
Max Depth
(incl. power cable): 32mm
Power:
60mA@ +12V
50mA @ -12V

Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.

Version 2.0 of the free Firmware update (July 2021) has these enhancements:

Global transpose - Transpose multiple melodic tracks at the same time

Global value offset - Apply a relative offset for any of the 5 main controls for every step across the selected track pattern

Recording Arpeggios in sequences - You can now record arpeggios into a sequence

Recording Chord Mode - You can now record 'Chord Mode chords into a sequence

Arpeggios while stopped - You can now create and play arpeggios while KeyStep Pro isn't playing

MIDI Thru - MIDI Out 2 can now be set to Thru mode

Mono Mode: The mono mode has been refactored for a smoother experience

Arpeggio swing - You can now add swing amount to arpeggios using Shift

Step Listen - Trigger sequence steps without playing a sequence so you can preview your notes

Various workflow and UX improvements

Bug fixes - Various improvements to workflow and functionality

Notes: Killer value from DJ brand Reloop. Classic SL1200-inspired design with solid build quality, accurate sound reproduction plus modern features like a 50% pitch option and reverse button.

Supplier's notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.

Notes: Version 3 of NI's hybrid groovebox is a super-slick instrument, with the pad controller and Maschine software working in perfect harmony. Built-in audio interface, slick workflow and tons of sounds included to get you started.

Supplier's notes:
The new MASCHINE takes the classic groovebox workflow and makes it faster and more intuitive. Optimized based on customer research, it's packed with new features to boost your speed and increase your focus - all without breaking the workflow you love.

Bigger pads:
Big, bold, and in your face, the larger pads create more room for complex moves like flams and rolls. New technological updates make the pads more sensitive to lighter touches, for more expressive playing. And since the centre-to-centre distance is exactly the same, your muscle memory and workflow don't have to change.

Full colour, hi res screens:
With two full-colour displays and the four-directional push encoder, you can browse sounds, FXs, plug-ins, and instruments with a tactile, one-handed, completely visual workflow - simply find the thumbnail and load directly from the hardware. Plus, the high-res screens let you get more precise with your mixing, see an overview of your arrangement, or zoom in on waveforms to slice samples like a surgeon.

Studio-grade audio interface:
MASCHINE now comes with a studio-grade, 96kHz / 24-bit audio interface for pristine sound. Simply patch in a synth or add a dynamic mic for quick recording and sampling. Stereo line and MIDI ports make it a perfect centrepiece for any studio. Plus, it's USB-powered, so you can record anywhere with your laptop.
Faster workflow:
The new hardware layout cuts through the clutter to help you stay focused and get your ideas out fast. Instead of being hidden behind a shift-function button, some of the most-used features and functions can now be accessed directly with one touch.

8 touch sensitive knobs:
Go beyond tweaking with eight touch sensitive knobs. Touch once to activate special contextual menus, such as tag clouds, sound settings, and FX parameters. You can also map your most frequently used FX, instruments, or plug-in parameters to macros with the touch of a button.

Smart strip for new ways to play:
The Smart Strip opens up MASCHINE to whole new ways of playing. Use it like a keyboard wheel to pitch-bend and modulate sounds. Add new sonic textures, builds, or transitions with advanced performance FX like stutter and scratch. Or strum samples, synths, and drums like a guitar.

Notes: Four-channel version of the hugely popular TRM-202 rotary mixer. Solid sound quality with three-band isolator section and two-band EQ per channel. Killer value for money.

Supplier notes:
The 2-channel version of this mixer, the TRM-202 MK3 from Omnitronic, was particularly popular with DJs of electronic music all over the world. With the TRM-402 4-channel rotary mixer, the popular concept is extended by 2 channels: Now nothing hinders a creative 4-deck DJ set or a flying change during a gig. Of course, this version also incorporates the classic features of a rotary mixer in the form of ALPS rotary controls (Blue Velvet RK27) and a 3-band frequency isolator.

Smooth transitions:

The high-quality components of the TRM-402 ensure an appealing sound image. The large rotary knobs of the 4 channels allow the DJ to create very smooth transitions, which are so difficult to set with a conventional mixer (with faders). All channels can be switched between line & phono inputs or sources. A microphone input is also available. The kill characteristic of the isolator ensures the complete elimination of bass, midrange and treble and thus creative mixing.

Recording your own set:

The TRM-402 is equipped with a booth output and a separate volume control. So the use of the mixer in the club is no problem at all. Thanks to the record out, it is also possible to record your own DJ set.

Notes: Top-of-the-range audiophile cartridge from Britain's oldest cartridge company. Beautifully revealing sound with quiet background and replaceable Gyger-S stylus included.

Supplier notes:
The 1042 is a record cartridge for the audiophile who demands the ultimate sonic performance from their system, together with the convenience of a user replaceable stylus. The extended groove contact of its Gyger-S diamond gives the 1042 unsurpassed resolution of the fine groove modulations, producing an exceptionally detailed, smooth and musical sound.

Notes: Freaky stereo digital delay from the Eurorack gods at Make Noise. Typically creative stuff, packed full of interesting features for creating complex echoes, modulating sounds and generating loops.

Supplier notes:
The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.

The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.

Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.

Notes: Big brother to the excellent MicroFreak, the MiniFreak is a hugely impressive hybrid synth, teaming dual digital sound engines with analogue filters for creative approaches to polyphonic sound.

Supplier notes:
MiniFreak is a 6-voice polyphonic hybrid keyboard that fuses two digital sound engines with analog filters, outside-the-box sequencing, and instant-access modulation in a playful, curious, and sometimes unpredictable way. MiniFreak encourages users to escape the ordinary and explore the unconventional with a 37-note velocity-sensitive keybed with aftertouch, weave intricate evolving performances with multiple modulation lanes, and discover endless sweet spots with a built-in digital FX engine - a wildly creative experience.

Unprecedented hybrid polyphony

With over 20 modes to choose from including Virtual Analog, FM, and Additive, the interplay between MiniFreak's two oscillators can result in truly unique compound sonic behavior. With 6-voice polyphony, analog filters, and the ability to process engine 1 through engine 2, MiniFreak puts premium polyphonic synthesis exploration into a compact & tactile instrument that's as addictive as it is powerful.

Customizable & experimental sound design

Embellishing the popular Freak modulation matrix, MiniFreak gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

Mix-ready stereo sound

MiniFreak comes with stereo outputs and 3 digital FX slots with 10 FX types to choose from. From stereo-enhancing chorus, to surgical 3-band EQ, to gritty 6-mode distortion, users will have everything they need to push their sound over the edge while keeping it mix-ready.

Expression, meet chaos

Despite its penchant for wild & exploratory sound design, MiniFreak is also built as a responsive instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features and modulation lanes put playfulness and sonic momentum immediately at users' fingertips.MiniFreak VMiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a like-for-like virtual experience of the synth itself, at no extra cost.

What's in the box:

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions
Size : 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight : 6.48 lbs. (2.94 Kg)

Notes: Glitchy business with this digital module based on the sound of scratched CDs, buggy software and failing hardware. Stereo in and out with up to five minutes sampling time.

Supplier's Notes:
Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.

Notes: Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.

Notes: One of our favourite DJ turntables, courtesy of German DJ brand Reloop. Classic Technics-inspired design updated with nice features like reverse mode, 78rpm setting and second start/stop button.

Supplier notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.

Notes: Gorgeous analogue goodness in this all-rounder, featuring overdrive, filter, envelope, LFO and a nice retro spring reverb among others processing options. Tons of character.

Supplier's notes:
Today's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analogue effect-processors are yet to beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system - it is an analogue multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and of course reverb.

The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.

The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.

The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.

The Retroverb Lancet offers 3 internal modulationGorgeous analogue goodness
in this all-rounder, featuring overdrive, filter, envelope, LFO and a nice retro spring reverb among others processing options. Tons of character. sources:

Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.

The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.

Notes: The all-rounder has 8 push-encoders without detents, 9 faders and 8 buttons, all switchable to 8 controller groups that allow to control a total amount of 264 control parameters. A 4-digit-display and 8 leds show the current values of all controls.

Various kinds of MIDI commands like program change, pitchbend, aftertouch and control change in relative and absolute mode with different acceleration amounts are possible. All these properties are fully programmable on the devices very fast and easy for each control separately.

The encoders can work as high resolution 14bit controllers too (control change or pitchbend) which makes them suitable for sensitive parameters like resonating filter cutoffs or similar things.

Use the internal 18 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup.

There you can control all the continues parameters like track volumes, rack macros, send amounts, track pannings and switchable patameters like clip launch/stop, mute, solo, rec arm, monitor and track select. A special control surface script for Ableton Live 8/9 with all necessary mappings is enclosed in the package. With that script you can also use two UC4 devices to control up to 16 tracks simultaneously.

Check out this amazing power box and you will get a reliable mate...

Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection

Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.

Notes: One of 1010music's first miniature Nanobox instruments, the Lemondrop is a granular synth in a compact format. Touchscreen interface gives full hands-on control of the four-voice sound engine.

Supplier's Notes:
Freshly Squeezed Granular Synthesis

Explore a freshly squeezed approach to granular synthesis with Nanobox | Lemondrop, a polyphonic granular mini synthesizer with intuitive touchscreen control. Four voice polyphony, two granulators and an oscillator provide a wide sonic paletteifrom lush environmental pads to rugged and glitched-out textures. Instantly morph and shape sounds with the swipe of a finger using touchscreen X/Y control. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate lemondrop seamlessly with your existing tabletop gearior create on-the-go thanks to a compact design that fits in the palm of your hand.

What Is Included

Nanobox | Lemondrop compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs

Includes 153 presets and 311 wave files
16 grains per oscillator for a total of 128
Sample memory per oscillator 30 seconds
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: Perennial favourite nearfield monitor with a look inspired by the classic NS-10s. Punchy sound with the clarity and accuracy needed for production and mixdowns. Great value.

Supplier's notes:
The Yamaha HS8 is the new flagship model of Yamaha's HS series of active studio monitors, taking its cues from the ever popular and much demanded NS-10.

The Yamaha HS8 Active Studio Monitor features biamplified full range 2 way speakers rated at 75W and 45W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as the home project studio. The HS range of monitors has been designed in the same tradition of the legendary NS10M monitors.

Yamaha HS8 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology right across the HS range, which also helps to deliver a clean and precise signal. The HS8 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.

Notes: Latest mid-range DJ controller from NI, designed specifically for the brand's Traktor software. Four-channel setup at a very reasonable price, featuring most of the key features of the more expensive S4.

Supplier's notes:
Layer tracks. Go back-to-back. Hook up a mic and an MC. Keep a wildcard up your sleeve and drop it when the dancefloor needs it: TRAKTOR KONTROL S3 has everything you need to DJ across four decks. Step up your sets, and play with total freedom.

FOUR DECKS, AT YOUR FINGERTIPS:

At the heart of the TRAKTOR KONTROL S3 is the four-channel mixer, with full-length faders, EQ, cueing, and Mixer FX control over each deck. Juggle Hotcues, samples, and loops with eight RGB pads on each deck. When it's time to take things further, switch decks and keep on-track with the jog wheel light rings.

FROM SCRATCHES TO SPINBACKS:

When it's time to get your mix on, there's plenty of jog wheel to go around. Touch-sensitive and super smooth, they're not just for nudging and stalling, but feel great for scratch workouts too. RGB light rings let you know which deck is playing at a glance, and warn you when you're almost out of track.

FROM SCRATCHES TO SPINBACKS:

When it's time to get your mix on, there's plenty of jog wheel to go around. Touch-sensitive and super smooth, they're not just for nudging and stalling, but feel great for scratch workouts too. RGB light rings let you know which deck is playing at a glance, and warn you when you're almost out of track.

RE-EDIT, REWORK, REINVENT:

Fire off samples, loop drum patterns, chop in vocal cuts, or even work your own productions into the mix if that's your thing. Loop any part of a track and assign it to a pad, or skip to any part of your track using Hotcues. TRAKTOR PRO's beatsync means you'll never lose the groove.

MIXER FX ONE-TOUCH DANCEFLOOR TRIPS:

Cut the kick and open a reverb, or chop things up with a dotted delay - Mixer FX are one-touch effects on each channel, great for building energy, shaping your sound, or just going wild. Choose from eight effects and three filters, and assign them to the dedicated slots on the mixer for quick access.

TRAKTOR PRO 3:

TRAKTOR KONTROL S3 comes paired with the full version of TRAKTOR PRO 3 - packed with expressive features and re-edit tools for truly unique, performative mixing.

DJ EVERYWHERE WITH iOS:

Grab a portable speaker, hook up an iPad, and take your S3 on the road with TRAKTOR DJ 2 - mix with two channels on a streamlined interface, and dig through a bottomless record crate with SoundCloud Go+ integration.

HIGH-FIDELITY, BETTER CONNECTED:

Set up and spin with punchy, pro-grade XLR and RCA main outputs with a huge dynamic range, as well as a 1/4" TRS booth output, and 3.5 / 6.3 mm headphone outputs. For hooking up a vocalist or MC, there's a dedicated combo XLR input on board, as well as an additional RCA input for mixing with external audio.

Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.

Dimensions
14 HP

Current Draw
95 mA +12V
2 mA -12V

Notes: The Quad Peak Animation System music synthesizer module combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.

Features:

Quad Core Stereo Analogue
Multi-Peak with clean resonance
Fast response encourages deep FM
Radiate spaces stereo image and animates associated channel
High Q settings are under damped, excitable, and ring by gate or trigger
2 !!ii modulation inputs aid patch exploration
Stereo VCA, pre-filter with gain
Mono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations
Smile Pass filter response unique to QPAS
Low Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available

Specifications:

Width: 18hp
Max Depth
(incl. power cable): 45mm
Power:
166mA @ +12V
190mA @ -12V

Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

Notes: Boutique analogue goodness inspired by chthonic demi-goddesses. Obviously. Six-voice synth engine with fully analogue signal path plus digital reverb. Compact and powerful with a lush, distinctive sound.

Supplier's Notes:
Nymph(e)s are chthonic demi-goddesses who not only personify nature but are regularly associated with the wild.

They inhabit rivers, springs, woods, groves, fields, caves, mountains and valleys.

They preside over fountains, sacred wells and fresh water.

The Polyphonic Synthesizer N Y M P H E S was developed during the obscure pandemic times and we really hope that it will bring a pinch of happiness on your face. Dreadbox have attempted to condense an ambitious idea in a small and compact box, without any compromise in the quality of the final instrument.
The result is stunning and ethereal ...

Features per Voice

1x VCO with Wave Forming
1x Sub Oscillator
Noise generator
1x LFO per voice with: Key track, Fade In and Fade out, 5 waveforms and wide frequency (into the FM range)
2x Envelope Generators
24dB/octave Low Pass Resonant Filter with accurate tracking
6dB/octave High Pass Non-Resonant Filter

Common

Voice Features

1x common LFO (named LFO2) that can target any and multiple parameters with different amount to each one at the same time , with: Key track, Fade In and Fade out, 5 waveforms and Wide Frequency (into the FM range)
7x active Chords that you can edit, modulate and store on each preset
Modulation wheel, Velocity and Aftertouch (monophonic) can target any and multiple parameters with different amount to each one at the same time

Specifications & Connections:

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via USB or DIN5
1/4 MONO TS Jack Out
1/8 Headphones Out

Dimensions: 24 x 12.5 x 3.8 cm
Weight: 0.85 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with either USB HOST or DIN5 midi output
Monitor, Amp or Headphones

Included in the box

USB cable (A to B)
DIN5 to 3.5mm adapter (specs as found at midi.org)
Quick Start Guide
Menu Map

IMPORTANT NOTE:
True power consumption is at 310mA. Some computers cannot deliver that much current. Please make sure that your device has sufficient current for Nymphes before connecting it- otherwise if you want to connect it with a computer, you will need a USB splitter or a powered USB hub.
When using a USB adapter, always make sure it can deliver 1000mA or more.

Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier's notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.

Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company

Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.

Notes: Sound:
Vintage Keyboard Sound Engine with six incredibly detailed vintage keyboard types.

Each keyboard type matches a carefully chosen Drive and Tremolo setting to provide an incredibly musical pairing.

The six keyboard types are:

- RdI, early '70s tine electric piano

- RdII, late '70s tine electric piano

- Wr, late '60s reed electric piano

- Clv, 70s struck string Clavinet

- Toy, toy piano

- CP, Yamaha CP80 electric grand piano

128-note polyphony ensures dropout-free performance.

Five stomp box-style effects with direct control@
The effect types are:

- Drive (adds harmonics and distortion)

- Tremolo (Auto-Pan for Rd) or VCM Wah with adjustable depth and rate

- Chorus with adjustable depth and speed

- VCM Phaser with adjustable depth and speed

- Digital or Analog-Type Delay with adjustable time and depth

- Reverb with adjustable depth

Control:
- Based on the FS action found on the flagship Motif XF, HQ (High Quality) Mini Keys provide premium feel and response for fast, accurate and natural playing

- Sustain pedal input allows the sustain function for all electric piano sounds

Mobility & Connectivity:
- Speakers

2W 3cm stereo speaker system lets you play any place, any time.

Specially designed bass reflex port technology enhances bass response for full, rich sound.

- USB

USB "TO HOST" allows MIDI connectivity to your USB-equipped computer or iOS device.

- Audio output

Dual 1/4"unbalanced line outputs provide connection to mixers, audio interfaces, DI boxes and more.

- Audio input

A 3.5mm aux line input lets you connect and hear mobile devices, tablets and more through the instrument.

Battery Operation:
- Battery powered - uses six "AA" batteries with five hours of life

Create your Soundmondo. Inspire and be inspired:
Soundmondo is a free sound sharing community that lets you discover, create and share reface Voices and Set Lists using Google Chrome any place, any time you're online.

Powered by Web MIDI, Soundmondo is simple to use - just connect reface to Chrome and you're ready to create or start browsing.

Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

** Firmware update- February 2024 ***

Thanks to a major rework of the OS, this upgrade includes an overall better sound quality and an improved latency.

Moreover, the effects Freeze and Bitcrusher have been redesigned, and the parameters Start and Sample Length are now exponential to facilitate the fine-editing of your samples.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples

Notes: Record. Mangle. Destroy.

Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.

Notes: Arturia's 88-key controller is designed for those who place the emphasis on keyboard quality and feel. Piano-style hammer action makes it a nice choice for serious players.

Supplier notes:
Creating music in the digital world can be difficult. So many options, so many new things to learn. KeyLab Essential lets you focus on what's important.

8 pads, 9 rotaries, 9 faders, and an expressive keyboard, but so, so much more. Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. KeyLab Essential makes navigating inside your recording software a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting and inspiring experience.

Spend less time with a keyboard and mouse, and more time creating, performing, and playing.

The KeyLab 88 is a professional-grade 88-note MIDI keyboard controller designed with the working musician in mind. Featuring a new hammer-action keybed from Fatar and deep integration with our award winning Analog Lab software, the KeyLab 88 is unique with its robust, solid metal construction and classic wooden side panels.

An extensive array of controls, a stylish yet amazingly lightweight design, and brilliant integration with laptops and tablets: KeyLab 88 is perfect for modern keyboard players, pianists, demanding stage performers, and professional producers who will not compromise on quality. KeyLab 88 sets a new standard in professional controller keyboards.

As a professional hybrid synthesizer, KeyLab 88 offers the immediacy of a hardware synthesizer combined with the flexibility of a software-based solution.

Thanks to the top quality, hammer-action Fatar keybed, the KeyLab 88 is the ideal companion for demanding performers.

Notes: Excellent Eurorack sequencer based on random chance and evolving patterns. Dial in a series of notes and build melodies, generate and tweak patterns in real time. Huge depth for studio production or live performance.

Supplier's Notes:
The Melodicer from Vermona is a CV/Gate sequencer with an innovative concept; the melody sequencer offers twelve faders for setting the note probability and two dice-(or random) buttons for generating melody and rhythmic structure.

Notes: Multi-model stereo delay with reverb, featuring tape, bucket brigade and crossfading digital models, plus saturation, filters, internal modulation plus tons of CV control. Vibey as hell.

Supplier's Notes:
It's all gone a bit wobbly

Intellijel's design goal for Sealegs was to create the warmest, most musical and organic delay module possible - something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modelling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape; Bucket Brigade, and Crossfading Digital.

A plethora of onboard controls enable you to dial in exactly the sound you want; synced or un-synced delays times (for both left and right channels); a built-in modulator with seven morphing waveshapes, a Wow & Flutter emulation, and an envelope follower; plus dedicated low- and high-pass filters; built-in hiss & crackle noises; per-model colour controls; a spacious reverb; and a re-configurable signal flow through the unit. In addition, attenuverted modulation inputs abound - ensuring the delay ebbs and flows with your musical needs.

Features
Three Unique delay models with per-model "Color", modulation behaviour, and saturation/limiting
Three Stereo configurations (PONG, L/R, Time/Width)
Built-in modulator with multiple, morphing wave shapes
Lush, routable 1970s-inspired reverb
Noise control to introduce hiss and crackle.
Highpass and lowpass filters for filtered repeats
Input drive with level trim
Per-model Freeze functionality for holding the delay contents and looping
Delay times up to 6 sec (L channel) and 8 sec (R channel, Width adds 33% to Time)
9 CV inputs (with attenuverters)
Stable external clock syncing (or tap tempo)
96 kHz, 32-bit stereo floating point processing

Size: 20HP
Depth: 29mm
Power: 116mA @ +12V 10mA @ -12V

Notes: The Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more...
A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).

At a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance/Q is variable, which changes the "ringy-ness" or width of the bands.

But here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the "notes" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.

At maximum Resonance/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.

Two 1V/octave Frequency jacks allow for tracking even and/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.

Save your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!

Advanced features:
- Program your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank
- Adjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red/Green/Blue values. Custom color schemes can be saved permanently
- Save your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.
- Optional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V/oct in this mode.
- Slider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.

Notes: Numark Scratch is a 24-bit two-channel mixer that redefines what you can do with an affordable 2-channel scratch mixer. With Scratch, you'll be able to create and perform at a higher level than you ever thought was possible - especially with a mixer in the affordable price category. Scratch combines professional-level performance and outright DJing fun in a way nothing else ever has. You've got to experience it to really see what it's all about!

Scratch is really something special - It brings a new look and design to the mixer category. It boasts an all-metal build with professional features such as a built-in Innofader crossfader, performance pads, instant loop encoder, and toggle paddles to trigger software-based effects. To top it off, it comes with Serato DJ Pro and Scratch is Serato DVS ready.

Its soft responsive performance pads give you the freedom to access cues, rolls, and sampler quickly. The pad mode makes it very convenient to set hot cue points, roll temporary loops, and trigger samples at ease.

Six dedicated software-based FX to apply to individual channel or both using the premium performance base toggle paddles. You can adjust your FX mix from Dry to Wet as you feel the mix.

Play your best with the best! With amazing sound quality thanks to its 24-bit circuitry, the sound is pristine. Your digital song collection never sounded so good, whether you're using Serato DJ Pro or other preferred software. This is also a great mixer to play vinyl records, with a full EQ and a dedicated low/high pass filter.

The butter-smooth Innofader crossfader is designed with the turntablist in mind to perform most intricate and accurate scratches. You have two switches above the crossfader; 1.) reverse the channels and the other 2.) change the slope for a hard cut or a soft curve for mixing.

Easily connect to the Numark Scratch, whether you use traditional turntables or media players. Scratch unlocks Serato DVS for Serato DJ Pro instantly.

Looping made easy. Keep the beat going by pressing the encoder down, and it will lop to the default parameters set in your software. Turn the knob to the right to extend the beat and to the left to shorten the loop.

Scratch has all the necessities with premium features for any setup. There is an XLR main output and unbalanced booth output for the best booth/dance floor experience. There are unbalanced inputs for both line and phono inputs for each channel. A microphone/auxiliary input for XLR or 1/4-inch TS controlled by the mic level knob on the mixer gives you all the versatility you could ask for.

Power supply:
Internal 100v - 240v

Dimensions
12.05" (L) x 9.61" (W) x 3.32" (H)

Notes: Compact take on the Bitbox sampler, also offered as the larger Mk2 version. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Sample Playback

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs
Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 2? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Inputs and outputs are DC coupled so you can record and play out CV signals

Notes: The BeatBuddy is a drum machine in a stompbox, or a drummer pedal for short. Use this drum pedal for guitar and many other instruments. Further, we've meticulously recorded professional drummers and paired their samples with an algorithm that results in the best sounding drum machine you've ever heard.

In addition to being the most realistic drum machine on the market, it's also the easiest guitar drum pedal to use. That is to say, there's no fussing around with sequencers, and controlling the beat during a live performance is as easy as stomping on the pedal to add fills, transitions, and outros.

Notes: Somewhere between an analogue drum synth and a dub siren, the DS71 is a uniquely creative little box. Properly versatile, experimental stuff.

Supplier's Notes:
The DS71 is a synthesizer designed to easily create many different dub siren tones at your fingertips. It combines analog synth voicing circuitry with a powerful digital LFO that allows for quick access to different sounds at the press of a button. Inspired by the classic analog drum-synth modules and re-interpreted as dub siren.

Audio output: impedance balanced 1/4" TRS Jack

Trigger input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

12VDC 1A power supply included.

Notes: Reloop's next-generation interface is the go-to for connecting turntables and media players to Serato, offering three stereo inputs and three stereo outputs. Studio-quality 24-bit / 96 kHz conversion and built-in USB-A hub.

Supplier's Notes:
Back to the music

The Reloop Flux is a next-generation USB-C interface for using Serato DJ Pro with turntables, CDJs or other media players. The interface boasts superior audio qualities, a well-designed operating concept and a club-ready design. It can transform any conventional mixer into a professional digital vinyl system.

Maximum flexibility

Three stereo inputs provide DJs with maximum flexibility. Turntables, CDJs and similar can be used in any combination. The settings are adjusted using discreet DIP switches, which virtually eliminates any chance of accidental switching in the club. The interface includes three stereo outputs, including an AUX out that can be routed to Serato's internal sampler. Gold-plated, corrosion-resistant RCA jacks ensure high-quality audio transmission.

Full control

The Flux provides the best possible routing overview thanks to clearly visible signal flow LEDs for all inputs and outputs and a Thru status indicator. Connection status (hub, PD, DC) LED indicators on the top of the interface provide additional control options. The Direct Thru buttons on the top of the interface enable you to quickly and easily activate and disable Thru mode, which allows connected turntables and CDJs to be used conventionally. Navigation through the Serato software is no longer necessary.

Hub inside

The Flux includes a built-in 2-port USB-A hub for connecting MIDI controllers and other USB accessories. Aside from the expanded connection options, the hub reduces potential connection faults in a busy club environment by keeping the setup connected even without the laptop.

Studio quality - anytime, anywhere

The Flux offers studio quality in the club and wherever it's needed with 24-bit/96 kHz, high-quality digital/analogue converters and ultra-low latency. For this reason, it's a superior DVS interface which could also be used as an audio interface in the studio.

Always powered

The Flux is bus-powered by a computer, so there's minimal wiring required for audio and power cables. The DVS interface can also be powered by external power sources through the USB-C DC input, allowing turntables and CDJs to be used in Thru mode even without a computer connected. The Flux's second USB-C port provides Power Delivery support for other USB-C devices (max. 60 W), such as a MacBook.

Robust & roadworthy

The interface has a durable metal housing with a scratch-resistant, black surface, ensuring a long service life even with heavy use. The extended edge design keeps the connections well-protected.

Plug & play for Serato DJ

The Reloop Flux unlocks the full version of Serato DJ Pro and Serato DVS. This means DJs can get up and running with the market-leading digital vinyl system in no time. Additional licences are not necessary.

Features:

3-channel (6x6 in/out) USB-C DVS interface for Serato DJ Pro
Turn any mixer into a professional digital vinyl system
Unlocks full version of Serato DJ Pro and Serato DVS
Studio-grade 24-bit sound card with crystal-clear audio and ultra-low latency response
Supports up to 96kHz with high-quality D/A converters for superior audio processing
Also functions as a stand-alone studio interface for recording and playback audio
3x inputs for turntables, CD players or AUX-In for live feed signal, switchable in any combination via dedicated dip switches
Dedicated GND terminal for grounding turntables
Gold-plated, corrosion-resistant audio connections
3x line outputs, including AUX-Out, assignable to the Sampler
Easy, accessible direct thru buttons for analogue deck playback
All terminals are visible from the top of the unit for easy installation in dark surroundings
Bus-powered cable connection for power and audio
Optional USB-C DC in port for external power supply
Power delivery support for USB-C devices (max 60W)
Signal-flow LEDs for all inputs and outputs (L/R) and thru indication for clear visibility
Power LEDs on the top panel for connection status (Hub, PD, DC)
2-port USB-A hub for connecting further accessories
Rugged, heavy-duty metal housing with a scratch-resistant black finish for durability on the road and reliability in the club
Highly robust, extended edge design to protect connection terminals
Supports the use of Serato NoiseMap™ control vinyl (not included) or custom control signal WAV file for use via CDs or USB drive (download available) with no additional license purchase needed
Including: 2x RCA audio cables, 1x USB-A to USB-C, 1x USB-C to USB-C, user manual

Technical Data

Power:
USB bus powered: Yes
Recommended power: 2 A or higher / minimum power: 400 mA
Maximum USB-PD throughput: 60 W
Maximum USB Hub power output: 2 x 0.8 A = 8 W
Supported external USB (type A or C) power supply: 5 V/1 A - 20 V/3 A
Power supply priority: FLUX self-power -> USB Hub -> PD (to PC)

Audio:
S/N Ratio (output reference level 1 kHz, +4 dB):
- Deck In (LINE signal input: 0 dBV): More than 83 dB
- Deck In (PHONO signal input: -32 dBV): More than 73 dB
THD + N:
-LINE signal input: -4 dBV @1K / Less than 0.03% (1 kHz,+0 dB)
-PHONO signal input: -36 dBV @1K / Less than 0.05% (1 kHz,+0 dB, Inverse RIAA)
Maximum Gain:
- Deck In (LINE): +4 dB i 2 dB
- Deck In (PHONO): +36 dB i 2 dB
Maximum Input (1 kHz, THD=1%):
- Deck In (LINE): More than +7 dBV
- Deck In (PHONO): More than -25 dBV
Maximum Output (1 kHz, THD=1%):
- Deck Output: More than +11 dBV

USB:
USB audio interface with 24 bit/44.1 kHz, 48 kHz, 96 kHz
USB 2.0 high-speed (480 Mbit/s)
Class-compliant on macOS
USB Power Delivery Protocol 3.0

General:
Dimensions (W x D x H): 160 x 120 x 34 mm
Weight: 0.85 kg
Accessories: User Manual, 1x USB type C/C cable, 1x USB type C/A cable, 2x RCA cable bit

Notes: Proper creative stuff with this one. Lush, characterful stereo reverb with CV control, distortion, pitchshifting, a freeze button and more. Oh, and it's got user-customisable DSP firmware for good measure.

Supplier's Notes:
Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.

Notes: CR-78 inspired 7-voice hybrid drum generator module with filter & effects

7 drum voices in the analog kit: bass drum, snare, tambourine, closed and open hi-hats, metal beat and cymbal;
Hybrid sound generation: band-limited digital noise with spectrum animation, injected into analog circuits
Full discrete analog generation part, using inductor coils instead of op-amps
On-board effect processor with drum-oriented 8 effects with additional auxiliary input and firmware update over audio same as in Queen of Pentacles / Milky Way / Grand Terminal
Drums that have character: fit all styles of music - specifically tuned for darkwave and techno
Separate analog outputs and isolator-style resonance filter for main mix outputs

Power consumption:
240 mA +12V
75 mA -12V
0 mA 5V

Dimensions:
30 HP
18 mm deep

Notes: The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: Bluetooth-equipped version of Audio-Technica's excellent LP120 turntable. Built-in USB connection allows you to hook directly up to a PC for recording vinyl. Great value.

Supplier's Notes:
This version of Audio Technica's critically-acclaimed AT-LP120X USB, now features full wireless Bluetoothr 5.0 connectivity, allowing you to enjoy your favourite vinyl records on the latest Bluetoothr speakers and wireless headphone technology.

The LP120XBT-USB can be plugged into PC, Linux or Mac allowing you to record and convert your vinyl collection to digital tracks, while the fully manual tonearm puts you in control, allowing you to position and set playback wherever you like.

Taking Your Vinyl to the Next Level

Crystal Clear Bluetooth Wireless Audio

Compatible with most Bluetoothr speakers and headphones, the LP120XBT-USB pairs seamlessly to your devices. Simply press the Bluetoothr button, located next to the tonearm, for 4 seconds and connect to your chosen speakers, it's that simple.

You can also connect to Bluetoothr wireless headphones, giving you the flexibility to enjoy your vinyl records without the clutter of wires or having to be near your turntable and music setup. Sink into your comfiest chair and wirelessly enjoy over half a century of Japanese audio engineering and sound excellence.

Bluetooth 5.0 Technology

USB and Analogue Output

Plays 33-1/3 RPM, 45 RPM and 78 RPM Records

AT-VM95E Dual Magnet Phono Cartridge

Multiple Connectivity Options

Plug and Play

The LP120XBT-USB is designed to give you a high-quality listening experience that's easy to enjoy right out of the box. A built-in preamp means the LP120XBT-USB can be plugged directly into your existing speakers, or, with the simple press of a switch, connect wirelessly via Bluetoothr 5.0 to any Bluetooth-compatible speaker, supported home assistant or wireless headphones. Space saving with no external amps, no clutter and no mess; just incredible sound and reliable features designed with over half a century of Japanese audio innovation.

The LP120XBT-USB can also be plugged directly into your computer, for audio playback via your PC speakers or for simple and easy backup and transfer of your vinyl records to playback on your smart devices when on-the-go.

Over 55 Years of Analogue Excellence

Iconic Sound Loved The World Over

The LP120XBT-USB and LP120XUSB line are some of the best-selling turntables around the world, with over 2,500 5-star reviews on Amazon and consistently high feedback from beginners, music lovers, professionals and audiophiles. Audio Technica designed the LP120XBT-USB with you in mind, eliminating the need for expensive amps or convoluted speaker setups.

Based on the iconic DJ turntables and almost 60 years of Japanese audio innovation, the LP120XBT-USB lets you plug directly into your favourite speakers, or enjoy your vinyl collection wirelessly via Bluetoothr to your smart speakers or wireless and truly wireless headphones.

Specifications

Turntable
Type: 3-speed, fully manual operation
Motor: DC servo motor
Drive Method: Direct drive
Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter: Die-cast aluminum

Notes: mioXL- The MIDI interface redefined

mioXL is iConnectivity's flagship MIDI power-house, packed full with the very best technology and innovations. With mioXL it's never been easier to get huge amounts of MIDI gear connected and talking to each other. Harness the power of iConnectivity's advanced computer and network connectivity and experience why mioXL redefines what a flagship MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and Mac, PC, and iOS computing devices to each other, and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXL you're able to streamline and expand your MIDI setup, no matter how massive and demanding. Even though it's iConnectivity's most powerful MIDI interface, mioXL is still accessible to all users, allowing you to do whatever you want with MIDI faster, better, and in creative and exciting new ways.

What makes mioXL unique? The iConnectivity difference.

Next-gen Ethernet RTP MIDI adds massive capability and flexiibily

iConnectivity's next generation RTP/Network- MIDI capabilities, and what they'll do for you.

Ethernet connectivity means MIDI is on the network wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface. Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than 22 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 22 network MIDI ports anyway you want. Connect each of the 22 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXL:
Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity are known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

mioXL's display, rotary encoder and capacitive touch controls make navigating presets and monitoring MIDI traffic easy

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

New to mioXL : store and recall up to 32 presets directly on the interface, without even needing a computer!

Easily store and recall unique MIDI routing, filter and merging setups to preset scenes, and recall them all directly via the mioXL front panel.

mioXL's OLED display and encoder wheel gives you a crisp clear way of monitoring MIDI traffic, viewing, and selecting presets.

mioXL makes you the master of your MIDI domain. The MIDI interface: reinvented.

What's in the box:

1x mioXL
1x USB Cable.
1x Ethernet cable
1x mioXL 12V 36W Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 482.6 mm/19 in
Height (1U): 44.45 mm/1.75 in.

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app