Back catalogue: All genres

Review: Renowned producer Bodeler makes his mark on the newly emerging Minimal Brooklin label with a masterful display of minimalism on his A1 cut, then respected Argentinian Franco Cinelli remixes and delivers something immersive. On the B-side, Nicola Brusegan and Camilo Gil unite to create a soulful deep house track complete with lush chords and pulsating basslines, and this one is paired with a remix from Jorge Caiado that is sure to electrify dance floors thanks to his knack for crafting statement-making sound and pulsating acid vibes.

Review: A San Francisco house producer who is taking jazz influenced house music to another level is Coflo aka Cody Ferreira 'Syncopatience' is a stunning deep house release that highlights his signature blend of soulful rhythms, intricate grooves, and rich musicality. Each track brims with personality, that blend clever and creative vocals and lyrics to a deeper level than just for the dancefloor. Side-1 starts off with 'Get Down, Show Love', a collaboration with Fenyan that exudes a hip, jazzy charm. Playful yet refined, it features catchy vocal work and a high-level jazz flair, effortlessly blending house with improvisational energy. Next, Coflo's remix of 'Cee.Side's Elektrify' brings atmospheric depth, wrapping Latin influences around a funky, sultry groove that's as hypnotic as it is danceable. Side-2 delivers Ecru, where Coflo, Steve Howerton, and Niya Wells craft a deeper, tech-tinged house cut with sharp, clever lyricism. Its polished production and layered instrumentation elevate it to a higher plane of jazzy house, demonstrating Coflo's versatility and artistry. 'Syncopatience' has the solution on how merge soulful textures with dancefloor energy in a unique way.

Review: Kiko Navarro is back on the Canopy label to head up its tenth vinyl outing and once again brings global influences to his brand of disco. The rousing vocals come from Kaleta while Kiko lays down Afro-tinged and hefty kick drum patterns and runs them through with cosmic synth lines that are taught and nebulous. The electro-afro-beat rhythms come even more to the fore on the flipside when weighty bass oscillations bring the instrumental to life. Both cuts are potent, powerful jams with muscular rhythms but no lack of soul - and both of these are primed and ready for full on late-night dancefloor action.

Review: Since parting company with collaborator and mentor Ron Trent in the mid 2000s, Anthony Nicholson has built up a vast catalogue of evocatoive, emotion-rich and spiritually enhancing deep house EPs - mostly on his own long-serving Circular Motion label. Following the delivery of his first 12-inch for the imprint in three years, 'Sound Theories', last month, Nicholson returns with two more typically atmospheric treats. He begins with 'With You I Am Born Again (Space N Tone Rework)', a typically gorgeous and tactile vocal number in which layered deep space synths and jazz-funk electronics rise above Ron Trent-esque beats and a squelchy synth bassline. Over on the flip, he provides a fine 'InstruDub' of the same track, cannily showcasing the beats, bass, chords, acid-flecked electronics and all-round stargazing positivity.

Review: Volume 4 of the Make Up series is another doozy and this one brings together accomplished house heads Camille, Chez Damier, and Nico Lahs in a celebration of underground disco classic "through the lens of 60's and 70's underground comix." Similar to these rebellious reads, the tracks on this release carved their niche with purists seeking distinct and thrilling sounds. Across the double album, Camille's contributions include Mystic Pleasure's 'Back Door (Getting Down)' and Cold Fire's 'Badder Than Bad' which both bring soulful melodies and infectious rhythms, Chez Damier adds Fascination's 'Shine My Love' and Bileo's 'You Can Win' with shimmering vocals and funky basslines and together, they make for an exhilarating mix of disco brilliance.

Review: For the last decade, John Gomez and Nick The Record's freewheeling Tangent parties have proved popular in London, offering dancers the chance to shake their stuff to a wide selection of superb (and normally insanely rare) records over a high quality soundsystem. The pair's first Tangent compilation, which arrives via Mr Bongo, naturally offers a superb reflection of their approach and is packed with must-have cuts. For proof, check the proto-house era dubbed-out boogie of King B's 'Love Is Crazy', the sun-splashed Brazilian gorgeousness of 'Laberinto' by PERIKAS, the spaced-out headiness of Hidrogenese's 'La Carta Era Muy Larga (Dub)', the heavy batacuda business of 'Nira Gongo' by Conjuto Baluartes' and the dub disco-flecked, deep house brilliance of LTA's 'What Comes To Ya'.

Review: To celebrate ten years of one of London's most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gomez and Nick the Record, it aims to transmit a taste of Tangent's spirit: a party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties. Spanning live-recorded disco, Brazilian boogie and weighty lovers' rock, this selection of rare sonic meats is a prized procuring, the consistent quality of which you likely won't be able to track down in many other contexts.

Review: Synaptic Juice is a dizzying trip into the world of electronic and synth-driven sounds with Edinburgh's Natasha Kitty Katt at the wheel. Her third studio album is a melange of retro 80s beats, eerie atmospheres and futuristic storytelling which explores the surreal psyche of Ze Katt and features tales of vampires, alien love and otherworldly experiences. Each track offers a portal into a neon-lit world where reality and fantasy blur and standout collaborations with Billy Wirth, Suki Soul and His Bitter Truth add depth. The album's sci-fi and cyberpunk influences create a cinematic sound that is bold and adventurous and unlike much else, we've heard of late.

Review: After years spent working alongside a talented pool of jazz musicians as the Neue Grafik Ensemble, Fred N'Thepe has decided to go solo for the first time this decade. Dalston Tapes Vol 1 is, according to Rhythm Section International, a conscious attempt by the artists to return to his beat-making roots. It's an album, then, rooted in hip-hop mixtape culture, where vocal numbers featuring guest MCs sit side by side with rap-free "beats" - lusciously and impeccably crafted instrumentals in which warming bass guitar lines, deep electronic sub-bass, sparkling electronic motifs and choice samples cluster around loosely swung, MPC-driven beat patterns. It's a great collection all told, with nods towards club-ready broken beat and deep house sitting side by side with Dilla-esque workouts and references towards London's vibrant hip-hop and grime underground.

Review: Al most ten years in the making, Tom Noble's debut album is that most rare of beasts: a decidedly dusty and loose-limbed revivalist disco album that genuinely sounds like a long-lost 'private press' set from the turn of the 1980s. Noble is a renowned crate-digger, DJ and disco-boogie specialist, so it's no surprised to find that the songs and instrumentals on show, which also offer nods to jazz-funk and dancefloor soul, is exceptionally well observed and painstakingly crafted via the contributions of many guest musicians and vocalists. For proof of the set's majesty, get your ears around the celebratory and synth-speckled 'Times Are Changin', deep disco treat 'Holding On', head-nodding soul slow jam 'Diamond Eyes' and warm, heady closing cut 'Moving Away'.