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Review: Captured live in 1974, this performance at Carnegie Hall showcases Miles Davis at the height of his electric fusion era, blending jazz with rock in a fierce, exploratory manner. The show features the monumental 'Moja' and 'Wili,' each spread across two parts, with the band improvising freely and building intricate, pulsating rhythms. Davis's trumpet and organ create a swirling, unpredictable sound, while the guitar work from Pete Cosey and Reggie Lucas adds texture and energy. Tracks like 'Tatu' and 'Nne' display Davis's shift towards African-inspired sounds, experimenting with complex rhythms and haunting melodies. This is a tour de force, an unfiltered snapshot of Davis's creative genius.

Review: Dire Straits bowed out in style when they released On Every Street in 1991. They'd taken their time since the knockout success of Brothers In Arms, waiting six years to deliver a follow-up which would satisfy fans of their inimitable sound. Mark Knopfler's dusky tones weave many a tale, and there's that pervading sentimental mood hanging over the record like a Dire Straits album should have, but there's also some of those Southern boogie rhythm sections to lock onto, not least on the drawn out splendour of 'Calling Elvis'. Mobile Fidelity Sound Lab are going all-out on the reissue treatment for this edition, presented in a gatefold sleeve on Super Audio CD.

Review: Simon & Garfunkel's Bookends stands as a monumental achievement in music history, being a beacon of the late 1960s while exploring themes of relationships, identity, society, and mortality. This concept album transcends time, earning its place as one of the greatest records ever made. Mobile Fidelity's 180g SuperVinyl edition, mastered from the original analogue tapes, elevates the album's brilliance, offering a listening experience that magnifies the intricate details of its recording sessions. The album opens with the gentle 'Bookends Theme,' setting a reflective tone before plunging into the experimental soundscapes of 'Save The Life Of My Child,' which brilliantly incorporates dialogue, street noises and an eerie echo of 'The Sound of Silence.' 'America' stands out as a heartfelt narrative, seamlessly flowing into the melancholic 'Overs.' The poignant 'Voices of Old People' and 'Old Friends' evoke nostalgia and contemplation, with the closing Bookends theme urging listeners to cherish their memories. Classic tracks like 'Mrs. Robinson' and 'A Hazy Shade of Winter' showcase the duo's signature sound, combining evocative guitar work and harmonized vocals. This reissue reaffirms Bookends as a timeless masterpiece, worthy of rediscovery and celebration.

Review: As it is the month of love - or another overbearingly capitalist instruction to treat people for the sake of it, depending on your viewpoint - why no indulge in some loved up jazz from Miles Davis? My Funny Valentine captured delicate ballads and was met with immediate critical successes. It is an album that demonstrated profound emotion with minimal fuss and represents a high point in Miles Davis' early 1960s career, capturing the excitement and sound of a road-honed group at its peak. Herbie Hancock's piano intros, George Coleman's melodic tenor, Ron Carter's steady bass, and Tony Williams' unexpected drumming contributed to an unforgettable collective sound.

Review: Simon & Garfunkel's Bridge Over Troubled Water stands as a timeless masterpiece, effortlessly blending diverse musical styles with poignant lyrical themes. From the iconic title track to lesser-known gems like 'Keep the Customer Satisfied,' each song is a revelation of Simon and Garfunkel's musical evolution and collaborative spirit. The album's rich sonic details, highlighted by subtle remastering, brings out the instruments and vocals out like none other before. Bridge serves as both a reflection of its era and a timeless testament to friendship and musical innovation. As Simon & Garfunkel's swan song, it resonates with a poignant, bittersweet charm that transcends generations. This edition is released on Mobile Fidelity Sound Lab's limited numbered special Hybrid SACD. Consider this the best digital version possible that has ever been released.

Review: Carlos Santana was one of the most prolific artists of the 1970s and 80s, and later in that period is when he released his fourth solo album. After a relentless pace of an average of more than an album per year since his band's 1969 debut, this Grammy-winning effort was his last release before a well-earned break in that run. The largely instrumental album showcases Santana's signature guitar tones with plenty of signature soulful energy and masterful control over his playing. He was supported by a stellar lineup including Tony Williams, Alphonso Johnson, Buddy Miles and Orestes Vilat and Mobile Fidelity's limited reissue presents the album with audiophile sound quality that reveals enhanced clarity and the intricate details of Santana's playing.

Review: Santana's Abraxas stands as the definitive Latin rock masterpiece, capturing the band's vibrant and groundbreaking sound at its creative zenith. Released in 1970, this album showcases Santana's blend of psychedelic rock and Afro-Latin rhythms, a combination that moved audiences and earned Abraxas a lasting place in music history. The album features nine tracks that brilliantly highlight the talents of the band, particularly the 'Holy Latin Rock Trinity': Carlos Santana's emotive guitar work, Gregg Rolie's powerful Hammond organ, and the dynamic percussion of Jose "Chepito" Areas and Michael Carabello. Standout tracks include the chart-topping 'Black Magic Woman/Gypsy Queen,' the dance-inducing 'Oye Como Va,' and the soulful 'Samba Pa Ti,' each a testament to the band's skill in blending diverse musical elements. The Mobile Fidelity reissue, sourced from the original analogue master tapes, brings exceptional clarity and depth to this classic, making it an audiophiles and Santana fans ideal version to get.

Review: April 10, 1970. Miles Davis, fresh from his Jack Johnson sessions and with a new face in the band, soprano saxophonist Steve Grossman, take the stage at San Francisco's Fillmore West and set about sparking a revolution in jazz by fusing it with rock and funk elements. Captured on Black Beauty: Miles Davis at Fillmore West, this performance is one for the agesifull of explosive improvisation, raw energy and a palpable sense of transformation. The album, finally reissued on vinyl after years of being locked away in Japan, is a time capsule of a moment in jazz history where tradition was discarded and a new frontier was being built. With his usual crewiGrossman, Chick Corea on keys, Dave Holland on bass, Jack DeJohnette on drums, and Airto Moreira on percussioniDavis steered the ship into turbulent, unpredictable waters. It's all about the groove, the shifts in rhythm, and the untamed trumpet blasts that echo through the room like firecrackers. Tracks like 'Miles Runs the Voodoo Down' - from the milestone Bitches Brew album, which had come out a mere month before - and 'It's About That Time' tear apart the old jazz playbook, plunging deep into rock territory while still holding on to the open-ended freedom of improvisation. This is the raw, unfiltered jazz that would come to define the electric period of Davis' caree - a live-wire snapshot of a jazz legend finding new possibilities in real-time.

Review: The American hip-hop group Run DMC are some of the earliest pioneers of rap and hip-hop music. The pair emerged from a strange melting pot of a time in which rap was still stooped in the late vestiges of funk, but rappers themselves were becoming more interested in fusing their now harder-beat-driven style with elements of other extant and popular styles such as rock. Such is why this Run DMC album is called 'King Of Rock', capturing the duo's striking out into appealing to the already established rock music market, with guitar riffs and drum machines fusing neatly together on cuts like 'King Of Rock', 'You Talk Too Much', and 'Can You Rock It Like This'.

Review: Raising Hell was legendary US hip-hop group Run-D.M.C's third studio album and it dropped in May 1986. The one and only Rick Rubin and Russell Simmons produced the album which peaked at three in the Billboard chart and also produced some of the band's biggest ever singles. They are of course 'My Adidas', 'Walk This Way' with Aerosmith', 'You Be Illin'' and 'It's Tricky' and are the sound of this collective at their most potent. Raising Hell is also the name of one of the band's legendary tours back in 1986 and The Apollo 86, a live recording of one of the nights in that run, is one of their best, so why not cop both.

Review: Run-DMC was one of the most influential groups of the 1980s thanks to them revolutionising rap with their bold beats and sharp lyrical exchanges. Their self-titled debut album set a new standard for hip-hop and features hits like 'Rock Box' and the global sensation 'King of Rock,' which both still resonate today. This album became the first rap full-length to achieve Gold status and cemented the group's legacy forever. Run-DMC continued their momentum with two more groundbreaking albums after this, but you can't beat the OG realness and rawness of this classic.

Review: Whitney Houston's self-titled debut album, released in 1985 by Arista records in the US, was one of the biggest records of the decade, selling millions of copies worldwide. The album featured four top-five hits: 'You Give Good Love', 'Saving All My Love for You' (which won a Grammy Award for Best Pop Vocal Performance, Female), 'How Will I Know', and 'Greatest Love of All'. These songs showcased Houston's amazing, young voice and her raw talent for pop and dance music. With its mix of catchy melodies, powerful vocals, and catchy production, Whitney Houston's debut album remains a classic of the 1980s and a testament to the enduring power of her voice.

Review: Mobile Fidelity's reissue of Van Halen's Van Halen II on hybrid SACD is a great example of rock 'n' roll at its purest. Mastered from the original analog tapes, this edition captures the raw energy and electrifying performances that defined the band's sophomore album. From the infectious hooks of 'Dance the Night Away' to the powerhouse riffing of 'Somebody Get Me a Doctor,' every track pulses with vitality and excitement. Eddie Van Halen's virtuosic guitar work shines throughout, while David Lee Roth's charismatic vocals add an extra layer of swagger. The album's dynamics, airiness, and palpable energy are faithfully reproduced, offering listeners an immersive listening experience. With its vibrant sound and standout musicianship, Van Halen II remains a timeless classic that showcases the band at the height of their powers.

Review: Milestones is the full-pun-intended landmark 1958 album by the legendary jazz trumpeter Miles Davis, which marked his transition from hard bop to modal jazz. Featuring classics like 'Milestones', 'Straight, No Chaser' and 'Two Bass Hit', it was notable as one of Davis' earliest experimentations in public with modal scale patterns that was available commercially. Marking a great milestone since its original release in mono, it now comes pressed on numbered 180 gram SuperVinyl - which is a new ultra-quiet vinyl formulation which enhances the sound quality and durability of original recordings - as well as with a deluxe gatefold jacket and a booklet with rare photos and liner notes.

Review: Mobile Fidelity's 180g 33RPM LP reissue elevates the album's sonic experience by sourcing it from the original analogue master tapes. Pressed at Fidelity Record Pressing, the reissue boasts pristine sound, revealing the intricate details of Santana's dynamic arrangements. Carlos Santana's guitar work, rich in clarity and precision, soars with newfound definition, making his signature solos and leads stand out even more vividly. Inner Secrets, Santana's 1978 album, marked a significant shift towards the rock mainstream, featuring three Top 100 singles and showcasing a more focused, streamlined sound. This period saw Santana transition from their earlier fusion-heavy style to more accessible, radio-friendly material, packing complex passages and passionate performances into tighter song structures, with no track exceeding six minutes.Notable contributions from new band members, including Pete Escovedo on percussion and Chris Solberg on multi-instrumental duties, further shape the album's sound, complementing Graham Lear's sharp drumming and David Margen's groovy bass lines. Highlights include covers like Buddy Holly's 'Well All Right' and the Four Tops' 'One Chain (Don't Make No Prison)'. Greg Walker's raw, soulful vocals bring an edge to the music, embodying the "street and church" quality Carlos Santana admired. Inner Secrets serves as a powerful milestone in Santana's evolution.

Review: Three decades before he released The Philosophy of Modern Song - an insightful book devoted to 66 tunes that both impacted his career and the music world at large - Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly twenty years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.

Review: Miles Davis' A Tribute to Jack Johnson stands as a pinnacle of jazz-rock fusion, blending slashing rock and aggressive funk with an astounding lineup. Mastered from the original tapes, Mobile Fidelity's reissue captures the music's aggression and immediacy like never before. Guitarist John McLaughlin delivers a nasty edge and vicious streak, bridging the gap between rock and jazz with his slashing style. Davis' trumpet solos sizzle with exuberance, surrounded by urgent backbeats and knifing riffs. An amazing degree of instrumental separation and imaging allow you to focus on singular musicians and the roles they play. The album, often overshadowed by Davis' other works, serves as a personal manifesto, saluting boxing legend Jack Johnson. Producer Ted Macero seamlessly assembles sessions, resulting in a lean, guitar-heavy sound that hits with brutal force and graceful elegance. A Tribute to Jack Johnson remains a monster album, demanding to be experienced in all its ferocious glory.

Review: Johnny Cash's At Folsom Prison isn't just an album; it's a seismic event in music history. Recorded inside the formidable walls of Folsom Prison in 1968, this masterpiece captures Cash at his most raw and powerful, transforming him from a country star to a legendary artist. Amidst a turbulent socio-political backdrop and personal struggles, Cash's performance resonates with authenticity and empathy for the inmates he entertains. Mobile Fidelity's deluxe reissue on 180g 45RPM 2LP set elevates the listening experience to new heights. Mastered with unparalleled precision, every note reverberates with arresting immediacy, allowing listeners to feel as if they're right there in the prison cafeteria. The spaciousness and dynamics of the recording are brought to life, offering a deeper understanding of Cash's connection with his audience. From the opening chords of 'Folsom Prison Blues,' Cash's empathy for the prisoners is palpable. He sings with a depth of emotion that reflects their struggles and hardships, while also infusing the performance with a sense of defiance and hope. Tracks like 'Dark as the Dungeon' and 'I Still Miss Someone' capture the loneliness and despair of life behind bars, while 'Cocaine Blues' and '25 Minutes to Go' bristle with rebellion and defiance. Throughout the album, Cash's baritone voice resonates with profound depth and passion, conveying the pain, regret, and resilience of the inmates. His duets with June Carter, especially on 'Jackson' and 'Give My Love to Rose,' are electrifying, adding a layer of intensity to the proceedings. As the album closes with 'Greystone Chapel,' written by an inmate, Cash delivers a powerful message of redemption and salvation. It's a fitting end to a landmark recording that transcends its time and place, offering a poignant reflection on the human condition. In sum, At Folsom Prison it's a cultural touchstone that continues to resonate with audiences today. Mobile Fidelity's reissue honors Cash's legacy, allowing listeners to experience this iconic performance with unparalleled clarity and emotion.

Review: The 1973 album Love Devotion Surrender marks the singular collaboration between guitar legends Carlos Santana and Mahavishnu John McLaughlin, resulting in a spiritually charged masterpiece. This reissue from Mobile Fidelity unties both of the artist's quest for enlightenment, drawing inspiration from John Coltrane's work and their shared devotion to Indian guru Sri Chinmoy. Sourced from the original analog master tapes, this reissue showcases the album's intricate sonic landscape with remarkable clarity. The dynamic interplay between Santana and McLaughlin, with Santana predominantly on the left and McLaughlin on the right, creates an wonderful live listening experience. The album’s varied tempos and tones, ranging from delicate acoustic passages to powerful bursts of percussion, are brought to life with extraordinary realism. Featuring interpretations of Coltrane classics like 'A Love Supreme' and 'Naima,' as well as original compositions, the album blends jazz, rock, and gospel elements. Larry Young, credited as Khalid Yasin, delivers standout organ accompaniment, adding depth to the improvisational lines and ecstatic chords that define the record. Love Devotion Surrender remains a transcendent journey through sound, driven by two of music’s most visionary artists.