Review: Following on from their release of Graham Collier's outstanding performance from Stockholm Jazz Days in 1969, thoughtfully curated label My Only Desire turn their attention to Brit Jazz with a new series of 7" records shining a light on less-heralded talents. Kevin Figes is a saxophonist, flutist and composer who has previously played with the likes of Keith Tippett and released an album on Pig Records in 2021. Here, he's playing with a full band line-up including Riaan Vosloo on bass, Tony Orrell on drums, Jim Blomfield on piano, Raphael Clarkson on trombone and Peter Judge on trumpet. The two pieces - one composed by Elton Dean and the other by the aforementioned Tippett - are a fine tribute to the legacy of British jazz.
Prof Jah Pinpin 4tet - "The Final Bird (Le Temps D'une Vie)" (3:18)
Review: There is scant little information out there about Yoanson & Karamie. What we do know is that they were young artists from the French African diaspora who met with Nessim Saroussi and his label Ness Music in the late 80s and were encouraged to record the music presented here. It is their only official EP and it is a brilliant mix of Afro-tropical percussions, disco, electro and vocals that call to mind the likes of Arthur Russell. Philippe de Lacroix-Herpin is the man festered here as Prof Jah Pinpin and he brings some of his signature saxophone brilliance to flipside jaunt 'The Final Bird (Le Temps D'une Vie)'.
Review: The Yoruba Singers reinterpreted Guyana folk music and infused it with Afro-roots and culture on this double A-side 7". Now for the first time every it gets reissued on vinyl. This release came a year after the group's debut album Ojinga's Own and were recorded in Barbados and released on the Green Shrimp label. They were big regional has with dancers lapping the grooves throughout the Caribbean and South America. The sounds are said to be the building blocks for what went on to become known as the Champeta Criolla sound in the Caribbean coast of Colombia.
Review: Correcciones Calypso returns from a generous hiatus with the fourth edition of its acclaimed edit series, replete with four re-edits that veer from the subtle to the downright brazen. Thomass Jackson and INigo Vontier invite the French duo Youkounkoun to open proceedings with an insane early 80s edit full of big drums and exotic touches that's been blowing dancefloors all around the world for the past years - and definitely resides in the brazen category, despite a lot of work having gone into it. Olta Karawame make their debut on the series with a powerful, compact edit full of ballsy keyboard riffing and a military-sized kick drum that is guaranteed to have heads banging . To complete the release label bosses Thomass and INigo deliver edits of their own with their characteristic sound, giving this EP maximum a value for money factor and entertainment from start to finish.
Review: The always busy Record Store Day 2024 release schedule has turned up another pearler here as Ann Young and Yuki Ohno Trio's 'Speak Low' gets a special reissue on 7" courtesy of Nippon Colombia. 'Speak Low' is a cut that showcases Young's expressive vocal style in all its glory as it implodes and explodes over 100-mile-an-hour double bass and light, airy triages, hi-hats and feathery drums. On the flip is another standout vocal jazz cut 'On Green Dolphin Street' that makes this an essential cop.
Review: Brownswood Recordings return to focus on Yussef Dayes and co. for their latest release. Live At Joshua Tree is Dayes' latest live album, capturing the jazz musician and drummer's stellar live performance while posted up slap-bang in the middle of Joshua Tree National Park in California, USA. With the music canopied by this natural desert amphitheater, the sound of the album is fittingly warm and dry, catching the tones of every instrumentalist to a muted, temperate T: there's bass from Rocco Palladino, sax by Malik Venna, keys by Elijah Fox and percs by Alexander Bourt. Make sure to catch the live video version of the album on YouTube.
Review: Made up of Jun Miyake and Ichiko Aoba's live sessions held in Tokyo in November 2016 and the following February 2017, Pneuma consists of valuable recordings that had only been released in high-resolution format for distribution; the record is now finally released in vinyl format here on P-Vine. The first performance in January featured Tatsuhisa Yamamotoon on drums and the second in February made up a quartet formation with the addition of bassist Hitoshi Watanabe. The two ultra-talented musicians provide us a glimpse into how the music of Jun Miyake and Ichiko Aoba is made and this record breathes into their practice a new life.
Review: The celebration of this series continues with a reissue of the second installment of the legendary Christmas salsa album. Willie Colon and Hector Lavoe returned here to bring the unique sounds that made Volume I a Latin music classic. For this one, Colon and Lavoe were joined by renowned cuatro player Yomo Toro and legendary percussionists Milton Cardona and Jose Mangual Jr. Together, they crafted salsa versions of beloved Puerto Rican Christmas songs while mixing traditional musica jibara with Cuban guaguanco, son montuno and African-American jazz. It delivers on all fronts with vibrant, festive blends that bring real Puerto Rican authenticity to salsa fans worldwide.
Review: Those interested in Japanese cartoons should know Space Adventure Cobra. First broadcast in 1982, it is now considered one of the country's finest animated TV series. This triple-vinyl box set celebrates Kentano Haneda and Yuji Ono's music from the series, combining compositions featured on the show with unheard extended versions and tracks that never made the cut first time round. Musically, it's a mix of Japanese disco, sax-sporting lounge jazz, jazz-funk, neo-classical movements and eccentric interludes, all doused in layers of cosmic dust and stargazing colour. The release also comes packaged with a 12-page booklet telling the story of the series and the making of the appealing, endlessly entertaining soundtrack.
Jiro Inagaki & Soul Media - "That's How I Feel" (3:38)
Soul Media - "Memory Lane" (4:23)
Jiro Inagaki & The All-Stars - "Barock" (3:06)
Jiro Inagaki & Aki & Big Soul Media - "Guru" (6:23)
Soul Media - "Painted Paradise" (6:44)
Jiro Inagaki & His Friends - "Express" (No SE version) (3:34)
Review: Japanese jazzmasuta Jiro Inagaki is graced by a stunning new tribute album via 180g, Legends, which celebrates his 90th birthday in 16-track compilation form. Made up entirely of works made between 1968 and 1980, and selected by DJ and producer Yusuke Ogawa, this is an album made almost entirely of Jiro's best-known instrumentals, not least a formerly unreleased version of the standout 'Express'. The recordings are impeccable, and this is a standard which does not waver over the entire 12-year period this LP spans.
Review: Israeli funk quartet Sababa 5 and Japanese singer-cum-bellydancer Yurika Hanashima join forces again on 'Kokoro', a combination of two song suites: four brand new concoctions and four beloved older tracks. Sababa 5's unique combination of Middle Eastern funk and Mediterranean rhythm makes a surprisingly sensational combination with Japanese Jazz-fusion sensibilities. Opening track 'Empty Hands' is a string-led proposition by Yurika: When your hands are empty, you hold everything you need. The guitars are expressive without overpowering Yurika's gentle vocals - it's the perfect track for a sunny drive home. The real selling point here is the clutch of tracks from Sababa and Yurika's storied past, namely 'Tokyo Midnights, a jangly, groove-filled song describing a smoke-filled, drink-fueled night through the capital. This version is pressed on classic black vinyl, but has been in high demand on the artist's own store - so act fast.
Review: Upon his death in 1996, many within the jazz community heaped fulsome praise on Shoji Yokouchi. To this day, he remains one of Japan's finest jazz guitarists; a dexterous and inventive guitarist capable of playing immaculate, blues-inspired solos on both electric and acoustic guitars. Proof of his skills is provided by this reissue of Greensleeves, an album he recorded in 1978 alongside his regular "Trio" and organist Yuri Tashiro. Musically, the album offers an attractive blend of jazz-funk, "trad" and fusion tracks laden with impeccable solos from both Yokouchi and Tashiro. The best combination of the two players' styles can be found on "Misty", a fine blend of undulating fairground organ flourishes and evocative Spanish guitar.
Review: An overlooked spiritual classic in two parts, Yamash'ta & The Horizon were a one-off project consisting of a hat-trick of musicians seeking to perfect their craft. In 1971, Hideakira Sakurai, Masahiko Satoh, Stomu Yamash'ta and Takehisa Kosugi gathered in Japan to perform an invite-only concert to a handful of friends. Deep and distinctive electric shamishen becomes a sonic centrepiece over the course; handled by Sakurai, the sound is haunting, like a lone voice amidst a sea of percussive nymphs. Sloshing koto, percussion and eruptions of awe from the crowd all dominate the moments of downtime; a timeless snapshot of Fluxus Japan.
Oki Itaru Trio/Ono Yuji Trio / Kasai Kimiko - "Theme Of The Unknown People" (12:03)
Review: This remarkable live jazz workshop brings together the talents of Yosuke Yamashita, Itaru Oki, Yuji Ohno and Kimiko Kasai for an unforgettable listen. Recorded in 1970 as part of Victor's "Japanese Jazz" series, this album showcases three powerful trios-Yamashita, Oki, and Ohno-with vocalist Kasai and each artist contributes their own unique style. Yamashita led the scene with his vibrant playing, Oki brought fresh perspectives from Osaka, Ohno's versatility spanned modern to new jazz and Kasai's vocal prowess was just beginning to bloom at this time. Together, the seven artists create a dynamic two-disc trip that is full of the famous originality and intensity of Japanese jazz.
Theme Of Lupin III, II (Blues Harp version) (2:03)
Happening 1 (3:28)
Theme Of Lupin III, II (Ending version) (1:13)
Afro Lupin '68 (instrumental version) (1:06)
Lightning Time & Lighting Time After (3:04)
Guitar Suspense (2:18)
Yeah! Lupin & Action Lupin (1:30)
Lyrical Disturbance (2:57)
Lupin Walkin' (TV original) (2:30)
Happening 2 (2:56)
Theme Of Lupin III, II (Ending instrumental version) (1:23)
Review: With roots that date back to 1967, when Weekly Manga Action magazine decided to take a punt on a new character, master thief Lupin III, grandson of gentleman robber Arsene Lupin, and his criminal gang, Takeo Yamashita and Otomo Yoshihide's collaborative soundtrack has cult status written all over it. While not made to accompany the core Lupin III series, the music here featured on the critically acclaimed Lupin Zero, a saga that takes us back to the early years of the protagonist - a young boy opening the door on a life of crime in mid-1960s Japan. On record, that sounds like a flamboyant and intoxicatingly heady brew of jazz, psychedelic rock, electronic experimentation and pure groove. As vivid as both the original printed cartoons and the subsequent screen adaptations that continued the legacy.
Review: Unlike previous instalments in the 180g label's Wamono series, this isn't a compilation in the strictest sense of the term, but rather a retrospective. It showcases a range of killer jazz-funk and rare groove tunes recorded at Nippon Columbia studios in the mid 1970s by arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakahuchi master Kifu Mitsuhashi. Highlights come thick and fast throughout, from the mellow, slow-burn lusciousness of 'Nanbu Ushioi-Uta' and the up-beat, guitar solo-laden brilliance of 'Hohai-Bushi', to the all-time Japanese jazz-funk classic that is 'Saitaro-Bushi' and the solo-laden brilliance of 'Asadoya Yunti', whose dazzling Fender Rhodes solos are reminiscent of the early '70s work of the late, great Billy Preston.
What A Little Moonlight Can Do - Tsuki No Itazura (2:06)
East Of The Sun - Taiyo No Higashi No Shima De (8:45)
You'd Be So Nice To Come Home To (0:21)
Cry Me A River (5:45)
Namida Koi (3:34)
Mr Something Blue (3:17)
Kojo No Tsuki (3:02)
Funauta (4:28)
Bei Mir Bist Du Schon - Suteki Na Anata (0:33)
Ai No Shuchaku Eki (0:41)
Hana Suisen (6:14)
Honne (10:42)
Review: Aki Yashiro's album Yashiro Aki to Suteki Na Shinshi no Ongakukai: Live in Quest captures the essence of her enchanting stage performances. This live recording is a wonderful way to immerse yourself in Yashiro's signature blend of traditional and contemporary styles, her stunning vocal range and emotive delivery. The album features a world of elegant melodies all thanks to a skilled ensemble that enhances the overall experience. Each track is musically vibrant but allows Yashiro's charisma to shine and the live setting adds an authentic energy that makes this an all the more unique listen.
Review: Song of Island is a private press album that very few people knew about. It is the third long player from pianist Yasuhiro Kohno's trio (he started his career as a member of Japanese rocker Eikichi Yazawa's band) and was recorded live at the jazz club and live house 'Again' in August 1985. This is the first time the album has ever been reissued before and captures a special time in Japanese jazz when it was all about exemplary acoustics performed live by skilled musicians. There is one take on a classic jazz standard here as well as four original pieces.
Review: 'Only Love Remains' is Yemen Blues' boldest album to date and one that marks a departure from their previous releases. Created from finished compositions by vocalist Ravid Kahalani, the band spent two weeks in the studio with minimal ideas and simply allowed creativity to flow. The result is a powerful fusion of each member's unique cultural influences co-produced by bassist Shanir Ezra Blumenkranz. The album blends direct emotional connection with spiritual depth and so offers both enlightenment and questioning. Amid global political and cultural polarisation, Yemen Blues leads by example and makes for an inclusive celebration of unity and love through music.
Review: Berlin-based Turkish singer and multi-instrumentalist Derya Yildirim fronts Grup Simsek - a psych-pop delight which channels the unmistakable lilt of Anatolian musical tradition. After releasing the first instalment last year, the band return to deliver the second half of their double album DOST. In the interim since that first half dropped they've recorded a BBC Radio 6 Music session, been featured all over the place and played internationally. The release of DOST 2 should cement their ascendance in a swirl of 70s informed funk driven by Yildirim's enchanting vocals and the fluid grooves of her backing band.
Review: Although born and raised in Holland, the duo behind the Yin Yin project "make music for an imaginary tropical Island" based "somewhere between the Netherlands and South East Asia". It's an apt description of their undeniably humid, wide-eyed style, which variously combines elements of surf-rock, dub, psychedelia, ambient, electronica, spaced-out synth-pop and various traditional South East Asian musical tropes. It's a style that makes this long promised debut album a unique, distinctive and hugely vibrant listening experience. While inventive and colourful, their music is also largely dancefloor friendly and highly addictive. In other words, this is one debut album that's well worth picking up.
Review: Although born and raised in Holland, the duo behind the Yin Yin project "make music for an imaginary tropical Island" based "somewhere between the Netherlands and South East Asia". It's an apt description of their undeniably humid, wide-eyed style, which variously combines elements of surf-rock, dub, psychedelia, ambient, electronica, spaced-out synth-pop and various traditional South East Asian musical tropes. It's a style that makes this long promised debut album a unique, distinctive and hugely vibrant listening experience. While inventive and colourful, their music is also largely dancefloor friendly and highly addictive. In other words, this is one debut album that's well worth picking up.
Review: YIN YIN, the highly touted Dutch quartet from Maastricht, returns with a sonically expansive third album Mount Matsu. Recorded collectively in their own studio in the Belgian countryside, the album is a kaleidoscope of sounds and influences, occupying a no-man's land between Khruangbin and Kraftwerk, surf music and Southeast Asian psychedelia, Stax soul and mutant 80s disco, City pop and Japanese instrumental folk (sokyoku). Mount Matsu hears YIN YIN at their most mature and adventurous stage yet; infectious pentatonic melodicism calling for multiple rewinds.
Review: Thom Yorke's original score for Confidenza is a haunting masterpiece, blending synths, strings and jazz elements to create an atmospheric journey through love, loss, and life. From the ominous strangeness of 'The Big City' to the unsettling strings of 'Nosebleed Nuptials', Yorke's compositions evoke a sense of unease and beauty. Collaborating with trusted partners like the London Contemporary Orchestra and Robert Stillman, Yorke crafts a sonic landscape that is both immersive and emotionally resonant. 'Confidenza' displays Yorke's creative honesty and unrestrained talent. It's a triumph of subtle yet complex artistry, offering listeners an unforgettable experience that transcends the boundaries of traditional film scoring.
Review: In January, it was revealed that Thom Yorke composed the original score for Daniele Luchetti's film, Confidenza, which is based on Domenico Starnone's novel. XL Recordings now has that soundtrack on vinyl and it follows Yorke's acclaimed score for Luca Guadagnino's 2018 Suspiria remake, Suspirium, which earned a GRAMMY nomination. Yorke collaborates with producer Sam Petts-Davies again here , as well as the London Contemporary Orchestra and a jazz ensemble, including Robert Stillman and Tom Skinner. It is a grand and emotional work from the cult Radiohead legend.
Review: Youn Sun Nah's 'Elles' is a mesmerising exploration of diverse musical landscapes in which the South Korean jazz vocalist reinterprets iconic songs by female artists. Released on Warner Music International., the album showcases Nah's unparalleled vocal versatility, seamlessly navigating genres from jazz to pop. Her ethereal voice breathes new life into classics like 'Killing Me Softly With His Song' by Roberta Flack and with each track, Nah unveils a unique emotional depth, transcending language barriers. As such Elles stands as a testament to Youn Sun Nah's ability to infuse her own artistry into well-known compositions, creating an evocative and genre-defying musical journey.
Review: Larry Young was an American jazz organist, whose claim to fame lay in his use of the Hammond B3 organ in a genre context it wasn't regularly used for: post-bop. 'Unity' came out in 1965, and saw him collaborate with trumpeter Woody Shaw, saxophonist Joe Henderson, and drummer Elvin Jones. The aim was to transcend each artist's tendency towards individualism, producing a stunning mood piece that brought out the organ in a surreptitious yet noticeable context. Young's playing renders the instrument popping, bright and vibrant.
Review: 'Linear Labs: Sao Paulo' on vinyl offers a deep dive into Adrian Younge's masterful blend of analog textures and global influences. Featuring unreleased gems from projects like 'Something About April III' and Snoop Dogg's 'Don't Cry for the Devil', this LP brings together a rich array of soundsifrom Brazilian samba with Samantha Schmutz to ALA.NI's Parisian jazz and Bilal's soul-infused tracks. The album resonates with Younge's signature analog warmth and forward-thinking production. Pressed on vinyl, this release is an essential piece for collectors and fans of psychedelic soul and genre-defying music.
Review: 'Linear Labs: Sao Paulo' marks Adrian Younge's next chapter, bringing together unreleased tracks from his global collaborations. Known for blending analog warmth with modern sound, Younge delivers an exciting mix of psychedelic soul and hip-hop. The album includes highlights like 'Something About April III' and 'Don't Cry for the Devil' with Snoop Dogg, alongside contributions from artists like ALA.NI, Bilal, and Stereolab's Laetitia Sadier. Each track taps into different influences, from Brazilian samba to Middle-Eastern psych, creating a dynamic sonic experience. This CD release presents Younge's curated vision of musical innovation, a must-have for fans of his boundary-pushing sound.
Review: Adrian Younge's Something About April II, originally from 2016, is a stunning evolution of his cinematic soul vision. Younge, who has long been devoted to blaxploitation-era sounds, expanded his palette here with richer songwriting and tighter arrangements. While rooted in the late 60s to early 70s soul aesthetic, the album always felt fresh and purposeful and still does almost a decade on for this reissue. Standouts like 'Sandrine' and duets with Laetitia Sadier and Bilal showcase his growth in composition and emotional depth and come with lush instrumentation from Fender Rhodes, vibraphone, and his custom Selene keyboard. Younge moved beyond homage with this work and into a world where he creates timeless originals and fully realised modern soul gems.
Review: Adrian Younge's latest in the Something About April series is a stunning analogue opus that blends a 30-piece orchestra with breakbeats, synth work and Brazilian psychedelia. It has reportedly been years in the making and is the culmination of Younge's sonic vision as well as being his most expansive and experimental work to date. Brazilian vocalists, fuzzed-out drums and lush orchestration evoke MPB greats like Verocai and Os Mutantes and hip-hop kings Wu-Tang in equal measure. Tracks like 'Nunca Estranhos' and 'Nossas Sombras' are richly cinematic and deeply soulful standouts. More than a closing chapter, this record cements Younge's legacy as a visionary composer.
Obi Do Woa (If Someone Loves You) (feat Ebo Taylor)
Menina Do Tororo (feat Antonio Carlos E Jocafi)
Uana Ete (feat Joyce E Tutty Moreno)
Viajante De Planeta Azul (feat Hyldon)
Atlas
Review: Jazz Is Dead 021 is a celebration of legendary artists and their timeless sounds, pressed on vibrant red vinyl. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, this series transports listeners from the funky rhythms of Ghana to the psychedelic soul and samba of Brazil. The collection features new, all-analog recordings from iconic musicians like Ebo Taylor, Dom Salvador, Hyldon, and more, offering a fresh take on their influential styles. At 88, Ebo Taylor recorded a powerful afrobeat album, one of his most seminal works of the 1970s. Meanwhile, Brazilian masters like Carlos Dafe, Dom Salvador, and Hyldon return to their roots, blending jazz, funk, and samba with Younge and Muhammad's modern sensibilities. The dynamic duo Antonio Carlos e Jocafi, along with Joyce and Tutty Moreno, also contribute rich, anthemic albums that resonate with their classic sounds. Come celebrate the legends and their enduring impact with this stunning edition.
Obi Do Woa (If Someone Loves You) (feat Ebo Taylor)
Menina Do Tororo (feat Antonio Carlos E Jocafi)
Uana Ete (feat Joyce E Tutty Moreno)
Viajante De Planeta Azul (feat Hyldon)
Atlas
Review: Adrian Younge and Ali Shaheed Muhammad share the 21st volume in the 'Jazz Is Dead' series, the LA-based "love story" founded by the pair in the fallout of the latter's involvement in A Tribe Called Quest. Jazz Is Dead is a longstanding series committed to unearthing and re-sharing the jazz artists who, after initial releases, found continual success in the continua of hip-hop and pop, especially by way of being sampled by other artists. That said, all the artists featured share new contributions to the series, rather than reissued goldies. A new eight-track record, this is yet another LP, one that multiplicitously celebrates and continues the legacies of the greats: chief among them this time is Ghanaian highlife and afrobeat pioneer Ebo Taylor - whom at 88 years old contributes the jolly synth-sonic rivulet 'Obi Do Woa', a sagacious modernising of his originally 70s and 80s psycho-beat sound - and Antonio Carlos e Jocafi, who updates, in the label's own words, "some of the sweetest samba-soul of the 1970s by way of Salvador, Bahia," Brazil. An all-out arsenal of differential Afrobeats (among other kinds of beat), packaged and presented for the modern listener gripped by an insatiable curiosity for the past.
Review: Over the last 12 months, Adrian Younge and A Tribe Called Quest member Ali Shaheed Muhammad have been inviting some legendary musicians to swing by the former's Los Angeles studio to make fresh tracks with vintage equipment. The results are detailed on "Jazz Is Dead", a superb album that combines elements of dusty soundtrack jazz, soul, jazz-funk, Latin jazz and head-nodding live beats influenced by the duo's hip-hop roots. Highlights include the atmospheric, slow-motion warmth of Roy Ayers collaboration "Hey Lover", the floor-rocking fusion heaviness of epic Azymuth hook-up "Apocaliptico", the languid sweetness of 'Down Deep" (featuring Doug Carn) and the samba-soaked sunshine that is Marcos Valle composition "Nao Saia Da Praca".
Review: Jazz Is Dead is a series that welcomes contemporary musicians to revisit jazz storied of old. This collection challenges Adrian Younge and Ali Shaheed Muhammad to utilise vintage equipment to create new master soundscapes, and they really come correct. Roy Ayers, Gary Bartz, Marcos Valle, Azymuth, Doug Carn, Joao Donato, & Brian Jackson are some of the legends who feature and the album is a free flowing delight that touches on soaring and soulful highs as well as bossa-tinged shufflers and plenty in between.
Review: Adrian Younge and A Tribe Called Quest man Ali Shaheed Muhammad's recently released "Jazz Is Dead" album had the feel of a landmark set: a collection of inspired, all-star workouts that combined live, hip-hop style beats with the effervescent musicality of soundtrack jazz, soul, jazz-funk and Latin jazz. This speedy sequel flips the script, stripping back the guest list to a single guest collaborator: jazz-funk and fusion legend Roy Ayers. From start to finish, the set bristles with sweet female group vocals, mazy Vibraphone solos, ultra-warm electric piano, hybrid hip-hop/jazz-funk beats, and Ayers' effortless musical positivity. While nowhere near as eclectic as its predecessor, "Jazz Is 2" is arguably an even more coherent and enjoyable album - and that's saying something.
Verao Na California (Summertime In California) (3:21)
Um Lugar Legal (2:41)
Nhanderuvucu (The Creator God) (3:03)
Review: Brazilian vocalist, musician and producer Hyldon De Souza Silva teams up with Adrian Younge on a brand new psychedelic Latin soul album, infused with the golden spirit of jazz, honouring both Hyldon's 60s and 70s opuses and Younge's trademark analog productions. With late drummer Ivan "Mamao" Conti on percussion, this is yet another tribute to the "Black Rio" movement in Brazil, an intoxicating infusion of Brazilian MPB and Black American rhythm & blues. The effect is major yet seductive, riffing on insporations from Marvin Gaye to Tim Maya to flatten the embossed edges of bossa nova and erotic funk, with remarkably paced and measured drumming and swirling vocal lines.
Verao Na California (Summertime In California) (3:21)
Um Lugar Legal (2:41)
Nhanderuvucu (The Creator God) (3:03)
Review: Brazilian music legend Hyldon teams up with producer Adrian Younge for the 23rd edition of Jazz Is Dead. A psychedelic soul album reimagining the magic of Hyldon's 60s and 70s work through a modern lens, Hyldon's vivant vocals and poetic storytelling are paired with the rich analogue production that made Younge's name, honouring the past and yet still keeping things afresh. It also stands as one of the final recordings of the late Ivan "Mamao" Conti, the iconic Azymuth drummer and Hyldon's longtime collaborator. Fusing MPB, tropicalia, and Black American r&b, we're slack-jawed with awe at this spiritual, which elutes from the ethereal 'Olhos Castanhos' to the cosmo-funk of 'Viajante do Planeta Azul'.
Review: This unique album is a bold reimagining of the iconic sweet-soul group, spearheaded by Delfonics' lead vocalist William Hart and infused with Adrian Younge's unique, hip-hop-informed perspective. While the album features elements familiar to Delfonics fans, such as the electric sitar, french horn and lush string arrangements, Younge's approach departs from traditional production, offering a more experimental and idiosyncratic take on the genre. Drawing influence from the eccentric strains of soul and r&b adored by crate diggers, Younge's arrangementsiincorporating harpsichord, glockenspiel and electric sitariimbue the album with a sense of campy psychedelia, yet manage to avoid veering into kitsch. Hart's crystal-clear falsetto remains a cornerstone of the album, with his voice serving as a bridge between the past and Younge's modern vision. Though much of the album sees Hart performing solo, a departure from the layered harmonies of classic Delfonics, it feels organic and fitting for the material. The pairing of Hart's legendary voice with Younge's analog-driven production creates a sound that feels both nostalgic and fresh. Tracks like 'True Love' and 'Stand Up' show how much care has been given to allow the original beauty to the focal point. A genius blend of old-school soul and modern sensibilities.
Review: Performer, composer and educator Brandee Younger is an accomplished ensemble leader who has worked with the likes of Lauryn Hill and Phaorah Sanders. Here she is back at the front of her own troupe with an album that was recorded in New York City at the legendary studio of Rudy Van Gelder. The music is richly detailed contemporary jazz but with echoes of Black greats like Alice Coltrane and Dorothy Ashby. Legendary bassist Ron Carter appears as does Tarriona Tank Ball to make this a real jewel of a record.
Livin' & Lovin' In My Own Way (feat Pete Rock) (4:57)
Running Game (intro) (1:08)
Running Game (4:35)
Moving Target (4:19)
Dust (feat Meshell N'degeocello) (4:33)
The Windmills Of Your Mind (feat 9th Wonder) (2:53)
If It's Magic (3:31)
Review: Continuing to affirm the harp's place within the annals of jazz, Brandee Younger returns with her second album and pays tribute to one of her forebears, the mighty Dorothy Ashby. Mixing her own original pieces with reinterpretations of Ashby's work, Younger infuses her playing with the cultural context of a life raised on hip-hop, rock and pop. It's a subtle amalgamation which guides the rhythm and intonation of her playing, but the results are exquisite and highly individual, placing Younger in the upper echelons of harpists from any era you care to mention.
Tioga Pass (feat Rocco Palladnio - live From Malibu) (5:57)
Tidal Wave (live From Malibu) (3:24)
Portrait Of Tracy (3:43)
Black Classical Music (Malibu version) (4:33)
Malibu (2:08)
Mountain Steppa (5:30)
The Colour Purple (2:39)
Review: Yussef Days, a virtuoso drummer, has injected fresh energy into contemporary jazz and broken beat genres through multiple innovative projects, each showcasing his remarkable talent. One of them is The Yussef Dayes Experience which recently dropped its Live At Joshua Tree Presented By Soulection album and now follows it up with another live album, this time from Malibu, on Gilles Peterson's revered Brownswood label. It features music from his critically acclaimed debut solo album, Black Classical Music, and plenty of other gems on limited vinyl with features from his usual longtime collaborators Rocco Palladino, Venna, Elijah Fox, and Alexander Bourt.
Review: Brownswood Recordings has high hopes for this debut album from the previously unheralded Yussef Kamaal, which brings together hyped producer Kamaal Williams (AKA Henry Wu) and fast-rising Afrobeat drummer Yussef Dayes. With such talent to draw on, you'd expect Black Focus to be rather good. Happily, it is, with the duo delivering a typically London-centric take on jazz funk. That means that they take as much inspiration from the work of Kaidi Tatham as, say, Herbie Hancock. The key to the album's success - and, yes, it is generally as special as Gilles Peterson suggests - is the fluid combination of Dayes' brilliant drumming and Williams' superb synth solos and effortlessly groovy Rhodes playing.
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