Back catalogue: All genres

Review: Turning the clock back to 1991, legendary Welsh DIY pop band Ffa Coffi Pawb repress their second album for the modern listener. Recorded with experimental electronic studio head Gorwel Owen, in a flat, above a Post Office in Rhosneigr, on the island of Anglesey, it makes no apologies for its uptempo and cacophonous sound, swagging out the starting blocks like a Celtic Happy Mondays. Or, more accurately, Black Grape. Shades of Primal Scream are equally audible in at least some of the guitar riffs, although given the group were fronted by a young Gruff Rhys - who would go on to form Super Furry Animals before embarking on his own critically acclaimed and musically outstanding solo career - you can bet your bottom dollar this is far more original than any lazy comparisons would suggest. Or whatever that translates to in Welsh.

Review: Fine Glindvad Jensen's Rocky Top Ballads is an album that feels as though it's suspended in time, capturing moments that are both timeless and ephemeral. Fine's lyrics, often vague in their specifics, convey a sense of days slipping by, with an urgency to grasp reality through songwriting. Drawing from the Copenhagen scene, where she's collaborated with Erika de Casier and Astrid Sonne, Fine's music under her solo moniker defies easy categorization. While hints of Mazzy Star and a touch of "countrygaze" permeate the album, her sound is also rooted in the traditional folk music of her upbringing. Rocky Top Ballads is a deeply personal and intuitive collection, blending sample-based production with organic instrumentation. The result is a debut that feels both assured and strangely new. Tracks like "Days Incomplete" capture a yearning that is both fervent and detached, while 'Losing Tennessee' and 'Big Muzzy' explore themes of love, loss, and self-discovery. The album's beauty lies in its ability to evoke emotions and leave lingering questions, keeping listeners entranced.