Do You Wanna Be Alive (feat feat Big Sister) (2:03)
Elegance (feat Popstar) (2:57)
Berlin Nightmare (feat Evita Manji) (4:52)
Gallop (feat Evita Manji) (4:17)
One More Time (feat Popstar) (3:23)
Exhilarate (feat Bibi Bourelly) (4:16)
Always & Forever (feat Hannah Diamond) (4:46)
My Forever (feat Cecile Believe) (4:05)
Love Me Off Earth (feat Doss) (3:41)
Review: Almost three years exactly since SOPHIE Xeon's brother revealed his plans to begin work on the first posthumous project compiling the late Scottish producer's unparalleled work, the self-titled SOPHIE album was announced via Transgressive and Future Classics - two labels that SOPHIE worked with to release 2018's grammy-nominated Oil of Every Pearl's Un-Insides. The 2LP has been constructed and mastered by her "most cherished collaborators" and containes an album of tracks that were "near completion" according to the family. Xeon made waves in the music scene following her PRODUCT series, a completely fresh and unique style of irreplaceable production rich with wet bass and handcrafted synths that has influenced everyone from Flume, Arca, Madonna and FKA Twigs. 'Reason Why', the lead single, is a perfect example of the vision for pop music SOPHIE had - bubbly, polished to a mirror sheen and infectiously danceable.
Review: The 40th Anniversary edition of In The Studio by The Special AKA celebrates one of the most unique and politically charged albums of the 1980s. Originally released in 1984, the album fused an eclectic mix of reggae, jazz, soul, and Arabic rhythms, with Jerry Dammers leading the band's bold shift in sound. Despite its modest commercial performance, In The Studio has since gained recognition as an underappreciated classic, thanks to its deeply reflective lyrics and innovative arrangements. The album's standout tracks, 'Free Nelson Mandela' and 'What I Like Most About You Is Your Girlfriend', blended infectious energy with serious political messages. This newly remastered, half-speed mastered edition, overseen by Dammers, gives the album the sonic depth it deserves. With its themes of social unrest and global awareness, In The Studio feels as relevant today as it did four decades ago, a testament to its enduring power.
Review: Dusty Springfield's Faithful is a long-lost gem that showcases the singer at the height of her powers. Originally intended as her third Atlantic album in 1971, the tracks were shelved until even after the singer passed on. Real Gone's reissue beautifully captures the essence of these soulful songs, produced by Jeff Barry. While not containing a standout hit, tracks like 'Haunted' and 'Natchez Trace' deliver a funky, raw energy reminiscent of Dusty's best work. The album follows the Memphis blueprint but with a New York twist, lacking the swampy groove but compensating with Dusty's commanding vocals. The musicians' credits may be missing, but Dusty's voice shines over the gospel pop of 'I Found My Way Through the Darkness' and the Bread cover 'Make it With You.' Faithful is another great album in her discography that is always a welcomed listen.
Review: Gwen Stefani's debut solo album, Love. Angel. Music. Baby., released in late 2004, remains a cornerstone of early 2000s pop. Featuring hits like 'Hollaback Girl', 'Rich Girl' and 'What You Waiting For?', this album achieved massive commercial success, selling over five million copies. Its vibrant mix of genres and styles reflects a chaotic yet captivating blend that mirrors the era's pop landscape. Stefani's playful yet pointed lyrics confront the music industry's misogyny and her own struggles with identity. Tracks like 'What You Waiting For?' showcase her internal conflicts about success and self-expression. As it celebrates its 20th anniversary with a reissue on hot pink vinyl, the album invites listeners to reconsider its legacy: a colorful blend of nostalgia, cultural references, and conflicting messages that resonate beyond its pop veneer.
Review: National Album Day 2024 is here and as part of it, Sugarbabes' Angels With Dirty Faces album has been pressed up to limited translucent yellow vinyl. The second album by the group marked a pivotal moment in their career. Released in 2002, it showcased a fresh, mature sound that blended pop, r&b and electronic influences into standout hits like 'Freak Like Me' and 'Round Round,' both of which helped the trio solidify their place in the UK pop canon. The album's edgy production and catchy melodies helped it achieve critical and commercial success and it eventually went triple platinum. Angels With Dirty Faces not only redefined the Sugababes' image but also cemented their reputation as pop legends.
Review: Natsu Summer's 2024 release, Orange Tsushin (Orange Communication) was produced by Cunimondo Takiguchi of Ryusenkei and now arrives on vinyl closely after the cassette format previously. It's a vibrant fusion of danceable lovers' rock and smooth city pop enriched with amapiano and across the seven cuts includes a standout cover of a 90s Japanese lovers' rock gem that mixes blending reggae and city pop influences. Rach format features unique jacket artwork which further showcases Takiguchi's creativity. Orange Tsushin pays homage to Natsu Summer's Ehime roots and captures the essence of mandarin oranges through its music and visuals for both a fresh and nostalgic listening experience.
Review: Taylor Swift's latest offering presents an eclectic mix of deeply personal storytelling and sonic experimentation. Opening with 'Fortnight' featuring Post Malone, the track sets a tone that merges soft melodies with a hint of contemporary edge. The album moves seamlessly between intimate moments, like 'My Boy Only Breaks His Favorite Toys,' and more expansive anthems such as 'Florida!!!' featuring Florence & The Machine. The acoustic versions of some tracks, like 'Down Bad' and 'But Daddy I Love Him,' strip back the production, allowing Swift's vulnerability to shine. This release reveals a further evolution of her sound, weaving together emotive lyrics and bold musical choices.
Review: We write this in a week in which economists in the UK are trying to blame stubborn rates of inflation on Taylor Swift's tour increasing demand for expensive hotel rooms, such is the impact of the American pop star. We all know about the most-streamed artist on Spotify, the highest-grossing female touring act, and the first billionaire with music as the main source of income this CD album Mega Star is a collection of interviews presented as an audiobook that is full of treasure for fans new and old.
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
Fortnight (feat Post Malone) (3:49)
The Tortured Poets Department (4:51)
My Boy Only Breaks His Favorite Toys (3:24)
Down Bad (4:18)
So Long, London (4:21)
But Daddy I Love Him (5:35)
Fresh Out The Slammer (3:30)
Florida!!! (feat Florence + The Machine) (3:35)
Guilty As Sin? (4:13)
Who's Afraid Of Little Old Me? (5:27)
I Can Fix Him (No Really I Can) (2:36)
loml (4:35)
I Can Do It With A Broken Heart (3:32)
The Smallest Man Who Ever Lived (3:58)
The Alchemy (3:21)
Clara Bow (3:29)
The Black Dog
Imgonnagetyouback
The Albatross
Chloe Or Sam Or Sophia Or Marcus
How Did It End?
So High School
I Hate It Here
thanK you alMee
I Look In People's Windows
The Prophecy
Cassandra
Peter
The Bolter
Robin
The Manuscript
Fortnight (feat Post Malone - acoustic)
Down Bad (acoustic version)
But Daddy I Love Him (acoustic version)
Guilty As Sin ? (acoustic version)
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
Taylor Swift's latest offering presents an eclectic mix of deeply personal storytelling and sonic experimentation. Opening with 'Fortnight' featuring Post Malone, the track sets a tone that merges soft melodies with a hint of contemporary edge. The album moves seamlessly between intimate moments, like 'My Boy Only Breaks His Favorite Toys,' and more expansive anthems such as 'Florida!!!' featuring Florence & The Machine. The acoustic versions of some tracks, like 'Down Bad' and 'But Daddy I Love Him,' strip back the production, allowing Swift's vulnerability to shine. This release reveals a further evolution of her sound, weaving together emotive lyrics and bold musical choices.
Review: Taylor Swift's latest double album delivers an expansive collection of 35 tracks, showcasing her signature storytelling and emotional depth while exploring fresh sonic territory. Featuring collaborations with Post Malone and Florence & The Machine, the album blends introspective ballads with vibrant anthems that highlight Swift's versatility. The record sets a reflective tone, delving into themes of loss, anger and resilience. Tracks like 'So Long London' provide a poignant narrative closure, paralleling earlier songs from her discography while embracing the bittersweetness of moving forward. 'I Can Do It With A Broken Heart' captures the juxtaposition of public strength and private vulnerability with upbeat production reminiscent of Midnights. Collaborations shine throughout; 'Fortnight' finds Swift and Post Malone harmonising beautifully over a wistful melody, while the lively 'Florida!!!' bursts with summer energy, enhanced by Florence Welch's dynamic vocals. The stripped-down 'I Look In People's Windows' emerges as a standout, pairing raw lyricism with delicate guitar work to convey profound grief and longing. The project is a testament to Swift's ability to blend personal reflection with universal themes. With its balance of experimentation and emotional candor, it marks a bold chapter in her ever-evolving career.
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