When The Apples Blossom Blooms In The Windmills Of Your Mind I'll Be Your Valentine (Dope Jams Kaatskill Mountain take) (5:37)
Review: This special green slab of wax brings together two Emerson, Lake & Palmer tracks, one of them with a fresh twist from a legendary US record store. The classic ballad 'From the Beginning' is rich in warm acoustic guitar and Greg Lake's evocative vocals so it stands as one of the band's most beloved and accessible moments. On the flip, 'When the Apple Blossoms Bloom...' receives a bold Dope Jams Kaatskill Mountain take, which flips it into a sprawling, psychedelic-drenched remix that infuses the instrumental with hypnotic grooves and experimental textures. With both cuts on one 12", this one is both a nod to prog rock's legacy and a bridge to new sonic frontiers.
The E-Types - "Put The Clock Back On The Wall" (0:47)
Who's The Butcher? (1:39)
Thee Neons - "LSD Got A Hold On Me" (0:45)
Horny & Unclean (1:52)
She Must Be Square (1:54)
The Vagrants - "I Love, Love You (Yes I Do)" (0:50)
Let's Hear It For Al Capone (2:33)
The E-Types - "Untitled" (1:29)
Where's The Acid Kid? (1:22)
Bit' A Sweet - "Out Of Sight Out Of Mind" (2:46)
I Enjoyed The Band (2:59)
Bit’ A Sweet - "Is It On, Is It Off?" (0:50)
Susie's Trip Out (1:41)
The E-Types - "Put The Clock Back On The Wall" (instrumental version) (1:11)
Where It's Always Been At (0:54)
The E-Types - "Clock-apella" (Stereo) (1:54)
It Was A Dream (1:46)
The E-Types - "Put The Clock Back On The Wall" (reprise) (0:50)
Review: Originally scored in 1968 by a loose circle of New York garage-psych acts, this reissued soundtrack finally lifts the veil on one of the strangest period films of the late 60s. The E-Types lead the charge with no fewer than four versions of 'Put The Clock Back On The Wall', ranging from a bright, full-band cut to a warped instrumental and stereo acapella. The Bit' A Sweet contribute the hazy, lurching 'Is It On, Is It Off?'ia woozy gem full of phased guitar and tape wobbleiwhile 'LSD Got A Hold On Me' by Thee Neons dials up the paranoia with raw, fuzzed-out intensity. The Vagrants offer a tight, harmony-laced soul ballad in 'I Love, Love You (Yes I Do)', adding contrast to the acid-drenched proceedings. While the film itself, shot entirely in greyscale, veered closer to surreal documentary than narrative cinema, the music functions as a mood-setting anchor throughoutiequal parts camp, dread, and weird sunshine optimism. This marks the first official pressing of these tracks and serves as both a time capsule of New York's outsider rock fringe and a highly playable psyche compilation in its own right.
Review: You could definitely be forgiven for thinking Elusive Mojo was a much older piece of work, which isn't to say it sounds dated or out of place today; more highlighting the timelessness of high octane heavy metal, its fall out of the limelight but persistence to continue doing what it does very well indeed. Forget the washed up old guard refusing to put a pin in ideas that have repeated themselves for decades, Ecstatic Vision represent the vanguard of a sound we hold dear to our hearts, but don't encounter at its freshest often enough.
Taking a lead from the psychedelic-leaning early metal outfits like Hawkwind and Aphrodite's Child, simply put Ecstatic Vision growl and wail in all the right places, unleashing track after track of juggernaut energy, insane riffs and solos, and industrial power. Steaming ahead of the rest, this latest offering is the kind of record that threatens not just to blow through your hair like a mighty wind, but rip each strand off at the follicle.
Review: There's a juxtaposition of gravel and soaring, almost-gliding quality to the epic guitar work that welcomes you into Eden Gardens. It's as though the refrains and chords are so expansive they envelop everything from ground level to stratosphere. The work of Papir and Cause Sui members Martin Rude and Jakob Skott, the result is both technically impressive and spiritually beneficial. Post-rock that makes you feel genuinely freer than before pressing play.
As grand as it sounds, there's also something very real happening here. For some, this kind of stuff may come across overblown and inflated, but then there's no pomp and pageantry present. And by that we mean the parts that exist are well balanced and you can understand why they are there without necessarily knowing. Everything feels right, and in the correct place, which is probably the best recommendation we can give.
Review: This work by Alf Emil Eik is a serene and soothing soundtrack for moments of relaxation, meditation or peaceful ambience. Eik's ethereal melodies transport listeners to a realm of inner peace and timeless beauty. Each track blends intricate layers of sound and evokes serenity and wonder while the harmonies resonate deeply within your soul. Uplifting yet introspective, the music invites reflection on the beauty of life and the mysteries of existence. A fusion of classical, ambient and new age influences abound here and prove Eik to be a master composer.
Review: Madrid-based collective Danzon El Gato channel the city's restless creative energy into a vivid fusion of jazz, funk and roots music. Formed within Madrid's experimental scene, the group revolves around Javier Adan and Santiago Rapallo, longtime collaborators whose past projects range from jazz fusion to avant-garde film scores. This latest release sees them sculpt a kaleidoscopic sound, pulling from North African, Latin American and Mediterranean traditions while staying locked into the groove with a rhythm section indebted to 70s library music and golden-era hip-hop. Across the record, they explore an array of moods and textures. 'Ronda' pairs intricate guitar lines with a propulsive swing, while 'La lucha'ifeaturing Marina y su Melaoileans into percussive Latin jazz. 'Twangy Morocco' lives up to its name, weaving surf-rock guitar into an East-meets-West instrumental, whereas 'Chapoteo' ripples with aquatic, freeform interplay. 'Amambay' and 'Fuimos invencibles' showcase their knack for evocative storytelling through sound, shifting effortlessly between cinematic tension and unbridled release. Danzon El Gato craft music that reflects Madrid itselfidense with influences, rich in movement and ambiguousiin the best way. Their sound captures a city in flux, where past and present collide to create something unmistakably fresh.
Review: Viaje Sideral is a cosmic journey led by El Leon Pardo and his ancestral instrument, the kuisi, which is a pre-Colombian flute that traditionally symbolises resistance and survival. This second album from Pardo explores humanity's connection with the stars by blending Caribbean percussion, analogue synths, deep bass, electric guitars and the distinctive sounds of kuisis and trumpets. The tunes channel the tropical psychedelia of the 70s and 80s while incorporating ambient and electronic influences from artists like Terry Riley and Kraftwerk. Viaje Sideral is a great mix of dreamlike astral sounds with tropical rhythms that mean both the earthly and the cosmic are explored.
Review: After showcasing their early years with a collection of tracks from 1975-1977, ELO turn to the other end of their illustrious career and a re-release for Moment of Truth, the 1994 album from spinoff project ELO Part II. This album showcases a brilliant 'Overture,' reflecting a successful return to the El Dorado-era sound - a feat Jeff Lynne struggled to recreate after first finding success with it. The record features memorable pop tracks such as 'Breakin' Down the Walls,' 'Power of a Million Lights,' 'One More Tomorrow,' and the standout 'Love Or Money,' up there with their finest melodies. Rock-influenced songs like 'Don't Wanna,' 'Whiskey Girls,' and 'So Glad You Said Goodbye' add variety and 'Underture' closes the album on a very high note, capturing the band's classic grandeur. This release offers a satisfying return to their pop and symphonic roots and is worth a listen for ELO fans.
Review: The newly reissued (on orange vinyl, no less) Moment of Truth album by Electric Light Orchestra Part II captures the spirit of the original group while also showing them carving a new path. It has lush orchestral arrangements, intricate harmonies and catchy melodies that stay true to the band's symphonic rock roots and highlights include the energetic opener 'Hello,' the anthemic 'Breakin' Down the Walls,' and the emotive 'One More Tomorrow.' While some tracks may lack the innovation of ELO's peak years, the album still delivers solid performances and a nostalgic vibe for fans that make sit with diving into all over again.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.