Review: A fascinating new slice of neue Deutsche welle from the artist Eine Welt. The track romanticizes the traditional Middle Eastern dish, Knafeh, through the lens of post-punkish electronics, German rawism, and myriad layering and production. The fact that an artist would go to such great pains to record, master, press and distribute a song with such a niche subject matter truly shows the power of Turkish cuisine. Clearly, even in back the '80s, there was mutual cultural appreciation between the Germans and the Turkish.
Review: The only known diplomatic dance musical dialogue between Leeds and Barcelona can be found in the cross-national collective MASS, whose principal aim is to connect the two cities as identified hubs of the next-gen dance musical underground. Here the personae grata in question are a crack team of trusted delegates, known by the respective codenames AS Groove, Driahn, Monile and Nikon; each artist-negotiator delivers their own firebrand sonic missive in quick, electrific unison, appeasing the collective ear through a four-point transmissive treaty. Either breaks-laden or bleep-laden sound is stipulated depending on which fine-print line you read and/or which finely-etched groove you play; only track four, 'Seismic', trigger the break(beats) clause.
Raphael Scemama & Tournissoux - "Like This Girl" (edit) (8:02)
Review: Untold Stories finally tells their first story in Various Artists form, reaching their hands deep into a forgotten folk corpus to retranslate each tale to we, who only speak house and techno. Described heartily as a ripple-maker, Lebanese producer Nesta devises his own folk fairytale with 'Bouchees A La Reine', with Axel S leading on with a nostalgic and groovy jazzy infused minimal track to counterpoint the A's meaty copra. On the B, Sonus takes the help with a surreal electro-dance burbler on which a winsome voice repeats the word "dreaming". And closing out comes the flat beat knockout 'Like This Girl', an instructive melody for future storytellers.
Review: Curious, various-artistic lo-fi techno from the OCFD crew, celebrating the label's tenth release in total. Striving to showcase timeless music that they feel to be appreciable as much now as in the future, here they focus on the sweats of producer Nikol, and his new duo collaboration with Vrsion for the alias known as Body Copy. Emergent from the fecund grounds of Leeds and bringing an OG's ear to the mix - both artists have been at it since at least the early 2000s - the likes of 'Pictures', 'Context' and 'The Approach' bring a subtle but motivating force to the dance.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Philipp Boss - "Die Schone" (feat Gianluca) (6:52)
Gabriel Belabbas - "Dance With The Speaker" (6:57)
Muelsa - "The Future Is A Trap" (5:36)
Nico Lampariello - "Antes De Tiempo" (7:16)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
The second release on 3 Mats features a cast of emergent artists dealing in the vibrant seam where electro synthesis and techno focus collide. If you rate labels like Partisan and EYA you'll be into this record, without a doubt. Frankfurt producer Philipp Boss opens up the record with 'Die Schone', a collaboration with Gianluca, while Gabriel Belabbas creates a rolling warm-up delight of electro breaks with an iconic sample on 'Dance With The Speaker'. Muelsa's 'The Future Is A Trap' is a raw, boxy machine workout and Nico Lampariello finishes the record off with an acid laced workout for the darker side of the dance.
Review: The Spanish Hypnotic Collective label attempts to capture its take on the Detroit Legacy with what looks like a new series of various artists' EP. There is plenty of Motor City soul in the gorgeous synths of Cignol's muted acid and deep house opener 'Distance' which is a soothing and reverential groove, but then its pure party from Barce, Alex Martin offers up 313 style tech and three further tunes on the flip explore blistering electro with high-speed funk and cosmic intent. Mission accomplished and we're already looking forward to the next one.
Review: The Distorsion camp offers up its first sampler as a way of teasing you with the sort of quality sounds and artists it has on its roster. First up is a three-way collab between Citybox, Hankook & Orebeat whose 'Dangerous Changes' is an intense breakbeat workout for the peak time. Orebeat & Alex Clubbers keep the energy levels high and inject early 00s video-game style synths, Orebeat & Citybox keep it dark and raw with 'Gangsta' and Orebeat & JottaFrank laced up their thrilling breaks with acid lines and sleazy vocals on "Noche De Paris.' This is potent stuff for strobe-lit floors.
Review: Spanish tastemakers Microm Records celebrates a decade of innovation in electro sound by bringing unreleased tracks from the past to vinyl alongside a selection of fresh current works. This project aims to honour the label's achievements while bridging the gap between its past and present and does so in style while also resurrecting hidden gems and encapsulating the evolution of its sound. From the dark, corrugated funk of Dark Vektor's 'Des Control' via MEKA's enthralling, vocal-laced workout 'If Electro' via Negocius Man's 'The Launcher', this is a superb electro collection.
Review: Zodiak Commune Records kicks off a new series dedicated to cutting-edge electro with The Electro Guide 1 featuring four artist at the top of their game. Dust Devices opens proceedings with 'Strain & Reason' which is built on searing acid lines and kinetic drum programming, all with a turbulent cosmic bent. Norwell's 'Clang' los down a little so the manic acid has room to shine and Human Behind Pluto then comes through with the occult pairing of mysterious flirting keys and kicking electro drums on 'Talisman.' G303's 'Riverbank Telescopes' closes with a barrage of breakbeats and prickly 303 madness.
Review: Budapest's Dalmata Daniel rewire the electro efforts of Timothy K. Fairplay for their ninth 12", which also includes a B-side icing by none other than fellow producer Norwell. These four retrofuturist cosmopolitan jams are heard divided between the two artists, and do well to flaunt the specific valences of their production styles, which, while doing well to stick to the cosmic aesthetic, cannot help but betray unconscious stylistic hallmarks. Fairplay's is as tweezy and kick-phat as ever, with 'Caliber 9' being the obvious choice as the sonic equivalent of a 70s infographic on telecoms gone haywire. Norwell's take on the vibe is breaksier and more muted, with closing number 'Natives' being the cut of choice, burbling in a vat of liquid acid and emotive smoke.
Review: Fresh French label Attention Spin! flaunts the talents of the Parisian underground in its freshest incarnation. Currently turning their focus towards cosmic house music with hints of Italo and new beat, as well as aiming to prioritize dance music that uses vocals as an instrument, their first release here is a four-track EP from rising star DJ Dawidu. The likes of 'Une Nuit A Paris' and 'Mad Game' detail the wilder, undergrounder ends of after-hours nightlife in the Capitale de la Mode. 'Half On A Room', meanwhile, spans dub- and hip-house, while 'Lil'Drama' is the most vocal and catwalk-worthy of the bunch.
Review: Five years after launching (via a fine EP from Vitess), Chat Noir Records' offshoot Chat Noir Tools - a self-styled 'club oriented experiment lab' - notches up its 15th EP. It's a split affair, with two tracks apiece from label regular Lungo and French graffiti artist/graphic designer turned producer Numero 6. The latter kicks off the EP with 'Do It Again', where woozy, pitched-down vocal samples, drowsy deep house chords and spacey electronic noises ride a crunchy, formative Chicago house beat, before returning to round off the EP with the analogue-rich nu-disco quirkiness of 'Choubidou'. Sandwiched in between you'll find Lungo's contributions - the electro/deep house hybrid 'Bem O Bom', and the synth-heavy nu-disco squelch of 'I Have Some Bad News', where Mr Oizo style electronic motifs and colourful chords catch the ear.
Review: Night Defined Recordings is an Austrian electronic music label based in Salzburg that has featured previous releases by Spanish veteran Eduardo de la Calle, Romanian upstart Serb and label chief Juergen Vonbank. It now presents the second edition in the NDVAX various artist series, featuring Finnish producer Mesak (Klakson/Cleaning Tapes) with the hard minimalism of 'Palek', as well as Erfurt, Germany's Mary Yalex with the unsettling ambient house of 'Running Out Of Time' and Workshop affiliated Even Tuell with the dusty twilight dub of 'In Circles' delivered in typically understated fashion.
Review: This four-tracker from newcomer Nackley has been described by Bordello a Parigi, the label releasing it, as a "bold debut declaration from a rising talent". It's certainly a strong first offering, with opener 'Return of the Gecko' delivering a sparkling, life-affirming blend of thrusting, throbbing Italo-disco bass, drum machine beats, excitable acid motifs and picturesque melodies. Nackley dusts down his TB-303 once more on the all-action, mind-mangling throb of 'Sublime Desolation' - a track that manages to sound both brooding and over-excited - before reaching for breakbeats, memorable piano riffs and spacey electronics on 'Been a Long Time'. To draw down the curtain on a rock-solid EP, Athara and Child Of lend a hand on cheery revivalist Italo-disco/synth-pop jam 'Heartbreaker'.
Review: Munir Nadir has been breaking through in the past few years with essential releases on 4Plae, Nuts On Board and Outcast Planet. Now he's minting a new label called Odd One Tape out of Italy, and bringing his playful, synth-rich sound with him. There's a nod to Italo and 80s electro in the sampling and throbbing, analogue groove of 'Rhythmistic', while 'Bass Jam' tips more towards the early 00s electro house boom a la Tiefschwarz and Tomas Andersson. 'Urban Whispers' has a more jackin' flavour with some low down sub freakiness thrown in for good measure, and 'Binary Technologies' brings the heat on the B2 with a powerful arpeggio and hard-slapping drums.
Review: Following a strong start with a compilation curated by Hodge and Franklin De Costa, Berlin party promoters Mother's Finest are back with the next instalment on their label which comes from the CEO at Nasty Enterprises: Nasty King Kurl who follows up an impressive run of EPs for 777, low income $quad and Nerang. The Hekate EP opens up with the UK bass influenced title track, leading into the contorted drum'n'bass whirlwind of 'Kimat'. On the flip, 'Ovinnik' lends a change of tempo in the form of a meditative deep dubstep joint and 'Inugami' closes it out all guns blazing with a heads-down techno stomper.
Review: Barcelona's 22Recordings mark a curveball with Nativo's new release, moving away from their trademark darkness and ever further into playful and melodic, if still diatonic, sounds. Patently led by the drum machine and the step sequencer, the rising producer Nativo flexes their chops across five tracks of varying speed and tenacity, all of which cross between an intuitive pastiche of dark Italo on one spectral end, and pure outsider house music on the other. The mood is gruff but clownish; it's as if your local fairground had been overtaken by vampire bats and bloodthirsty goths. Closer 'Onivia' is the only moment of respite, bringing an impressive substrate of arpeggios to an overall final-shebang feel.
Los Ninos Del Parque (Bionda E Lupo Neumisch) (7:16)
African Beat (Andrei Rusu dub) (7:46)
Review: Platform 23 platform the Italian 80s avant-garde and anarcho music scene on a fresh 12" compilation, kicking things off with an unreleased cover, by the band Nengue, of Los NiNos Del Parque's electro-pop-wave track 'African Beat'. Amid the political unrest of the Anni di Piombo (Years of Lead) - which saw the autonomist Marxist movement, and backdrops of government-mafiosi collusion, labour strife, and terrorist splinter group formations - underground artists found themselves transducing the radical energy of the time into rapidfire releases, put out through DIY networks. Rome's Nengue embodied this, blending industrial, jazz, and futurist influences. Initially, the release aimed to highlight their Kraftwerk-inspired African Beat, but the discovery of their cover of 'Los NiNos Del Parque', described as "powerful anarchic nonsense", became the focal point. Berlin's Bionda e Lupo contribute a remix, with Sneaker's sharp production and Sano's vocals adding a fresh dimension. Andrei Rusu (Khidja) delivers a deep, dub-heavy reinterpretation of African Beat, perfect for modern dancefloors while honoring its raw origins. A vital document of Italy's underground electronic resistance.
Review: We imagine "Neonicle" - judging by the affixes of the name alone - would likely mean something like "new instance of a half-biological, half-mechanical monstrosity, capable of lamellic self-regeneration when mortally wounded". Think of Terminator, grey goo or The Thing. Whatever idea the producer behind this alias had in mind when coming up with the name, you cannot deny that this nominal vagary still conjures up a certain set of (grisly, technological) images when paired with such solemn, fatal electro sounds. Machinic desecrations and vocal litanies abound on A-siders 'Kagome' featuring Julia Marks and 'Dirty Sanchez', both of which portray a tarred, oiled and feathered sound, as of an unstoppable automaton setting about a new reformative mission. Then 'Train' and 'New Culture' go on to utterly usurp and displace the old narrative, with the hip cyber electro of the latter - modifying the laryngeal emissions of vocalist Dyroplane - extending this robotic coup d'etat to lay down a new, sinister futural law.
Review: A rich exploration of minimal and tech house sounds with a nostalgic twist. The EP kicks off with 'Istinto,' blending futuristic techno with elements of house music and early 90s bass vibes, all wrapped in spacey sounds that evoke a sense of cosmic adventure. Next, 'Aura' delivers a stomping, darker beat designed to capture attention and drive energy on the dancefloor. Side-2 features 'Potenza' which channels raw techno reminiscent of 1991, incorporating trance elements for a nostalgic feel. The track's energetic vibe and vintage touches make it great for old skool sets. 'Essenza' ends the EP with a great groove and atmospheric feel good melody. A devastating blend of beauty and brawn. Dynamic, engaging tracks that will resonate with techno enthusiasts.
Review: NYC experimental producer Neud Photo is up next on EYA's Lonewolf series with a killer five-tracker, 'Echoes'. The EP brilliantly oscillates between various inspirations with a strong machine sound, making for an incredible and haunting journey into electro, new beat, minimal and techno. Beginning with a bang on the compellingly haunting, riveting 'Replica', we hear myriad cowbells, FM "ow"s, and future-gothic vocal samples abound; the track harks deeper dancefloor explorations to come, from the entrancing call-and-response, push-pull structure of 'Lotus Eaters' to the brittler, rippling, more skeletal coldwave closer 'Flash Pressure'.
Review: Dublin born, Berlin based New Members mints a new self-titled label with a lovely two-track 12". The A-side features 'On A Wave' which manages to marry super sweet melodies with a subtle trance energy and waves of euphoria over a nice quick and clipped beat. It's new-age retro yet cosmically futuristic with clean and serene production that simply fills you with good vibrations. 'Doomed' then rides a superb broken beat that is slathered with more soupy chords and swirling ambient pads. It's direct yet dreamy and dynamic and has already got us hooked on this new name and ready for more.
Review: The origins of American act Newcleus lay in a 1977 Brooklyn DJ collective known as Jam-On Productions, including Ben 'Cozmo D' Cenac, Monique Angevin and her brother Pete - all teenagers and still in high school. The foursome named their group Newcleus as a result of the coming together of their families. Originally released on T.K. Records' Miami bass/freestyle subsidiary Sunnyview in 1985, "Space Is The Place" is an underground classic to those in the know. With its obvious robotic influences from the early '80s Bronx breakbeat sound, to the funk and synth pop crossover of "Cyborg Dance' on the flip - this is a true zeitgeist of one of the most exciting times in electronic music's history.
Review: Don't forget to put on your Anorax... A new retro-futuristic outing by veteran dance music exec Neil Rushton marks his latest configuration in techno, which has kept mutant ever since the DJ broke from his infamous, 1970s Northern soul label Inferno. If Inferno was a glittery bodysuit, Anorax is like blast-protective PPE. Here Rushton welcomes Mark Archer and Chris Peat aka Nexus 21 back to the fold. Emissaries of the Salford dance music circuit, Nexus 21 have always harked a frontier-scouring, centennial vibe in sound. Their latest release is reissued from 2008, though the Network Records original only cut it to B-side: 'Self-Hypnosis' is a semiconscious auto-state in sound, bringing jam-born orchestra-stabs and sprung synth toms to a strange brew. We're left spiral-eyed.
Review: Nicole and Troy's latest collaboration sharpens their vision for Cath Records, the Berlin-based label they launched as a home for boundary-pushing techno. Their stripped-back but potent style thrives on precision, drawing from deep club lineage while keeping an eye on the future. 'Out Of Control' is a lean, tunnelling workout, its tension amplified by Z@p, the Uruguayan producer whose percussive, swing-heavy take on techno has earned him a cult following. His remix reshapes the track with a ghostly, skipping momentum. 'Woo Woo' flexes a rubbery, low-end groove, built for peak-time propulsion, while 'Fractals' twists through warped, off-kilter sequencing. A sharp, high-pressure release that reinforces the duo's deft touch.
Review: Zurich-based duo The Nightstalker, which consists of Dan Piu and Popshop aka Gary Rich, craft a fulsome musical world that delves into the darkness and offers a mystical allure. Following two acclaimed albums on Berlin's Childhood Intelligence, they return with Isoutopic Fantasia, a mini-album on World Wide Web Records. Featuring six tracks that blend danceable darkness with surreal and playful moments, Isoutopic Fantasia is a fine fusion of deep mystery and bizarre beauty. The music leads through a dreamlike realm where every beat surprises and melodies unfold into unexpected dimensions to create a hypnotic journey where light and shadow converge in perfect harmony.
Review: Nightwolf Records kicks things off with its inaugural release, Hybrid Moments, a bold four track EP that draws on the raw energy of acid house while pushing into electro and trance territory. Nightwolf is clearly unafraid to dive into sonic experimentation here. Each track is filled with sharp snares, electric basslines, and unpredictable twistsipacked with nostalgic nods to 90s rave culture. Layering in vocal samples that sound like they've been ripped straight from some lost retrofuturist cyberpunk narrative, the EP crafts a unique space for both the rave crowd and festival heads alike. It's acid house with a sharp, modern bite.
Review: Round Qube Music has tapped up Niki Il B for a new EP that explores a mystic take on cosmic electro. 'Ry01' is all eerie lines and punchy broken beats with supple acid squelch in the middle. 'Waiting' then mixes up more gorging acid with hurried drum loops and slow motion ambient pads that make for a fine vibe before 'Lo Spazio' has a heavier low end. The bass here is spanned and the distant pads unsettling. 'Car Sex' closes things in brilliant fashion with suspensory pads and loopy drums that ride up and down next to meandering pads.
Review: Dead Dreams Don't Die Vol 1 is the first release from the new label Half Grand Records, which we're told will be focused on no-frills, raw talent electronic music. And so it proves on this split EP which brings together a diverse bunch of names. Nimam kick off with the jungliest breaks and fizzing future energy of 'Cilinger Slobs' before Jon Doppler mangels synth modulations and more airy breakbeats on his 'Feel Like.' On the flip, A Stantz brings the darkness with raw, frazzled electro stylings on 'Vags Ande' and Cracktros closes out with 'Deosil' which is a deeper techno cut with star-gazing synth leads.
Review: The fourth record from the French electro label Perfusion. So far, each release features multiple artists showcasing their own brand of the next generation electro. Nite Fleit's 'Off Radar' is an audio attack on your senses, a sometimes abrasive, crunchy, raw, heavy bass stormer is not for the faint of heart. Swooh's 'The Streets' also has an over-arching sci-fi sound to it revelling in the history of electro. For the second side, High Fidelity's 'Say My Name' adds a rave-punk attitude to the mixture of electroclash, gabber and techno. The EP rounds out with a breakcore romp with Juicy Selekta's 'Stackin' Up!' that features some hip-hop samples. If electro-shock was a genre, you'd point people to this track. Intense.
Review: The second release from Diggers Society Records features NND, who is renowned for both his compositional talent and his skills as a selector. This EP is a real journey through NND's diverse musical landscapes and his rich musical background. The A-side is defined by dark atmospheres and deep, powerful rhythms. On the B-side, a track inspired by the iconic soundtrack of an '80s cult TV show shines bright and is followed by a celestial production that transports you to otherworldly realms while blending nostalgia with a modern techno touch.
Review: No Hype Crew is a new collaboration project between two of Source Materials main stays - Nonentity and Ole Mic Odd. United by their love of hardware, the four tracks here have been created through bouncing ideas and building on live jams between their studios in Aberdeen, Scotland and Los Angeles. This one dives deep into the emotive side of electro whilst still holding onto that raw edge you would expect from both artists solo work.
Review: Gladio Operations is on the cusp if hitting double figures and over the course of its first few releases has explored a fine range of electro. This latest transmission from Noamm and Brice Kelly is a second volume in their Split Machine series. The opener from Noamm is all caustic synth modulations and sweet metal snares over a rugged beat. 'Scientific Technological Device' that has more lashing metal textures and bright, visceral synths while 'Verruckter Wissenschaftler' carries on with the same aesthetic but has a more raw and direct groove. Brice Kelly takes care of the flip side with a more lithe and celestial take on electro that provides a great yin to the yang of the A-side.
Review: Kumquat returns with their second release, his time a various artists' EP packed with sleek tracks perfect for all sorts of movers and shakers. Four standout artists from the legendary French party scene deliver an irresistible blend of wonk and bounce across four groovy cuts. Noiro keeps it slinky and minimal on 'Yougoslash' then Belic & Mani get more stark and twisted with their tech sounds on 'The Flow.' Rancel's sound is laden with a libidinous sax line over clipped and crisp beats and Paradise City Breakers close down with the future tech of 'Mentalist.'
Review: Queensland's DJ Whipr Snipr joins forces with Brazilian artist Norus for this superb new EP, Gravitational Attraction, on the also brilliant Nerang Recordings. Since 2016, Whipr Snipr has helmed the label and steered it through plenty of innovative sounds as he does again here, this time with Norus who brings his expertise from Gestalt Records. This collaboration marks their second EP and it is a clean and crisp blend of emotive breaks, electro, techno, and serene synth sounds. 'If I Could Fake One Emotion' is our favourite for its thrilling mix of deft jungle breakbeats and sombre piano chords.
Review: Following outings on Eudominia and Who is Paula, Carsten Fluck and Lucas Lejeune bring their Not Even Noticed project back to Craigie Knowes. Like their last EP on the reliable Scottish imprint, Beneath The Surface has both eyes firmly fixed on peak-time dancefloors. Our pick of a very strong bunch is opener 'Hidden Ground', where razor-sharp TB-303 acid lines, dreamy chords and misty-eyed female vocal snippets ride a rolling techno groove. The quality level never dips throughout, with the warm but spacey tech-house hypnotism of 'Whopper', the deep acid house hedonism of 'Hibiscus' and the electro-fired supernova that is 'Under Your Radar' (whose acid lines are wonderfully insatiable) all hitting the spot.
Review: Germany's Eudaimonia Records names itself after Aristotle's concept: the hellenic idea of eudaimonia roughly translates to "flourishing", and refers to the confluence of luck, circumstance, self-discipline, intellect, health and other traits that both characterise and give rise to, if continually nurtured, the good life. If Aristotle had had the foresight to include music in his criteria, the world would be a better place. Thankfully there's a new lyceum in town - also doubling up as a record label - here to pick up where the sophist left off. One of the school's latest pupillary recruits is Not Even Noticed, the Frankfurt duo who've come a long way from Greece. The 'Feel' EP welcomes four tracks by this still burbling pair to an ongoing continuum of artistic esteem, their erudite, cosmic breaks, their typhonic trax, knowing few bounds when it comes to evoking awe and sublime wonderment. Hold out for the clever fusion that is 'Reverie', which mixes future garage and space breaks; if this isn't a cocktail for the good life, we don't know what is.
Dracula vs Frankenstein (Kenny Hooper remix) (6:53)
Dracula vs Frankenstein (G-Prod remix) (7:44)
Review: Swiss label Acquit Records has got a couple of superb outings lined up this month and Nate Nubia is behind this one which offers up a single and three different mixes of it. Original cut 'Dracula Vs. Frankenstein' is a warm analogue world of smeared synths and dusty drums over a crisp broken beat. It's full of machine soul and melancholic moods. The Info Remix is more edgy and driven, while the Kenny Hooper remix layers in extra light and melody. The G-Prod remix is one with its head amongst the stars and plenty of celestial synths.
Review: Four dreamy exoplanetary electro cuts from Nullptr. With a melancholic orbit, the mood of this EP is wistful and lachrymose, as if the sonar-HUD on our spaceship's cockpit is over-bleeping at rapidfire; we've flown too close to the celestial object we sought, and have nothing left to do but bask in the bittersweet antagonism of space-faring victory and revelatory disappointment. 'Exolon' portrays some leftover remnant of trekkers' curiosity, suggesting we're still driven - motivated - on our quest to grasp said strange attractor. Yet 'Sytasol' moves sadder, locking in a grooved stasis through a mixture of fidgeting melodic acid and clappage. 'Alpha Grid' and 'Gekko7' hear spirits revive for a no less dreamy revolution about the sun.
Review: If the Spanish know how to keep one thing alive, it's community; in the spirit of this truth, Xuntaza, the name of Fanzine's latest EP series, is a Galician word that means 'the action of gathering of a group of people to discuss an issue or have fun'. Not overthought beyond the simple xuntanzing of its brightest artists, Vol. 1 in the series functions as a fantastic meeting point between dub techno, tech house, and experimental electro.
Review: The Paris based Velvet Spirit releases its fourth EP. After appearing on their third releases, the label had to have a release specifically dedicated to Numero 6 solely. If you are looking for something different then check out the head turning 'Midnight Treat'. Electro like you may have not heard. The Indy Jane mix of 'Are You Sure' is particularly nasty (in all the right ways), while on the second side, 'Vicious' is a clever and unique take on tech house that injects a bit of electro in it while 'Bloodline' is the smoothest cut of the lot. Quite eerie in a new wave way, you have to hand it to Numero 6 for making something quite unique.
Review: Electro has so much representation already that we'd have hardly imagined it needed a Coalition, but colour us mistaken, of course. Presumably functioning both as intergalactic senate and record label, here, on 'Robot Connection 001', the Electro Coalition commission four delegates to lay down one lengthy sonic deposition each. Sound Synthesis kicks things off with a moving acid purging, with soaring cutoff filters aplenty, setting the diplomatic record straight with a grand metaphysical treatise - 'Physical Terrain' - on the cosmopolitical terrain thus faced. Then Arsonist Recorder objects by way of a pure immaterial antithesis, with 'T & A' locking in heavy freq-layered constrictions between an accursed beat; then Neonicle's 'Combination' and Sinitsin's 'People Are Aliens', finally, form a worthy synthesis and thesis-return respectively, ending on a suspension of humanly intelligible feeling, in favour of a bellicist's power fantasy in harsh snap-breaks and chromatic arp-arcs.
Review: New Jackson delivers the much-anticipated successor to 2017's From Night To Night in there form of OOPS!... POP on Permanent Vacation. This concise triumph in techno pop comprises nine tracks that elevate his signature electronic sounds to anthemic heights. David Kitt, a sonic polymath with a colourful career, has been working as New Jackson since 2011. This full length showcases Kitt's evolution over five years and three countries, distilling his studio methodology into a leaner, more euphoric body of work. Collaborating with a stellar cast, including Rita Lynn and Donnacha Costello, Kitt crafts an album that effortlessly combines dynamism and spontaneity, drawing from a century of influences. From the mesmerising opener to the climactic "With The Night At Our Feet', this album is a testament to Kitt's widescreen approach.
Review: Mall Grab's Steel City Dance Discs label - named after the industrial port in which he grew up - welcomes Nite Fleit for her debut album here. Like the boss's own music, this is high energy, high impact but highly emotive club music that draws on disparate parts of the spectrum. Across 12 intricately produced tracks, there is everything from electro, breaks and techno to acid. The album is in two distinctive halves, each with its own emotional theme. The artist says it's designed to be listened to either "front-to-back or back-to-front, depending on your mood."
Review: You'd think there weren't that many stones left uncovered in the quest to reissue all Drexciya-related works, but here's a little nugget from 2013 which may have passed many by. NRSB-11 is a collaborative project from Gerald Donald, Sherard 'DJ Stingray' Ingram and Penelope Martin which resulted in one EP and one album. Disciples have opted to reissue Commodified, and with good reason. This is advanced electro of the highest calibre, absolutely wrought from the same lineage as Donald and Ingram's myriad accomplished endeavours but with a distinct flavour which speaks to Martin's input.
Review: Darren Nye has been devoted to deep machine-dreaming techno since the 90s, but he's hit a particularly productive run in the last four years. We've been gifted scores of albums on Childhood Intelligence, Exalt Records and now Elusive Intelligence, with Voyage Of Light representing the latest transmission from an artist brimming with inspiration. Nye takes his cues from the likes of B12, Kirk Degiorgio and Stasis, crafting a classically-crafted strain of techno which suits headphones as much as dancefloors. Across nine tracks Nye weaves a spectrum of sci-fi tales with the textbook tools - warm, expressive synth lines and crisp, intricate drum machine patterns. If you dig that sound, you're going to love this album.
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