Review: A deeply reflective solo piano album that bridges the ambient side of synthpop/electronic pioneer Foxx's career with classical music. Largely composed this in the quiet, early hours of the morning, following one of his rare live performances at Kings Place, London, he creates a serene and evocative experience. The stillness of dawn, when the piano faces a misty valley at sunrise, serves as the perfect backdrop for Foxx's contemplative compositions. The album reflects Foxx's thoughts on the enduring influence of time and the people we encounter. Each note seems to resonate with memories and fleeting moments, creating a sense of calm introspection. Drawing on his experience with electronic textures, Foxx seamlessly blends ambient sounds with classical motifs, resulting in a series of compositions that are both haunting and beautiful. Each piece offers a glimpse into Foxx's emotional landscape, where the echoes of past experiences intertwine with a peaceful acceptance of the present. A tranquil, elegant work.
Review: Frollen Music Library is a high-quality sample library and production house specialising in live ensemble recordings and analogue production techniques. It has a creative process rooted in a love for 60s and 70s music, the foundational sounds for hip-hop sampling, so offers producers easy-to-use sample packs. Created by long-time collaborators Darvid Thor, Henry Jenkins and Hudson Whitlock who are members of Melbourne's soul scene, Frollen Music Library is a rich sound source for productions and compositions in film and television and a go-to resource for fans of artists like David Axelrod and Ennio Morricone. It also works as an evocative mental trip when listened to from back to front.
Review: Frollen Music Library is a premium sample library and production house focused on live ensemble recordings and analogue production techniques. Drawing inspiration from the 60s and 70s - which is of course - the era that shaped hip-hop sampling, it provides producers with accessible, high-quality sample packs. Founded by long-time collaborators Darvid Thor, Henry Jenkins and Hudson Whitlock who are all active members of Melbourne's soul scene, the library offers a rich collection of sounds perfect for film, television and music productions. It's an essential resource for fans of artists like David Axelrod and Ennio Morricone and also makes for a good standalone listen.
Review: Prog rock giants Genesis caught in live action in London in late 1973, a mere month after the release of their Selling England By The Pound album. This is what many claim to be the band at the height of their powers, with their highly celebrated Foxtrot album not long behind them, hitting their experimental, quirky time signature peak and with Peter Gabriel still commanding the microphone. Opening with the thrusting 'Watcher of the Skies', Tony Banks' keyboard stabs almost rave-like in their stabbing power, they hurtle through tracks from the latest offering ('The Cinema Show', 'Battle of Epping Forest' and the anthemic 'I Know What I Like') alongside Nursey Cryme album fan favourite 'The Musical Box' and a version of the epic 'Supper's Ready' that stretches to nearly 24 minutes here. 'More Fool Me', meanwhile, which sees drummer Phil Collins step forward to sing its folksy, almost Bee Gees-like pop strains, points to where the band would be in a handful of years' time.
Review: Decca Records, a champion of British jazz and particularly the homegrown talent of the 50s, 60s and 70s, continues its exploration of those eras. Curated by Mark Baxter, this is the perfect entry point for those unfamiliar with the virtuoso saxophonist, flautist, vibraphonist and composer Hayes, gathering ten tracks originally recorded for the Fontana label between 1961 and 1969 and answering to the question "Where do I start with Tubby Hayes?" Hayes was a significant figure in British jazz, a multi-instrumentalist and composer whose work spanned various styles, from hard bop to modal jazz. This collection showcases the breadth of his talent, highlighting key moments from his prolific period with Fontana. It's a chance to hear Hayes at his peak, demonstrating his technical prowess and his distinctive musical voice. Here, seasoned jazz aficionados are offered a curated selection of familiar favorites, perhaps revealing new nuances with fresh ears. But its primary purpose is to introduce new listeners to Hayes's brilliance and by focusing on a specific era and label, the compilation offers a coherent taste of Hayes's evolution throughout the 60s
Review: Brazilian artist Hyldon's 1981 album 'Sabor De Amor' is a Latin classic that is well overdue this reissue by Jazzybelle Records. It was the fourth from the soul man, singer and instrumentalist who was, with equally celebrated peers Tim Maia and Cassiano, at the very heart of the Brazilian soul revolution of 70s. This may be his most consistent album with its more than accomplished backing by Azymuth musicians including Alexandre Malheiros on bass, drums from Ivan "Mamao" Conti and Hammond jams from Sergio Carvalho amongst others. The bass is funky, the arrangements are sophisticated and full of sun with noodling jazz melodies and Portuguese vocals all oozing summer magic. From mellow moments like the title cut to more dazzling and upbeat dancers like 'Amor Na Terra Do Berimbau' this isa joyous listen.
Review: The Ethiopian Ibex Band's 1976 album Stereo Instrumental Music is being re-released as a cornerstone of Ethiopian music. This record is credited with shaping the modern sound of Ethiopian music and the band's enduring influence can be felt in the works of legends like Aster Aweke, Girma Beyene and Mulatu Astatke. Created by Giovanni Rico and Selam Woldemariam, Stereo Instrumental Music is part of a significant legacy that challenges the idea of a "golden age" of Ethiopian music and highlights the constant evolution of the sound. The Ibex Band, later known as The Roha Band, has remained central to that and Ethiopia's wider scene.
Review: Alex "Landy" Hill was the producer for and founding member of the 80s r&b and disco group Timex Social Club. This gem is the result of a deep dive into his archives and is an unreleased 1990s Bay Area demo project. The collection features nine original tracks created in collaboration with vocalist Jordana and songwriter John Pruitt all written and recorded in Hill's modest apartment studio. As you would expect of him, the tunes capture the raw, soulful energy of the era's underground r&b and funk scene with a nice lo-fi edge and plenty of analogue sounds from the time. Long tucked away on ageing cassette tapes, the recordings have now been carefully restored by PPU to offer a great look at Hill's post-Timex era.
Review: Salif Keita is known as the "golden voice of Africa" and now returns with So Kono, an intimate acoustic album that marks a departure from his usual style. Though reporting he was initially hesitant about releasing an acoustic record, Keita who is traditionally a composer rather than a guitarist, was inspired during the 2023 Kyotophonie Festival in Japan where he was surrounded by the tranquillity of a Zen temple and supported by his musicians. He embraced vulnerability and got to work on So Kono, meaning "in the room" in Mandinka, and it was recorded in the intimacy of his hotel room. The album features a mix of new songs and reworked classics with Keita's powerful voice enriching the sounds.
Review: Beaming into the future from the 1980s Belgian EBM scene, The Klinik (now reduced to two core members Marc Verhaeghen and Mark Burghgraeve) are a pivotal force. They helped found the underground, all while influencing a generation of EBM artists both locally and internationally. ‘Pain And Pleasure’ was their first blush, first released as an EP on Antler Records in 1986. Now recovered and “album-ified”, it takes on a new form as a full-length LP elongation, retitled Plague & Pain And Pleasure. With a new sado-leathered, plague doctoral, marble vinyl aesthetic, this is an electrifyingly chalky expansion pack taking after the original three-tracker, and which proves again the dark efficacy of their gluttonous, motoric overwhelmer sound, evidenced on the likes of ‘World Domination’, ‘Go Back’ and ‘Outside’.
Falling Down (feat Totally Enormous Estinct Dinosaurs & A-Trak) (3:49)
Y Don't U (8:11)
Alive (feat Bloom Twins) (3:31)
R U Dreaming? (feat Mathew Jonson) (7:44)
So Low (feat Zoe Kypri) (5:56)
La Hija De Juan Simon (feat Mestiza) (7:02)
Warrior Dance (feat Jojo Abot) (9:53)
Sunrise Generation (feat Fink) (7:27)
Force (feat Jojo Abot) (4:29)
Review: Damian Lazarus's fifth studio album is another left-of-centre exploration of house and tech, often with a spiritual twist and hints of voodoo magic. It is heavy on collaborations and finds the Crosstown Rebels boss hooking up with the likes of Hem Cooke for the spine-tingling downtempo opener 'Searchin' while 'R U Dreaming? (feat Mathew Jonson)' is a more deep and bubbly late-night tech sound. 'La Hija De Juan Simon (feat Mestiza)' is laden with percussion and warped bass, and 'Sunrise Generation (feat Fink)' is a deft and progressive melodic roller that is sure to be huge this summer and beyond.
Review: Legendary US rapper and hip-hop pioneer LL Cool J has built up an arsenal of his over his career so it made sense he put them all together in this new double album, All World: Greatest Hits. This certified gold-selling album showcases his work from his debut release when he emerged in the 1980s as one of the genre's earliest stars known for mixing up hard-hitting bars with smoother, radio-friendly tracks and unforgettable hooks. The newly reissued album features iconic tracks like 'Rock The Bells,' the brilliantly well-sampled 'Around The Way Girl,' hard-hitting favourite 'Mama Said Knock You Out," and more. A vital bit of hip-hop history.
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in stock$38.68
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