Review: Halestorm's last album was 2018's Vicious, and since then the chart topping, hard rocking band has been working keenly on a follow up. It was proceeded by the title single with a morbid looking video fearing band member Lzzy Hale in a bodybag, and then a run of sold out gigs in club and festivals all around the UK. The full album follows up in fine style and will not disappoint fans. It was produced by Nick Raskulinecz of Foo Fighters and Alice in Chains association with co-production by Scott Stevens and showcases great songwriter laden with mental health, redemption and survival themes.
Review: You can probably work out what's going on here from the title: a superb collection of reworked Hall & Oates classics inna reggae style. They are the fine work of Black Market Dub who likes to reimagine classic sounds through a 70s Jamaican lens. The techniques used throughout are superbly authentic with hissing hi-hats, lazy tumbling beats and snaking baselines. The vocals remain in their original, often polished, falsetto style and extra horns are added for a lush sunny impact. Great fun, but also great quality.
I'm Just A Kid (Don't Make Me Feel Like A Man) (3:18)
Abandoned Luncheonette (3:56)
Lady Rain (7:58)
Laughing Boy (5:02)
Everytime I Look At You (1:56)
Review: Originally released in 1973, the album shows the duo's eclectic mix of folk, rock, and soul influences, expertly crafted under the production of Arif Mardin. Tracks like 'When the Morning Comes' and 'Had I Known You Better Then' highlight Daryl Hall's and John Oates' songwriting ability and vocal harmonies, while 'She's Gone' stands out as a true classic with its emotive arrangement and memorable hooks.The reissue offers a fresh perspective on the album's enduring appeal, with remastered sound bringing out the nuances of the original recordings. From the subtle acoustic reggae vibe of 'When the Morning Comes' to the funky folk groove of 'Lady Rain,' each track showcases the duo's musical versatility and storytelling prowess. Overall, the reissue of Abandoned Luncheonette serves as a timely reminder of Hall and Oates' early brilliance and sets the stage for a new generation of listeners to discover and appreciate their timeless music.
The Light That Has Lighted The World (demo) (2:22)
Review: Early Takes Volume 1 presents an intimate glimpse into George Harrison's creative process, offering early versions and demos of some of his most beloved tracks. Originally released as a companion piece to Martin Scorsese's documentary Living in the Material World, this collection features ten songs, most of which are stripped-down renditions from All Things Must Pass, Living in the Material World, and Thirty Three & 1/3. The minimalist arrangements reveal the raw charm of Harrison's songwriting, allowing his voice and guitar work to shine unadorned. Highlights include acoustic versions of 'My Sweet Lord' and 'All Things Must Pass', which offer a refreshing contrast to Phil Spector's famously lush production. Tracks like 'Run of the Mill' and 'Behind That Locked Door' take on a more personal tone, while Harrison's cover of the Everly Brothers' 'Let It Be Me' adds a new dimension to the classic. Early Takes Volume 1 is a delightful collection that showcases Harrison's deep talent and leaves fans eager for more. Now, reissued on 180 gram vinyl.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.