Back catalogue: All genres

Review: Arranger, composer and pianist Gil Evans worked with Miles Davis on two notable albums - Miles Ahead and The Birth of Cool - and also made a fine debut of his own in 1958. A year later he got back in the studio to work on Great Jazz Standards which saw him work with two different ensembles including talents like trumpeter Johnny Coles, soprano saxophonist Steve Lacy and clarinetist Budd Johnson amongst more. It is a superb look at some great jazz gems from Bix Beiderbecke's 'Davenport Blues' to a shimmering version of Thelonious Monk's 'Straight No Chaser.' It gets the full remastering treatment for this reissue.

Review: Since bagging the 2014 Mercury Music Prize for sophomore set V.20, GoGo Penguin has become one of the most talked-about outfits around. The self-confessed "very modern piano trio" has succeeded largely due to their far-sighted ability to fuse more traditional jazz and classical music sounds with a surprisingly wide palette of influences, most notably dancefloor-focused 21st century electronic music. On A Humdrum Star, their fourth full length, the Manchester threesome has decided to take a "freer" and more "liberated" approach. The resultant music is every bit as exciting, entertaining and beguiling as you'd expect, with the full-throttle, high-octane dancefloor jazz of "Raven", atmospheric and undulating "Bardo" and gently jazz-funk influenced brilliance of closer "Window" amongst the highlights.

Review: Two days after he laid down his most celebrated album, "Go!", saxophonist Dexter Gordon gathered together the same line-up of musicians - Sonny Clark on piano, Butch Warren on bass and Billy Higgins on drums - and recorded a follow-up. Initially released in 1962, "A Swingin' Affair" has long been considered a hard-bop classic - hence this fresh reissue from Blue Note. It certainly contains some of Gordon's best work, not least the sparkling opener "Soy Califa", the languid and smoky niceness of "You Stepped Out Of A Dream" and the bluesy, bittersweet brilliance of slow-motion classic "Until The Real Thing Comes Along".

Review: Super cool jazz cat Dexter Gordon's 1963 album Our Man in Paris marked his first release from Europe and is often regarded as the final bebop album. The saxophonist gathered a quartet featuring bebop legends Bud Powell on piano and Kenny Clarke on drums and they played alongside French bassist Pierre Michelot to record this timeless work at CBS Studios in Paris. The album is defined by Gordon's commanding saxophone with the intricate rhythms of bebop that take you right back to a precise moment of musical history which marked a significant transition in jazz. It remained a defining work in Gordon's career.

Review: Dexter Gordon's 1965 album Gettin' Around captures the essence of his refined, effortless saxophone playing, coming at a time when he was back in the States after a long stint in Europe. The vibe here is smooth and unhurried, with Gordon's tenor sax at the centre of it all, surrounded by a standout crew: vibraphonist Bobby Hutcherson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. This unique instrumentation really shines, especially with the interplay between Gordon and Hutcherson on tracks like 'Manha De Carnival' and 'Shiny Stockings.' The whole session feels relaxed yet precise, with Gordon letting his sax sing while the band provides subtle yet nuanced backing. Highlights include the gentle swing of 'Everybody's Somebody's Fool' and the more upbeat 'Le Coiffeur,' both showcasing the group's tight but easy-going chemistry. Reissued as part of the Blue Note Classic Vinyl Series, this edition stays true to its analogue roots, mastered by Kevin Gray from the original tapes and pressed on heavyweight 180g vinyl. For fans of Gordon or classic Blue Note, it's a must-have.