Tags: Cumbia

Review: Known for his Beach Diggin work, renowned French DJ, producer and digger Guts is back with a second volume of his Straight From The Decks Series. The sounds once again take in classy offerings from the worlds of Latin, afro, soul, Afrobeat, zouk and house, while a couple of super remixes from Dam Swindle also make the cut. Plenty of the tunes are hard to find rarities "acquired through nerve-raking auctions battles" while some previously digital only cuts also make the collection. Copping this one is short cut to a summer packed with classy heaters and steamy international rhythms.

Review: Analog Africa has got their sights firmly set on Peru right now as they drop two vital new records on the same day. This one is the second volume of Sonic Expedition into the Peruvian Amazon with a specific focus on the years 1972 to 1986 across four sides of vinyl. It is a thrilling collection of high-energy Cumbia that indulges plenty of guitar-driven instrumentals that take you deep into the heart of the jungle. From the trilling acoustic riffs of Sonido Verde De Moyobamba's 'La Cervecita' to Los Invasores De Progreso's more slow and sun-kissed 'La Bola Buche,' this is a glorious listen.

Review: Cumbia or chicha is a richly and widely infused sound that brings together a multitude of influences. It has styles from Colombia and Cuba, plus Western influences including the likes of 60s beat and psychedelic rock, plus an exotic array of indigenous melodies from the Amazonian jungle as well as a weakth of traditional Andean songs. The music that realists is vibrant and vivacious and packed with life and is all perfectly showered here on this superb new collection of tracks by the most important bands of the golden age of the sound.

Review: Global groove trotters and world renowned compilers Analog Africa are back with another gem for your collection, this time looking deep into the sounds of the golden age of Mexico City's mobile soundsystems. Super Disco Pirata - De Tepito Para El Mundo 1965-1980" is a musical adventure with no fewer than 23 red hot jams of topical greatness all ready to get asses shaking and floors full. They have been taken from "the finest and strangest pirata LPs" and they all shine bright from Enrique Lynch's bright and brassy 'La Quinta Sinfonia De Beethoven' to Gabriel Meza Y Su Organo Chevere's 'La Luna Y El Pescador' with its rather haunting organ melodies and shuffling samba rhythms. A real treat for world music lovers.

Review: The third instalment in the 'Cumbia Sabrosa' series delves into the rich archives of Colombia's Codiscos label, unearthing a selection of tracks that exemplify the vibrant energy of cumbia. Artists such as Los Trotamundos, Aniceto Molina y su Conjunto, and Los Hermanos Martelo contribute to a compilation that seamlessly blends traditional rhythms with the dynamic flair characteristic of the sonidero scene. Each track offers a unique glimpse into the musical landscape of the era, highlighting the enduring appeal of cumbia's infectious beats.

Review: Analog Africa is back with another of its eye-opening and mind-altering trips into musical wonderment here as the 20+ year-old label digs deep into the Andean city of Quito. It's the Ecuadorian capital and home to the music which makes up this vital collection and which owes so much to Polibio Mayorga. He spent much of his musical career trying to - and succeeding in - modernise the ancient rhythms of his region, namely Huaynito, Sanjuanito and Albazo. He did so with cutting-edge - at the time - electronic equipment and a trusty Moog and the result of his effort was that he is now regarded as a pioneer of tropical psychedelia. Dig in deep to hear how that happened across these superb 16 sounds.

Review: Rio 18's Radio Chevere is a vibrant, genre-defying musical experience that resists being neatly boxed in. Part mixtape, part radio show, it's a sprawling tribute to Tropical Music, bursting with energy, sincerity, and groove.
Guided by guest DJ Coco Maria, Radio Chevere embarks on a sonic journey across multiple continents. From the samba rhythms of Brazil to Venezuelan salsa and even Californian psychedelic disco, the album becomes a musical metaphor for migrationicelebrating the movement of people, sounds, and stories.Collaboration lies at the heart of this record. Brazilian legends the +2's appear on the soft samba ballad 'Oh Minha Querida', while transatlantic Yacht Rockers Young Gun Silver Fox bring laid-back charm to 'She's In LA'. Silvia Machete from Sao Paulo adds an infectious funk vibe to 'Maybe Man', and Venezuelan icon Luzmira Zerpa delivers rhythmic intensity on 'Padre Tiempo'. The album's linguistic variety is equally impressive, blending Spanish, Portuguese, Welsh, and English into one rich tapestry. Founder Carwyn Ellis, having explored Latin music since Rio 18's 2018 inception, takes a step back from singing on Radio Chevere, focusing instead on songwriting and production. With bold cover art by Colombian artist Yoda, Radio Chevere is a lively and heartfelt celebration of the diverse influences that make up its unique sound.

Review: This forthcoming 7" pairs two fiery cuts from the Latin American underground, capturing the raw energy of a transformative musical era. Los Pambele's 'Cannabis' layers cumbia rhythms with swirling, reverb-soaked guitars, creating a trance-inducing groove that feels both earthy and psychedelic. On the flip, Los Darlings de Huanuco's 'Marihuana' cranks up the intensity, delivering a garage-tinged anthem brimming with jagged riffs and spirited vocals. The sound is unpolished yet electrifying, a snapshot of a time when regional traditions collided with bold experimentation, leaving behind something truly timeless.

Review: Vampi Soul's latest release is not a reissue, but rather a brand-new album of Peruvian chicha music - a kind of psychedelic, fuzz-fuelled sound that shares some sonic similarities to Cumbia, but also slightly more salsa-soaked rhythmic shuffle - played, performed and produced by self-styled "future cumbia" combo Money Chicha. It's a fantastic album of tropical psychedelia, with the Austin-based outfit - supplemented by a handful of legendary South American musicians - serving up brand-new compositions that sound like they were recorded in the golden era of chicha decades ago (think Santana style electric guitar solos, infectious Latin percussion, funk bass, flanged rhythm guitars and effervescent vocals). In our collective opinion, Chicha Summit is a genuine must-check release.

Review: Emerging from Austin's vibrant music scene, El Combo Oscuro infuses Latin psychedelia with the mystical essence of New Orleans. Their track 'Vudu y Chachacha' marries pulsating percussion with echoing guitars and a steady bassline, creating an entrancing soundscape. On Side-1 features a remix by New Orleans' Professor Shorthair, who transforms the original into a dance-floor anthem. With Rakaa Iriscience of Dilated Peoples lending his distinctive vocals, the remix amplifies the track's infectious groove. Presented on a limited edition 45 rpm, the bone-colored vinyl with blue and violet splatter adds a visual flair to the auditory experience. Both sides of this are a fine fusion of Latin rhythms and modern beats, offering a fresh take on cross-genre innovation.

Review: Willie Colon's El Juicio is a seminal piece of salsa history, originally released in 1972 and featuring the hits 'Aguanile', 'PiraNa' and 'Timbalero'. Colon is one of the all-time greats of salsa, and his recordings alongside Hector Lavoe are some of the truly defining works of the genre. El Juicio was the third album from the pair to go gold after 1970's Cosa Nuestra and 1971's La Gran Fuga so you know they were on a roll. This 50th anniversary edition is the perfect opportunity to catch up on an essential document of salsa, for those new to the genre and lifelong fans alike.

Review: Blending hi-NRG and Latin cumbia, Combo Chimbita present a brand new single for Wonderwheel Recordings, 'Dimelo'. Described as an internal dialogue - a sonic representation of what it feels and sounds like to choose yourself - the refrain "Cuando por fin yo me elegi" is heard repeatedly throughout the track, as self-selection is maximised, contra the impossibility of saving others before oneself. The band's Carolina Oliveros says of the song, "however much you love someone, you can't force them to love yourself in the same way - that is love you have to give yourself." The Busy Twist remixes the idea, self-caring through salvos of oily guitar and toe-tapping woodblock shot, hitting like a health kick.

Review: Analogue Africa's latest deep dive into the forgotten corners of global music culture shines a light on Mexico's 'pirata' (bootleg) compilations of the early 1980s - sets that contained edited, pitched down and distorted versions of genuine dancefloor hits from Peru, Ecuador, Colombia and other central and South American countries. The compilations themselves were, of course, highly illegal, came with very strange covers, and - because of the in-demand nature of the music on offer - sold well. It's a great collection of trippy tropical music all told, with the accompanying booklet - written by a local specialist in 'pirata' musical culture - doing a great job of providing background information and showcasing the movement's strong link with Mexico's soundsystem-powered 'dance-party' scene of the turn of the 80s.

Review: Given that it can be tricky to track down the original album releases by Colombian 'salsa drura' greats Fruko Y Sos Sus Tesos, this compilation from Vampi Soul makes an excellent introduction to their trademark sound - even if it is made up of 'deep cuts and rarities; from the band's releases on the iconic Discos Fuentes label. This is fiery, dancefloor-ready salsa from the era of psychedelic rock, and it's that aural colour and low-end heaviness that catches the ear throughout. There's not a duffer amongst the 20 tracks on show, which makes picking highlights tough. That said, our current favourites include 'Bang Bang (el Tiroteo', the effervescent 'Oriza', the horn-heavy cheeriness of 'Perlas Negras' and the richly percussive 'Canto a Panama'.

Review: Hailing from Berlin, Los Baby Jaguars craft vibrant musical journeys that span cumbia, Latin funk and on to Afrobeat. They themselves call their unique sonic cocktail a "tropical rocket" ride through the decades from the 60s to the present and we do not argue with that. Their debut 45 is a double header here, 'Las PiNas' and 'Playa Boogaloo,' released by Nu-Tone with some superb artwork. The music collides cumbia and Afrobeat on a cosmic dance floor amongst the stars and brings an all new kind of energy to international dub.

Review: Mi Latinoamerica Sufre embarks on a musical journey that redefines the electric guitar's role within tropical Latin music. The album, crafted by the Meridian Brothers, draws from the melodious, intricate rhythms of African highlife and soukous guitar bands, popular both in coastal Colombian pico sound system dances and across Africa. Eschewing typical prog or psych rock distortions, the sound embraces a clean, pure approach, honoring '70s Congolese rumba, Ghanaian highlife, and Nigerian afrobeat. The compositions on Mi Latinoamerica Sufre intricately blend Latin rhythms like cumbia, champeta and Brazilian tropicalia with underground psychedelic rock. Through the character Junior Maximiliano the Third, the album delves into themes of self-discovery, humorously navigating through nostalgia, paranoia, and shared experiences. Alvarez's vocal versatility enriches the album's sonic storytelling, complemented by visual narratives from Colombian artist Mateo Rivano. This innovative concept album unfolds as a poignant exploration of identity, offering a fresh perspective on Afro-Latino musical traditions and psychological states.

Review: Los Diablos Rojos is the renowned Peruvian cumbia band that has achieved global recognition for its unique tropical sound while defying fleeting trends with enduring appeal. Emerging from CaNete Chico, their distinct instrumental tropical music set them apart from their contemporaries and over the years, they have led a musical trend that continues to gain acclaim. As pioneers, they serve as a benchmark for modern tropical bands with their creativity and resilience and innovative approach that challenges existing norms. Their musical freshness is on full display in Ritmo Satanico, a truly tropical international delight.

Review: Lagartijeando is a key figure in the alt-Latin electronic scene alongside the likes of Nicola Cruz and Chancha Via Circuito. He makes an essential return here with 7 Caminos, a fourth career long player with Wonderwheel. Recorded between Cholula, Mexico and Tarapoto in Peru, it transports you in double quick time to the South American jungle and Mexican Altiplano volcanoes. Sunny melodies take flight over shuffling rhythms, dubby basslines unfurl like flowers at dawn and intimate vocal whispers bring a human touch to the rhythms. A gorgeous soundtrack to a perfect afternoon of escapism.

Review: In 2019, Resistencia Sonora was born as a collaborative project uniting urban and rural ethnic-peasant resistances in Montes de Maria, Colombia's western Caribbean. Rooted in a musical epicentre renowned for gaita, cumbia, bullerengue, son palenque, son de negro and accordion styles like porros and pajaritos, the initiative celebrates and preserves the region's rich folkloric life. This album documents festive gatherings, knowledge exchange and co-creation inspired by composer Andres Narvaez, a social leader and land-rights activist. His vision brought musicians together to uphold traditions and honour regional elders and this limited edition vinyl includes a 12-page bilingual booklet with extra background.

Review: El Tic Tac by the Cuarteto Yemaya quartet is a cult, expensive and hard to find treasure form Latin America. It was the band's second album back in 1971 and offers up a great set of Peruvian tunes with a Cuban flavour and irresistibly sunny feels. Pancho Acosta's electric guitar denies much of the record and is backed up with conga and timbales. This is the first time it has ever been reissued and has been remastered from the original tapes for the occasion. Do not sleep on this classic.

Review: Mi Latinoamerica Sufre is a concept album that seeks to explore the electric guitar's potential in tropical Latin music. Inspired by African highlife and soukous, it reflects the vibrant sounds of Colombian pico sound system dances. The Meridian Brothers are led by Alvarez and embrace a clean, distortion-free approach that pays homage to 70s Congolese rumba, Ghanaian highlife, and Nigerian Afrobeat. The album blends cumbia, champeta, tropicalia and psychedelic rock while remaining centred on Afro-Latino rhythms and through the character Junior Maximiliano the Third, the album humorously explores ego, identity and self-discovery with Alvarez's vocals adding extra charm to what is a sonic and psychological journey.

Review: La Sonora Mazuren, a vibrant force in Bogota's indie-tropical scene, infuses classic South American rhythms with a modern twist. Drawing on cumbia, chicha, guaracha, and champeta from Ecuador, Colombia, and Peru, the band skillfully merges traditional sounds with synthesisers and electric guitars. Their approach, guided by early innovators like Polibio Mayorga and Eblis Alvarez of Meridian Brothers, creates a psychedelic and forward-thinking blend reminiscent of Tropicalia's golden era. Their latest release, Magnetismo Animal, continues this innovative path. Recorded partly in rural Normandy during a European tour and finished in Bogota, the album explores the concept of animal magnetism as introduced by Franz Mesmer. Each track channels a shared trance-like energy through intricate rhythms and sound experiments. Drawing inspiration from Colombian gaita, vallenato, and cumbia, alongside Peruvian huayno and chicha, the album presents a futuristic take on Afro-Andean traditions with pulsating polyrhythms and psychedelic textures. Featuring members of Romperayo and LA PERLA, La Sonora Mazuren exemplifies Bogota's dynamic new tropical movement, merging past and present in a unique musical journey.

Review: Mati Zundel aka. Lagartijeando has been releasing cumbia-esque, Andean influenced dance music since 2010, though it's only in more recent years that the artist has rerouted his craft to LPs, of which this latest record is the fourth. With "camino" translating from Spanish to mean "path" or "way" - the word often carries a spiritual meaning - Zundel here aims to emphasise the many sprouting, vicissitudinous paths down which life may thrust us, despite the ever-present illusion of choice. After moving to Chula, Mexico, the artist drew inspiration from the landscapes and cultures of the northern tip of Latin America, reflecting local intrigues and mountainous mysteries. Armed with regional instruments, such as Andean winds and charango, Lagartijeando produces such danceable dazzlements as 'Cholula' and 'Que Lindo Sale La Luna', which stand out as the most heated songs here, their stylistic range offering a sense of the many choices that remain open to us.