Review: Good 2 Go bite down hard into 2024 with a brand new series entitled Steel Circuit Chronicles. A concept that sounds as good as its title suggests, we kick off with this exceptional deep jungle triple-header. The legendary Blame takes the lead with the percussive slab of drama that is 'Robot Revolution', a cut that packs some serious layered drum welly. He's backed up all the way by two more impressive individuals; G2G bossman Lee Croucher dons his Sync Dynamix alias for the atmospheric dream 'Don't Give Up' while mid 90s Ram artist Flatliner ends his own hazy, cosmic twist to conclude the EP. Timeless and stunning.
Review: Does drum and bass get any better than this? Two of the finest names in the genre club together for "Run Away", met in the middle by the man like Fox who puts his vocal stylings into the mix. Rolling out smooth, it's that lulling bassline and softly-spoken chorus that takes the edge off punchy drums and signature Intalex-style strings from the pad section. Fans have been waiting for a release on this for some time now - finally, it's ownable. Showing that they can still deliver tastier goods for the dancefloor, "Something Heavy" is a funk-fuelled hips-mover with Fox sending out his raggamuffin sounds over down and dirty bass. You've heard it in the dance, now get it on repeat.
Review: On a mission to "make d&b great again", Finland's Straight Up Breakbeat pass through once more with the second of three EPs formed to showcase modern junglism. Kicking off, 'Mystery Machines' sees Glastonbury's Dead Mans Chest slam down some deadly amen choppage reinforced by haunting vocal FX and paranoid drones. Aeon Four & FFF's 'Look Inside' is a jungle-tekno roller, served with chunky hardcore style amens and a side of warm old-skool pads. Keeping the mid-90s vibe alive, the tripped out 'Green Fields Forever ' from Fanu - which drops hot on the heels of his greatly received remaster of Source Direct's 'Stars' - delivers airtight amen trickery, weaving synth washes and blissful dubby basslines. Esc & Mineral round things off with 'Photosynthesis', a pensive stepper highlighting cut-up breaks waltzing with cheeky synth nudges and a wide, rugged bassline. If the pioneers had buried some beefed-up tracks in a time-capsule to inspire future generations, they would probably sound a lot like 'States of Art II'.
Soundboy Killa (feat Natty Campbell - The Allergies remix)
Jump On It (feat Top Cat - Guadi & Don Letts dub remix)
Review: The proverbial 'Soundboy Killa' is an enduring trope in soundsystem culture at large, referring to the apparently inherent enmity and villainy of the turntablist. Said to have originated in the days of system clashes, the assassin in question presumably refers to the opposing MC, whose barraging verbiage may pack enough semiotic punch to K.O. the opposition through mere utterances alone. Here Natty Campbell and the Freestylers pay tribute to the theme as progeny of the 90s big beat scene; having come up in the age of Fatboy Slim and Chemical Brothers, the supergroup first faced off in a whirl of tricky dub and armour-plated cold cuttage, dispatching two honorary tracks in the style of each artists' respective greatest scene-hitters: Dub Pistols' 'Cyclone' and Freestylers' 'Roughneck'. Now 'Soundboy Killa' and 'Jump On It' in turn hear a remix from Allergies and Guadi & Don Letts, the latter of which is especially experimental in its use of a peaky, 2-step shuffle.
Review: Fasme, aka Tom Ferreira, has made a couple of decisive moves over the past couple of years. First appearing alongside Maelstrom on Central Processing Unit, and then landing a release on Feel My Bicep, the man's talents in the field of emotionally charged electro and braindance is showcased structures of 'A Year'. Even at its more angular, the EP is grounded by Ferreira's strong sense of melody, giving it a proper quality on this outstanding four-tracker, from the warm, lightly acid-flecked climes of 'Launcher' to the more mechanoid structures of 'A Year'.
Review: Founded by Coventry rave pioneer Neil Trix back in 1992, alongside Gavin Watton, FBD Project were right in the thick of that neon coloured explosion betwixt jungle, rave and hardcore at the time. Rampant on the techno but just big on the emotionals, they caught the right balance between euphoria and energy, especially on these three untitled tracks. Nameless 32 years ago and nameless now, each of these tracks hits the dance with the right balance of mischief, tension and futurism. For badboy DJs.
Review: True to the name, FFF's releases do tend to make us teeter on the edge of profanity, inciting us to utter a hearty "FFF...!" whenever one of his pre-drop seatbelt warnings is sounded. With what sounds like a copyright lapsed, twilight zoney TV sample musing on the terror of true freedom kicking off the opener 'No Holds Barred', we're inducted into a true blue jungle asepsis here, with an unstoppable, untainted 808s extending over both tracks, full time and halftime alike. Only the breakbeats on the A singe the mix to the point of well done break steak, where the track's atmospheres are otherwise clean and twinkly; FX's remix, on the other hand, hovers dirtily and indubitably between jungle techstep and trip-hop, delivering a consciousness expanding mind mutator.
Review: Since 2017, KOKOKO! have been trailblazing Kinshasa's sonic revolution while earning global acclaim for their unique sound and vibrant performances. Recognised as the best live band by AIF, they've been featured on NPR Tiny Desk, Boiler Room, and major festivals like SXSW and Pitchfork. Their debut album, Fongola, received rave reviews, and now they are back with another album that is unlike much else you will have heard. BUTU, which is inspired by Kinshasa's vibrant nightlife, has been proceeded by the lead single 'Mokili.' The album has further cues taken from Kinshasa, Kwaito, and 90s dance music and channels the band's hometown's frenetic energy with a sense of social activism into a powerful statement.
Review: Future fusion flexing! We have no idea what FFF stands for but we certainly knows what he stands for musically as he steps up to ODJ Dizzy's strongarm Finnish platform Straight Up Breakbeat - ice cold broken beat science. 'Answers' will have you asking plenty of questions as he shoves us into a midtempo furnace and cooks us slowly in rave juices. 'Temperature's Rising' continues the theme with added 4x4s and a more stripped back arrangement that builds up into something very sinister indeed.
Review: Drum & bass bastion Future Retro consign two next-gen producers, FFF and Tim Reaper, to a full ten minutes of raggatonic shell-shockage. Both try their hand at the now-rare 'VIP' treatment (the acronym stands for Variation In Production, but how this differs to the term "remix" is truly up in the air, save for the fact that VIP often means "self-remix" or "remix by original artist"). Following 2024's 'Meeting Of The Minds' VIP release, which followed the same format, Reaper notes the two tracks' creation in April 2020, made from parts of the other artists' original tunes. 'World Championships' by the pair of them is the variable tune of choice here, with Reaper's version providing a glimmery ambience, while FFF's is much stodgier, rougher, less padded.
Review: Onetime halftime exclusivist Fixate has set his sights on new temporal horizons. 'Conundrum' is one such dance musical venture, clocking in at a rough 130ish BPM while also securing enough of an atmospheric likeness to earlier releases so as to remain Fixated on the same vibe. A six-track mini-album debuting on the artist's resident Exit Records, 'Conundrum' flaunts a formerly undisclosed affection for house, electro and techno; in the artist's own words, "I made these tracks to fit into my own DJ sets, bridging the gap between tempos when playing out." Functional intentions do often still lead to excessively wicked results and the tracks here all provide a serious underfoot scalding, their 808 snares and underhand grimey melodies sure to make you hoo, hah, suck teeth and dance.
Review: Vinyl Junkie catapults a brand new label into the universe and his intention is loud and clear - Badass authentic jungle craftsmanship for the ages. He's rolling neck deep with kindred soldiers; Radiokillaz and Fleck get wild on the breaks on 'Lakes On Saturn', Riffz dusts off the detuned rave stabs for that aggy hardcore flavour while VJ himself whips up some delightful breakbeat switchery that melts into a dubwise breakdown for momentary respite. Radiokillaz close down the EP with a touch of soul on 'Time Again', a poignant space jazz joint laced with mournful strings and a yearning vocal. Meltdown.
Review: If you like your drum & bass hardcore then add this one to the basket immediately. It's a banging fifth outing from the Oldschool Shoes crew that comes in the form of a three-way collaboration between Flex Luthor, Msymiakos and Riffz. Opener '777' is brain-fryingly intense with a barrage of rusted drums, snares and drilling baselines all set to explore any set. 'Abyss' keeps the pressure on with more manic drum programming and 'Ripples' then explores more stripped back but no less kinetic patterns. 'Delayed Response' shuts down with thrillingly dark soul.
Review: The functionally named Floor Filler tops up the Okbron repertoire with a succinct new 12" verging on hard jungle. As if to once again flaunt the technique and art of jungle as a science, 'Words' is as clean as tunes like this can get, with serene introductions and goosebumpy breath-synths providing a spine-tinglingly evocative exposition before a sheer drop into cold 808s and breaks-judders. 'You Got Me Up' adds some comparative sludge to the mix, but not without a dose of the 'ole wurlitzy electric.
Review: Fokuz return with another blink-and-miss limited white label. Fully anonymous, due to the nature of the sample, here we're taken right back to a thrilling time in pop as the swooning chords, twinkling synths and famous falsetto of 'Human Nature' are given the d&b treatment. Faithful to the original but given a turbo-charged twist (and a VIP rub), it's one of those end of night hug-it-out jams you've been yearning to play all lockdown. Grab this quicker than you can say Shamone.
Review: Based in The Netherlands, Fokuz Recordings has been a key drum & bass label since before the start of this current millennium. It does a wide range of styles from sold out in a flash r&b edits to rollers for the club. They have helped make the label head Focus a mainstay of the scene and now he's back with another top nugget on nice blue vinyl. 'Take Me As I Am' launches with hyper-speed breaks and ice-cold hi-hats before the lush and romantic 'Do 4 Love' soothes mind, body and soul. 'Long Way Up' is another one with a perfectly pitched r&b vocal sample and sleek beats before the pensive and late night, piano-laced cover of Depeche Mode that is 'Enjoy The Silence.'
Review: Forest On Stasys takes the plunge here and launches a new label, Aura Sonora, which debuts with a hugely limited and high-quality new 12" from the boss. The imprint will be "a platform designed for sound experimentation" and the first missive backs that up with a great blend of drum & bass, half-time and techno. 'Magnetismo' is a prickly opener with slippery rhythms underpinned by bold bass. 'Domo' is a darker sound with menacing low ends and prickly percussive patterns while 'Sideral' is another late-night prowler with low sling sounds, eerie atmospheres and a real sense of futurism. A great start to life for Aura Sonora.
Review: Fracture & Neptune's classics, Clissold and The Limit, now make a welcome return in the form of this special 2024 reissue on 12" vinyl. This reissue highlights pivotal tracks from their mid-2000s catalog and both have been remastered for a fresh take. The limited edition includes both the 2024 remasters and original mixes, presented in eco-friendly packaging. These influential tracks explore the ongoing legacy of the legendary Astrophonica label's early work. 'Clissold' is a dusty breakbeat excursion with gorgeous keys and 'The Limit' pairs more suspensory pads with a moody bassline and darker rhythm.
Review: Beyond Electronix hits the min milestone of a 10th EP, which is even more impressive given that it has only taken a couple of years. The quality levels have remained high in that time with blistering jungle and drum & bass innovations from mainstays like Tim Reaper, DJ Jubilee 1997 and FTL, who returns here on another solo EP that features one collaborative with DJ Mudak 2000. That is a cinematic cut powered by turbocharged breaks., a format that is toyed with across the other three immensely powerful cuts.
Review: Furney, a UK producer with a distinct and recognizable sound, continues to impress with his ability to blend genres seamlessly into dance rhythms. His track 'Spyro Gyro,' a drum'n'bass reinterpretation of the 70s funk classic 'Masterpiece,' originally released digitally on DJ Nookie's Phuzion label, finally gets the vinyl treatment it deserves. The track is packed with energy, featuring bold horns and strings that give it the feel of an action movie soundtrack, all while maintaining a drum'n'bass pulse that keeps the momentum high. On the flip side, 'Just Fine' takes a more relaxed approach. Produced around 2003, this track combines acoustic guitar with summery background sounds, creating a laid-back vibe that's perfect for those chill moments. The rolling bassline adds depth, making it a versatile addition to any set. Together, these tracks showcase Furney's versatility and knack for drawing inspiration from a wide range of musical influences.
Review: Repress! Myriad have been cooking up beefy bits this year with Madcap's 'Heaven' EP and the recent remix collection with Loxy, Villem, Nectax and T-Cuts last month but now time to reflect on earlier releases as their second 12" gets a reissue and we're reminded of how sweet that classic sample-based liquid sound can be when it's cooked right. 'Shine' lives up to its name and you can hear both Furney and Madcap shining in it... Furney's ability to roll out for days and Madcap's punchy breaks both hitting all the right spots. 'Thursday Nite Club' is a little more blended. Deep jazzy cosmic overtones but a big old subby undertone. Could fit anywhere from a film noir score to a 2 Bad Mice set. Myriad vibes.
Review: The second release from Fushara & Ben Kei's Constellations imprint brings more of the very same hard-hitting beats-and-basses; we've got blissed out, edgy sci-fi-vibed synths and huge spacious atmospheres, all of which were first heard on the first released. A delightful follow-up, these track are primed for headphone listening first and foremost, despite their (in our opinion) just-as-good club-readiness. First up, 'Nightmare On Wax' delivers a string of eerie cosmic horrors - dormant xenomorphic sonic eggs on a silver platter - by way of endlessly tricky breaks variations and soulful sampled wails into the silent void that is space itself. The creep factor continues into the B, with 'Paranoid Park', taking its namesake from the bleak emo film and bringing with it an intense combination of psychotic mutterings and gourd-string tremblings; Ben Kei's contributions, meanwhile, are weightier and sparser, dare we say harder-hitting; 'Aperture' comes as the "tribal" highlight, channelling a huge sense of weight in its bass stabs and well-rounded break.
Review: The Paper Cuts label has been doing a fine job in putting out head-tripping club and chill-out styles for a fair stretch now and following the Ivy mixtape released earlier this year they're back with this outstanding split release from Roza Terenzi and Furious Frank. Terenzi takes the A-side with her trademark line in electro-minded machine funk rhythms powering gorgeous back room moods, keeping the mix dubby and with plenty of ambient sparkle on top of the punchy drums. There's even space for a little d&b trippiness on 'Total Recall', which also features Noff. Furious Frank gets busy on the flip with 'Splash', a blissed out beatdowns with more than a little Balearic magic in its bones, while 'Moss Rock' turns the heat up for a distinctly 90s slice of acid trance. 'Dripp' seals the deal with another low slung roller from the chill-out room of your dreams.
Review: Four of the scene's most soulful heavyweights representing with sublime slices of rolling gold on Soulr's consistently impressive four-piece series: Zero T polishes up ivories so much you can see your thoughts in them, Tokyo Prose toys with a lush falsetto and dreamy soundscapes, FD find the blue note on his DAW and wraps it up tight in the smoky tones of Collette Warren while LSB reminds us of the beauty of sample-based groove simplicity with hypnotic Q&A charm. Authentic timeless D&B.
Review: We already knew what a talented and innovative producer FFF has proven himself to be, but on his new and much awaited album Eternal Mind he finds new heights even by his own high standards. He wastes no time in sweeping you off your feet with some electrifying synth work and almost juke like drum programming on the opener 'Axehead' and from there explores all manner of drum & bass sound worlds, from minimal steppers like 'Magnetic Mountain' to cosmic future funk workouts such as 'What We Once Where' and on to ice cold and warp speed gems like 'Curve of Forgetting.' Sensational work.
Review: One of the most interesting artists to have emerged from the Czech and Slovak based crossbreed movements that dominated the first decade of the century on the harder side of d&b, Forbidden Society has evolved and morphed with the times to a much deeper, emotionally-wrought but still hard-assed sound. This seventh studio album (released on Noisia's iconic Vision imprint) is the best version of his fusions so far. From the dark industrial strength dubstep swagger of 'Wish' to the sci-fi hurricane of cuts like 'Deception' and 'Reaching Zero', this is an incredible body of work from an impressive and unique craftsman.
Review: If there is a more hyped artist in the world right now than Fred... again we aren't sure who it might be. The lad who grew up close to Brian Eno and has since worked with him in the studio is a global star who has also collaborated with Four Tet and Skrillex, played all over the world, won various awards and dropped several albums now presses up his acclaimed USB to gatefold double vinyl. It is a collection of his early singles that captures his lo-fi, lived-in, diaristic sounds across a range of experimental electronic styles.
Review: Album alert! Fred V returns to the big H for his second solo album Luminous. Building on the vibe he set with 2021's Radiate album, Luminous dances that fine line between pop and dance with big bright dynamics, infectious hooks and bundles of springy, sunny side euphoria. Featuring link-ups with the likes of Dan Dakota, DNMO, Hybrid Minds, Etherwood, Lottie Jones and others, vibes range from the neon turbo disco of 'Take Over' to the solemn introspective ballad 'Subliminal' via powe3rful dancefloor jams like the title track. A stately Hospital LP that does everything you want it to.
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