Now Is The Time (Ashley Beedle Warbox dubplate special)
You Wish
Mind Eye
Argha Noah
Calling
Dreddoverboard
Thinking Of Omara
Be There
Les Nuits
Morse
I Am You (live in Chicago)
Passion
Give Thx
195 lbs
70s 80s
Flip Ya Lid
Be, I Do
(Man) Tha Journey
Now Is The Time
Bless My Soul
Da Feelin
African Pirates
Mega Donutz
Mission Venice
Dextrous
Aftermath
I'm For Real
Set Me Free (Piano dub)
Nights Interlude
Review: Amazingly, it's 25 years since George 'E.A.S.E' Evelyn and then production partner Kevin 'Boy Wonder' Harper sat down and recorded "Dextrous", their monstrous, bleep-era classic on Warp. A quarter of a century later, Evelyn is still going strong, though the grooves have mellowed a lot in that time. Here, Warp celebrate the producer's epic career with a much-deserved retrospective. All the familiar favourites are present, from the rush-inducing thrill of early dancefloor smashers "I'm For Real" and "Aftermath", to the sinewy downtempo goodness of the decidedly Balearic "Les Nuits", the blazed hip-hop dub of "195 Llbs" and stoner soul of "70s 80s".
Review: Over the years, George 'E.A.S.E' Evelyn has made some very good downtempo music as Nightmares on Wax, as well as some killer club cuts. Even so, he's previously made little quite as musically refined as Shout Out To Freedom. Made in cahoots a giant cast-list of guest performers, the album's 15 tracks rarely surprise - we know by now that Evelyn will blend elements of soul, hip-hop, jazz, reggae and smooth grooves - but are still capable of genuinely taking your breath away. Basically, Evelyn is doing what he does best, only better than ever, with more extensive use of live instrumentation and some genuinely stirring orchestration. Highlights include the Balearic ambient jazz brilliance of 'Wonder', the low-slung, flash-friend soul shuffle of 'Own Me' and the sunrise-ready bliss of 'Imagineering'.
Review: Having delivered a seventh studio album of a long and productive career as Nightmares On Wax last year, George Evelyn has been treated to the full retrospective programme by Warp in 2014. Earlier this year the label issued a best of, artfully punned NOW Is The Time, this week has seen Warp reissue in deluxe format all of Evelyn's six previous and widely loved long players. All of them are in stock at Juno and worthy of your time, though Carboot Soul is a particular favourite amongst the review team here. The Quincy Jones sample on opener "La Nuit" never sounded so good!
Review: Some 30 years have now passed since Warp Records decided to repackage and reissue Red Snapper's first three EPs on one handy collection, the efflortlessly excellent Reeled & Skinned. Effectively the duo's introduction to a wider audience, it did a great job in showcasing their trademark sound - an enticing blend of loose-limbed live drums, double bass, intoxicating electronics and snaking sax sounds. As this anniversary vinyl reissue proves, it's a musical blend that still sounds fresh all these years on. The plentiful highlights include moody theme 'Snapper' (featuring Beth Orton), lightly Latin-tinged punk-funk workout 'Swank', the riotous and aggressive 'Wesley Don't Surf' and Sabres of Paradise's incredible rework of 'Hot Flush' - a jazzy, breakbeat-driven slab of dancefloor deepness that ranks among Andrew Weatherall and company's finest remixes.
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