International

Review: What is there left to say about this landmark recording, which captures the heart and soul of pre-revolutionary Cuban music, bringing together veteran musicians whose artistry might have otherwise been lost to time. The result is a stunning blend of son cubano, bolero, danzon and jazz, each track infused with intricate rhythms and heartfelt performances. Flamenco-tinged vocals soar over interwoven instrumentalsieach simple in isolation but collectively forming a rich, textured soundscape. The interplay between piano, guitar and percussion is electrifying, balancing smooth elegance with raw passion. From the hypnotic pulse of 'Chan Chan' to the fiery energy of 'El Cuarto de Tula' and the aching beauty of 'Veinte ANos', the music effortlessly bridges past and present. Moments of exuberance give way to quiet reflection, showcasing the full emotional range of these master musicians. The sharp piano work, the percussive drive and the warmth of the vocal harmonies create an irresistible urge to dance. Even in its most hurried passages, there's an undeniable charmievery note brimming with life. Now presented on a 4xLP gatefold edition, pressed on 180-gram audiophile vinyl and cut at 45 RPM for maximum fidelity, this reissue elevates an already timeless collection. The past lingers in every note, proving that old songs truly do stir old feelings.

Review: This reissue brings an essential piece of Latin music history back to life. The album crackles with energy, blending Afro-Cuban rhythms with an electrifying brass section and masterful percussion. Upbeat guaracha mambo, driving son montuno and cha-cha-cha grooves create an infectious momentum, while the arrangements from legends like Tito Puente, Charlie Palmieri and Louie Ramirez ensure every track is dynamic and meticulously crafted. The opener is a self-affirming explosion of rhythm, setting the tone for a collection that seamlessly balances joyful exuberance with poignant storytelling. Tracks like the rapid-fire guaracha about the struggles of rebuilding life as an immigrant add depth, while lighthearted guajira melodies and a playful cha-cha-cha about space travel showcase remarkable versatility. Despite its initial modest success, this record was a foundational moment, paving the way for an illustrious career that would define and elevate salsa worldwide. The remastering from the original analogue tapes ensures a rich listening experience. Nearly six decades later, its impact and brilliance remain undeniable.

Review: Celia Cruz is widely known as the Queen of Salsa, and Azucar & Salsa is a perfect celebration of her iconic voice and the unique spirit she brings to her work. The album finds her at her most electrifying and fuses the driving rhythms of salsa with her unmistakable charisma, with the results being a high-energy mix of percussion, horns and powerhouse vocals. Tracks burst with salsa colour and are anchored by Cruz's signature cry of 'iAzucar!'-a joyful call to life and rhythm which you will soon be shouting yourself. Cruz's presence is magnetic here, whether commanding the dancefloor or weaving emotional depth into ballads. Whether you are new to her work or a diehard fan, Azucar & Salsa isa fine tribute and reminder of why her music still moves new generations.

Review: Future Rootz has collaborated with Canal Sounds and EGREM for a gem of a reissue here that goes all the way back to 1977 when producer and bassist Jorge Soler stepped out as Grupo Yoyi for Yoyi, an album that marked his only known solo project. The record now sits up there as one of the rarest and most desirable albums from the Cuban musical canon as it is such a sublime fusion of Afro-Cuban rhythms with jazz, funk and disco. The musicianship throughout is exceptional with mesmeric synths and evocative horn solos all tethered to the sort of grooves that will either chill you out or heat you up depending on the setting.

Review: Lazaro Pla AKA Manteca is undoubtedly a Cuban musical legend - even if the bongo maestro only recorded a handful of albums as featured artist and bandleader. 1978's Rito Y Sabor, a percussive masterpiece made up almost entirely of drums, timbales and bass, is the most celebrated of these - and in general, one of the hardest to find. Created by Pla and a handful of musicians, it delivers an enticing mix of infectious Afro-Cuban grooves, sweat-soaked percussion solos, bold basslines and occasional (and often mixed-down) piano motifs. Highlights include Latin jazz dancefloor bombs 'Casas De Manteca' and 'Afro Funky', and the Incredible Bongo Band style brilliance of 'Abacua'.