Back catalogue: Funk Soul & Jazz

Review: This album recorded by Tatum and Webster in 1956 came just prior to Tatum's passing less than two months later. Revered as a masterpiece, the dynamic interplay between Webster's blend of aggression and lyricism and Tatum's flamboyance and delicacy creates a captivating encounter, with Callendar and Douglass providing impeccable support. Reissued previously by Essential Jazz Classics, this new edition adds bonus tracks from a 1953 Tatum solo session and four numbers from a summit meeting between Webster and Teddy Wilson.The opener sets a languid tempo, diverging from the breakneck pace of many bebop jams, establishing the album's relaxed vibe. And even as later cuts quicken the pace, there's an underlying sense of ease that permeates throughout. Tatum's cascades of notes serve as ornamental accents rather than urgent directives, while Webster, despite the excess reverb of the era, focuses on melody.

Review: In 1957, Art Taylor brought together an all-star ensemble for a recording session that captured the swinging energy of his Taylor's Wailers group. Featuring Donald Byrd, Charlie Rouse, and Jackie McLean, this Prestige session showcased the rhythmic intensity expected from a drummer-led band. The inclusion of two Thelonious Monk compositions, 'Well, You Needn't' and 'Off Minor,' arranged by Monk himself, adds a distinctive flair. Another highlight is Jimmy Heath's 'C.T.A.,' featuring John Coltrane alongside Red Garland and Paul Chambers, a dream lineup of Prestige regulars. Taylor's Wailers embody the pulse and drive of jazz's golden era, making this a timeless addition to any collection.

Review: Cecil Taylor's Live at the Cafe Montmartre captures a transformative night in jazz, with Taylor leading a powerhouse trio featuring Sunny Murray on drums and Jimmy Lyons on alto sax. Recorded in Copenhagen on November 23, 1962, this landmark set is Taylor at his most innovative, merging fierce improvisation with raw, rhythmic freedom. The opening track, 'Trance', immediately challenges traditional jazz rhythms, with Murray redefining percussive timing, while Lyons' sax riffs anchor the swirling chaos. In 'Call', Taylor's piano spills out haunting, dissonant notes, crafting a noir-esque atmosphere that dissolves rhythmic boundaries. By the time 'D Trad, That's What' closes the set, the trio is in full flightia 21-minute frenzy that matches the legendary energy of Coltrane's performances. Legend has it that Taylor was inspired by a Coltrane concert the night before and the influence is palpable, driving each musician to extraordinary limits. Remastered by Dave Gardner for audiophile-grade vinyl, this release brings the brilliance and intensity of Taylor's pioneering vision into sharp relief. It's essential listening for jazz fans and anyone eager to experience the beginnings of true free jazz.