Synth modules

Notes: A typically clever approach to modulation from Make Noise, the MultiMod takes a control signal and modifies it into eight related outputs, adjustable by phase and timing. Hugely versatile.

Supplier's Notes:
With MultiMod...from one control signal, we create many.

In a modular synthesiser, it is easy to create complex results via complex means - patching an elaborate network of independent control signals, for example. This can be very powerful but also cumbersome to set up, and potentially difficult to control in a meaningful way. MultiMod represents a new approach: it takes a single control signal and copies it 8 times, not unlike a simple mult, except that it allows you to modify those copies by weighted adjustment of their relative phase and speed. The result is modulation that is related to the source, but not identical at each destination.

Phase sets the spacing of the signal copies in time, weighted by channel, with each progressive channel getting more out of phase from the original signal and from each other. Spread allows for varispeeding the copies by different amounts, with each getting progressively faster or slower than the original Signal. Time determines the range of time captured at the input and therefore also the depth of modulation across copies of the input signal when Phase and Spread are manipulated. MultiMod also includes Tempo, Hold, and Reset features, and a variety of Read Shapes for temporal rearrangement of input signals.

When the input is not patched, MultiMod generates an LFO that is copied eight times and manipulated in the same ways.

MultiMod is built with the latest DSP hardware which offers eight high resolution outputs, with signal input and output ranges approaching the upper limits of the analogue eurorack modular system. All I/O is capable of a 20V range at +/-10V, greatly exceeding the typical 0-5V CV input ranges on typical digital modules.

Specifications

Width: 10hp
Max depth (incl power cable): 39mm

Power:
195mA @+12V
10mA @-12V

Notes: Tiptop's reissues of iconic Buchla modules continue with the 285 frequency shifter. Edgy, twangy harmonic modulation with ring mod options and stereo operation via sum and difference outputs.

Supplier's Notes:
The 285t combines two sets of functions: the top section features a frequency shifter, while the lower section includes both balanced modulation and classic ring modulation, all with voltage control. The frequency shifter can shift incoming audio using either its internal oscillator or external audio. Both SUM and Difference outputs are available simultaneously for analogue stereo widening effects and more.

As Tiptop Audio continues its aural odyssey of preserving and transforming the hallmark engineering prowess of Don Buchla's namesake synthesizer modules, the 285t brings a constellation of blistering sonic-contouring tools to your Eurorack array. Like its predecessor, the Tiptop Audio Buchla 285t is a menagerie of modulation madness, offering variable degrees of ring, frequency, and amplitude styles of modulation. Plus, its dyad of modulation sub-modules operates independently, with dedicated audio and CV I/O for each, functionally giving you the sum of performance possibilities you'd get with two modules, all in one instrument. Suffice it to say: Sweetwater's synthesists commend Tiptop Audio on capturing the electric magic of Don Buchla's imaginative engineering while transposing it for the world of Eurorack to experience. For a constellation of timbral sculpting and summitting heretofore unknown peaks of daring synthesis exploration, the Tiptop Audio Buchla 285t Frequency Shifter module is your key. Discover what awaits at the fringes of Eurorack possibility!

Note: This module is not compatible with Buchla system voltages. CV signals require a distinct connectivity configurations. Please contact your Sweetwater Sales Engineer with any questions or concerns regarding compatibility or use in your Eurorack case.

Type: Frequency Shifter
Depth: 1.77" (45mm)
HP Size: 18HP
Power Usage: +12V/70mA, -12V/40mA
Power Supply: Requires Eurorack Case and Power Supply
Manufacturer Part Number: 285t

Notes: Another iconic Buchla module gets the Eurorack reissue treatment courtesy of TipTop. The 242t is the brand's unique voltage-controlled clock and trigger module, generating pulses based on a 4x12 matrix.

Supplier's Notes:
The Buchla and Tiptop Audio 242t Programmable Pulser is a reissue of the time-event-based generator from the 1970s 200 series. At its center is the Pulser, a voltage-controlled clock oscillator with a wide frequency range, extending up to audio frequencies, numerous outputs, and start/stop controls. The Pulser drives a programmable matrix with three rows of up to 12 stages: (A), (B), and (C). Stages are activated using the X/Y coordinate controls, and the total number of stages can be set using the (n) row. Clock and Reset inputs allow the 242t to sync with other devices, while the Reset input can also be used to control the number of stages with external pulses.

Notes: The MCO MK II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP.

It offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.

Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.

Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.

The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.

A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.

Notes: The brilliant Perkons drum machine comes to Eurorack. A single hybrid drum voice with digital sound engine and analogue filter/overdrive, the Perkons Voice is flexible and supremely powerful.

Supplier's Notes:
Erica Synths Perkons Voice is a eurorack incarnation of the percussion voices from the PERKONS HD-01 Drum machine. Like on the drum machine, the module has hybrid architecture, featuring a digital sound engine followed by an analogue multimode filter and overdrive. Users can select among 13 sound generation algorithms and save up to 99 presets that can be recalled easily. Tune and Patch CV inputs are configurable for various CV settings and are tuned to 1V/oct. Module also features a 4-voice poly overlap mode and samples on the "Rompler" engine can be easily replaced.

Specifications:

Audio output: 10Vptp
CV levels configurable: -5V - +5V
Power consumption: +59mA, -30mA
Module width: 14HP
Module depth: 35mm

Notes: Meet Stardust, a cosmic tape looper.

The foundation of Stardust is a stereo looper with all the essential controls to record and manipulate sound, while supporting click-less looping transitions, an ultra-low noise floor, and high-fidelity audio hardware. However, getting the perfect loop is only half of the equation, Stardust also focuses on the texture and vibe of your recordings. Dial in a classic tape machine style warmth with wow & flutter/tape hiss controls, or take Stardust to new horizons with DSP effects. And, much like the tape-machines it takes it's inspiration from, Stardust can splice and rearrange its loops at the twist of a knob.

With an impressive set of front panel controls, the ability to save, recall, or export recordings, load samples via an included USB flash drive, and a host of configurable settings via our web editor Narwhal, Stardust is a comprehensive looper device.

Power Consumption: +12V=201mA, -12V=13mA, +5V=0mA

Notes: Designed for Make Noise's New Universal Synthesizer System but compatible with all Eurorack modules, the Jumbled is a 6-in/6-out VCA-based signal router, designed to manipulate and reimagine control voltage signals.

Supplier's Notes:
The Jumbler music synthesiser module is a six by six channel analogue signal combiner and distributor for the New Universal Synthesizer System or any Eurorack modular synthesiser. Jumble is one of the N.U.S.S. concepts where the routings of a patch could be re-configured, or jumbled, instantly via voltage control to produce variations on a theme.

Jumbler gives you powerful two-parameter access to the rearrangement of both origins and destinations for up to six modular signals. One to six inputs are routed to one to six outputs, in an order determined by the Rotate control, and combination determined by the Radiate control. Unlike a simple switch module, Jumbler's analogue VCA-based design is specially geared for smooth transitions and hybrid signals.

Jumbler is a great module for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more. Some folks have said it is like patching a stack of 6 RxMx circuits.

Width: 10hp
Max Depth (incl. power cable): 43 mm

Power:
178mA@ +12V
92mA @ -12V

Notes: Great value from Xaoc's pingable dual VCA, capable of creating organic, acoustic-style decay curves which replicate the dynamics of real-life instruments. Ideal for processing audio as well as CV.

Supplier's Notes:
Xaoc Devices Lublin is a high-quality dual VCA module with exponential CV inputs. On top of that, its two identical channels feature additional inputs for pinging. These inputs use an elaborate analogue circuit to model the dynamic behaviour of vactrols, allowing you to trigger a carefully crafted gain response that mimics the natural decay of plucked and struck acoustic instruments. Unlike lowpass gate modules though, Lublin reduces gain while retaining the full frequency bandwidth, so it is perfect for harmonically rich signals, like our Odessa additive VCO. The vactrol-like behaviour is just a starting point as the envelope may be varied within a wide range using a switch (natural, shortened and prolonged response) and a potentiometer, so you are not stuck with one decay characteristic. Therefore, you can use it not only to create bongos, but also for fat compressed kicks! The built-in gain control circuit (saturating CV instead of the audio signal) prevents distortion from excessive amplification. Lublin is DC-coupled, so you can use it to process CV as well as audio signals.

Width 6HP, Depth 33mm (including cable bracket)
40mA/-20mA

Notes: Part of TipTop's exceptional series of Eurorack-format Buchla modules, the 264t provides four sample-and-hold circuits, plus a logic circuit designed to control polyphonic patches. Deceptively simple but surprisingly creative, like most Buchla modules.

Supplier's Notes:
Four independent sample-and-hold circuits, plus a specialized logic circuit for expediently implementing polyphonic patches.

Sample-and-hold's are essentially one-cell analog memories. They are useful for "remembering" the instantaneous value of a control voltage (a detected envelope, for example), for generating equally spaced steps from a constant slope input (as from a 281t envelope generator), and for converting any continuously changing voltage (a random voltage, for instance) into a series of discrete values.

The 264's sample-and-hold circuits have two operating modes: sample and track. In the sample mode, the value of the input is sampled and applied to the output whenever a pulse is received. The output remains at this value until the next pulse arrives. The track mode diers in that an input is applied to the output for the duration of the pulse. The output tracks the input until the end of the pulse and remains at a constant value until the next pulse.

To use the 264t as four independent channels set the separate/common switch to separate. A single CV can be set to all four channels by setting the operate/common to common and plug CV in the the back jack on the with right side.

The Model 264t includes a polyphonic adaptor, which performs the logic necessary to implement four-voice polyphony. Facilities are incorporated for fine tuning and f.m. modulating the oscillators; light emitters display the adaptor's operation.

Specifications:

Size: 18 HP - Depth: 45mm
Power: +12V 60mA / -12V 30mA

Notes: Tiptop bring the iconic low-pass gate to their range of Buchla reissues. The 292t offers four channels which can be mixed or treated individually, with adjustable modes for low-pass filtering, VCA or the classic low-pass gate combo.

Supplier's Notes:
The 292t is a reissue of Don Buchla's low-pass gate from the 1970s, adapted for the Eurorack modular format. The module consists of four independent low-pass gates (LPGs) and retains the natural, percussive sounds of the original, all of which can be manipulated in real time using control voltages. The 292t allows you to mix up to four sounds from their individual outputs or through a summed output, functioning as a mixdown. Each channel can operate in one of three modes: a low-pass filter with a variable cutoff, a VCA with controllable gain, or a combination of both, producing Buchla's classic low-pass gate effect.

Notes: Versatile Sinevibes software power in Eurorack form, the Radiant offers six powerful algorithms: dub delay, pole phaser, chord wrapper, feedback shifter, distortion and re-trigger. Filter, morph between presets and add optional reverb to all algorithms.

Supplier's Notes:
The Radiant, developed in collaboration with Sinevibes, is a powerful and highly creative multi-effect processor designed to bring unique and dynamic sound-shaping capabilities to modular synthesis setups.

Multi-Effect Processor with Six Selectable Core Algorithms

Radiant offers a versatile collection of six distinct core algorithms, designed to be both familiar and experimental:

Dub Delay

Pole Phaser

Chord Wrapper

Feedback Shifter

Distortion

Re-Trigger

These algorithms contribute to a wide range of sonic possibilitiesifrom ambient soundscapes and subtle modulations to complex, evolving textures and otherworldly effects.

Morphing Between Presets

One of Radiant's standout features is its ability to morph between presets. This allows for seamless transitions between different effect states, creating evolving and dynamic sounds. The morphing feature makes it ideal for live performances, as users can shift smoothly between various sonic textures.

Three-Band Filter

Radiant includes an onboard three-band filter that lets users shape their sound by adjusting the low, mid, and high frequencies. This is particularly useful for fine-tuning the effects or isolating specific frequency ranges for more controlled sound sculpting.

Reverb and Sound Reverse

In addition to the core algorithms, Radiant provides a built-in reverb, adding space and depth to the sound. The sound reverse function allows for experimental sound manipulation by reversing the audio signal, creating eerie, backward effects that can be synced to the external clock.

Preset System and Save Function

Radiant features a straightforward preset system that allows users to save and recall different effect configurations across 3 available slots. These presets can be morphed in real-time, offering expanded creative possibilities.

User-Friendly Interface

Despite its complex capabilities, Radiant is designed with a simple and intuitive user interface. The module offers easy-to-use controls, allowing for quick adjustments and real-time tweaking of effects. This makes it accessible for both experienced modular users and those new to modular synthesis, providing a powerful yet approachable tool for creative sound design.

Notes: The Stereo I/O 1U is an all-in-one audio input/output module designed to bridge the gap between your Eurorack system and line-level devices. Whether you want to process external audio with your modules, monitor your patch with headphones, or connect your system to mixers or interfaces with line level - Stereo I/O 1U has got you covered.

Audio I/O allows you to effectively interface your Eurorack modular system to the balanced line-level world (+4 dBu). You can send and return to rack mount/desktop fx units, patch to external line-level instruments like synths and drum machines, interface to a DAW and much more.

The rear-mounted 3-pin CHAIN IN connector allows you to sum (in parallel) other audio sources to go from Eurorack level to the BAL LINE OUTPUTS. This could be from modules like the Mixup 3U, Xfade 1U, Stereo Mix 1U, and XY I/O 1U. You could also use this to connect with the 3-pin headers on the Palette and 7U cases audio i/o boards.

The rear-mounted 3-pin CHAIN OUT connector allows you to directly connect the level-shifted BAL LINE IN to the inputs of other compatible devices such as the Mixup 3U, Outs 3U, Stereo Mix 1U, XY IO 1U, and Headphones v2 1U. You could also connect the to the TRS jacks of the Palette and 7U cases audio i/o boards.

Dual Balanced ins and outs for the studio or the road. Interface your rack with the balanced line level world; send and return to pedals or desktop FX units; patch in and out of your DAW, external synths, drum machines and other line-level instruments.

A space-friendly, feature-rich, highly flexible solution for all your stereo line level input and output needs. Includes a dedicated headphone jack/volume and a clever cue bus for monitoring signals outside of the main output or to add a 2nd source to the main outputs.

Notes: The MetaModule Audio Expander (MetaAIO) adds an additional 6 CV/Audio inputs and 8 CV/Audio outputs to your MetaModule patches, via a ribbon cable connected to the main MetaModule. The MetaAIO provides the same high-quality as the MetaModule's Audio/CV jacks (24-bit, 48kHz default, up to 96kHz).

Notes: Serious versatility from AJH here. Based on the circuits from the Oberheim Matrix 12, the Matrix VCF offers a whopping 16 different fully analogue filter modes, each with two different resonance models. All bases covered.

Supplier's Notes:
Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.

This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.

The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.

AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.

Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.

The Matrix VCF in depth

After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!

So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!

However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!

AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.

Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!

Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.


Sixteen distinct filter modes to choose from

Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass

All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!

P-VOX MODE

Transforming the resonant character of every filter type

This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!

Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.

Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative

Notes: Dive into the world of subtle tone modulation with the revolutionary 2HP Eurorack compatible Slew Limiter. This compact but powerful module is the secret weapon in your synth setup to create smooth transitions between your sounds, giving you the opportunity to expand your musical expression in a unique way.

With its slim design of only 2HP, the Slew Limiter fits seamlessly into any Eurorack system without taking up valuable space.

Create smooth transitions between notes or modulate CV signals to create organic, vibrant effects such as portamento/glide, or complex modulated patches.

Adjustable rise and fall times give you complete control over the speed of signal changes, from instant jumps to smooth, slow transitions. Versatile uses: Whether for smoothing control voltages, creating legato effects for monophonic melodies or for creative sound design - this slew limiter is a true all-rounder.

Thanks to its clean layout and simple controls, you can make the settings you want instantly, making it ideal for live performances and studio sessions.

CV control via rise/fall

A unique feature is the ability to control rise and fall times via external CV signals, allowing you to dynamically react to your performance or patch.

Shape Control

The Shape slider allows you to fine-tune transitions over a wide area. Whether it's a slow exponential increase, linear transitions, or a subtle adjustment through the logarithmic characteristic, it's all at the service of the music

Notes: The Morphor Sequencer - Quad Gate/CV is a versatile tool for both live Eurorack performances and songwriting. This module can be configured as a 2-, 3-, or 4-track sequencer, depending on the selected output configuration. With flexible track configurations and intuitive real-time step editing, this sequencer offers a handy approach to sequencing in modular systems being only 4 HP wide.

Whether you're controlling gates, CVs, or a combination of both, this module adapts to your creative needs with ease. Key features include up to 4 independent tracks, each capable of holding up to 16 pages containing up to 16 steps. Users can configure tracks as gate, CV, or combined gate/CV tracks, and even set up triad chords. The module supports customizable step lengths, glide times, individual track playback orders and reset behaviors making it ideal for creative sequences.

This module can operate as a standalone unit using its internal clock or be easily synchronized with an external clock source for integrated use within a larger system. The clock and reset jacks can function as both inputs or outputs, allowing flexible configuration to match your setup.

For expanded setups, multiple Morphor Sequencer modules can be daisy-chained via the bus connection on the back, ensuring that clock and reset signals are shared seamlessly across all connected modules. This makes it easy to sync multiple sequencers for complex, multi-track performances or compositions.

Specifications

Panel width: 22 HP
Panel height: 1 U
Module depth: 33 mm
Dimensions: 39.65 x 111.4 x 33 mm
Mass: 56 g
Power Socket: 16-pin

Current draw:
12 V: 95 mA
-12 V: 11 mA
+5 V: 123 mA

Notes: The mmMidi is a simple & compact MIDI interface for your Eurorack synthesiser. It translates two independent channels of MIDI note, velocity and gate information to corresponding control voltage signals via either a classic MIDI DIN type connection or as a driverless USB MIDI device.

The mmMidi also converts MIDI Clock to analogue x24 fixed clock and run outputs (i.e DIN Sync). The optional mmT expander provides a third MIDI channel of 8 key mapped gate outputs.

Requiring minimal configuration and a pain free set up, the mmMidi makes it easy to sync Pam's clock to your DAW, control multiple synth voices, and trigger drum or sample modules with the optional mmT expander. The new USB-C connection makes it easy to drive your modular not just from your computer but also via your tablet, phone or any USB MIDI Host.

(Note: New 2025 mkII version adds USB-C functionality.)

Technical Specifications

Power: +12V 50mA / -12V 0mA
Size: 4HP
Depth: 38mm
MIDI response latency: 200-400 uSec
Resolution: Factory calibrated 12 bit 0-8V CV outputs. +5V gates

Notes: ST.FONT is a stereo liquid filter that takes the beloved core of our FONT module and expands it into a powerful stereo filtering tool.

With a dual filter core (one for each channel), it offers a massive liquid sound with smooth resonance, adding warmth and depth to any audio signal.

Independent filter cores for left and right channels with Low Pass, Band Pass, and High Pass modes, plus seamless crossfading between filter outputs.

Built-in VCA with soft clipping for rich sound shaping, plus CV control.

Switch between Mild for traditional resonance or Wild for extreme distortion and aggressive filtering.

Dedicated FREQ Span, RES Span, and MODE Span knobs allow you to create a wide, immersive stereo field by adjusting the spread of parameters across both channels.

Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
10HP

Notes: MEGA-TANG Expander MT-EX1 is a new expander module for the MEGA-TANG mixer.

The MT-EX1 adds 4 additional inputs. It also adds a mono line level input with level and send controls, two extra fixed inputs each with send controls and a fixed stereo input. Note the MEGA-TANG only supports a single expander at any time.

Technical Specs

Size: 4HP
Depth: 32mm (approx)

Notes: Inspired by 'fill' effects found on old-school drum machines, the DeFeel module is unique approach to manipulating sequences, designed to 'degenerate the monotony' of rhythmic patterns, creating variations in real time.

Supplier's Notes:
With DeFeel, Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesisers.

This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.

A modular device that's not going to generate anything, but is created to degenerate the monotony.

DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.

DeFeel, offers musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.

Notes: THE SBG-PRO supports mono, stereo, balanced, and unbalanced input and output via 6.35mm jacks with level matching controls with clipping indication. The module features both direct and voltagecontrolled equal power crossfading between wet and dry sources.

Additionally, an expression input, along with the included 'floating ring' cable and conditioned output, ensures safe, voltage-limited CV control of external devices from your modular system.

The module extends its sibling, the original S.B.G, by adding full size stereo balanced jack connections and voltage control focusing more on connectivity with not just pedals but also pro audio equipment including rack effects, 500 Series modules and mixing consoles.

Notes: MEGA-TANG Expander MT-EX2 is a new expander module for the MEGA-TANG mixer.

The MT-EX2 adds an extra effects send/return for all channels. It also adds an extra send and return to your MEGA-TANG. Note the MEGA-TANG only supports a single expander at any time.

Technical Specs

Size: 4HP
Depth: 32mm (approx)

Notes: Welcome to the Rosci soundscape. Rosci is a digital VCO that generates random waveforms to create unique, rich, and full sounds. You are able to control how complex the sound is-add harmonics and have a completely unique shape generate using the generate button/trigger. BUT, it can also be tuned to output basic waveforms (sine, square, sawtooth) if you so desire.

Tunable parameters breakdown:

COMPLEXITY: Essentially a generation of unique timbre.
ROUNDNESS: Set the basic shape of your waveform. Go from from sharp to soft sound, similar to filtering.
HARMONICS: Add up to 6 harmonies to your sound. The choir's here.
FORMANTS: Accentuate certain overtones in your sound (like a voice singing "ooo", "ahh", "eee").
DETUNE: Add a classic 'detune' with a changing phase wave for extra wide sound.

How does it work?

It is a pipeline of algorithms, which generates and modifies a waveform starting from top to bottom. Rosci works on a principle of key points: the generate button generates key point location and amplitudes to be passed down the pipeline.

Tunable parameters:

Beginning with complexity, you set the number of key points (even numbers only to create a waveform). Lowest complexity sets two points, and highest complexity sets up to 20 points. The number of key points will vary with each waveform generated. From there, the roundness sets the type of interpolation of the key points, from square to sine. Adjusting the harmonics creates copies of the waveform and adds them to the original waveform at double, triple, ... up to 6x the base frequency. Formants maintains the frequency of the wave, but squishes it so there is 'empty space' in between (this is also called pulsar synthesis). Finally, detune copies the waveform and 'detunes it' by increasing the frequency ever so slightly. And there you have it: a unique Rosci soundscape :)

Technical specs:

Module Size: 3U X 6HP X 25 mm Deep.
Current Draw: 160mA@ 12V, 20mA@ -12V.

What's in the box:

1x Rosci module
1x User Manual
1x Power cable
2x Mounting screws

Notes: Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. StarLab is a single module that will completely transform your modular rack.

The seemingly simple idea of allowing the pre-delay signal to be fed directly to the module's output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.

While experimenting with short delay times using feedback and filtering, Strymon began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well. All this ultimately resulted in the creation of a module that is equal parts reverb, delay/ modulation, and playable instrument.

From patch creation to live performance, StarLab's powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab's interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.

From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.

StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.

In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab's reverb capabilities.

Notes: Rhythmi is a Eurorack drum sequencer that allows you to dial in your groove, and explore it by evolving the pattern and modulating the energy. It allows for rhythmic inspiration and creativity without the burden of step programming. The evolve parameter enables smooth transitions between related rhythms through the use of branches. New branches can be generated at the push of a button, loading up a whole new branch of related rhythms to explore. The Evolve parameter is the heart of Rhythmi, its inspiration, and defining feature. Allowing rhythms to shift, transform, and melt into one another.

The Clock Section provides internal or external clocking with division or multiplication. The Customize Section shapes individual drum elements through density and syncopation. The Global Section introduces macro-level control over the rhythm via the Energy, Evolve, Length and Swing parameters, dynamically shaping fills and variations. Rhythmi has a jumper cable connector on the back to pair up seamlessly with Beatsi, the drum voice it was designed alongside with.

Technical specs:

- Module Size: 3U X 14HP X 25 mm Deep.
- Current Draw: 120mA (170mA peak)@ 12V, 10mA@ -12V.

What's in the box:

1x Rhythmi module
1x User Manual
1x Power cable
4x Mounting screws

Notes: A simple and compact 1U module for hands-free control, the Kommander generates CV and gate signals based on your hand's proximity to the infrared sensors. Cheap, fun and effective.

Supplier's Notes
An infrared motion controller that makes controlling your modules intuitive and fun. The KMNDR measures the distance to other objects (e.g. your hand) and sends a CV and gate signal.

This will allow you to interact with your modular system in a fun and intuitive way, create complex synth sounds, trigger a drum machine and "play" your modules.

Just plug the KMNDR into your synthesizer and create! The KMNDR ships with a 10-pin power connector.

Meet the KMNDR: our new compact sibling of the renowned KOMMANDER. This infrared X-Y motion controller is about to revolutionize the way you interact with your modular synthesizer.

Designed to make module control both intuitive and enjoyable, the KMNDR transforms physical gestures into musical magic. By simply measuring the distance to objects like your hand, it sends out CV signals ranging from 0 to 10 volts, alongside a 10V gate output, enabling a tactile and expressive approach to music creation.

Whether you're looking to craft complex synth landscapes, trigger rhythms on a drum machine, or "play" your modules as if they were traditional instruments, the KMNDR is your gateway to a new realm of musical expression. Its plug-and-play functionality means you can seamlessly integrate it into your setup, opening up endless possibilities for innovation and performance.

The KMNDR is not just about functionality; it's about bringing fun back into music production. It ships ready-to-use with a 10-pin power connector, ensuring you can dive straight into creating the moment it arrives. Prepare to engage with your modular system like never before. With the KMNDR, your hands are not just making music; they're creating an experience. BOOM!

Dimensions: 8 HP, 23 mm deep
Module is a 1U tile in Intellijel format

Current Draw: 56 mA +12V, 2 mA -12V, 0 mA 5V

Notes: A typically well thought-out approach to matrix mixing from ADDAC, the 814 is a stereo, expandable 6x6 design with separate control and in/out modules. Suitable for line/synth level audio or CV.

Supplier's Notes:
Introducing ADDAC's take on matrix mixers, a 6x6 stereo matrix easily expandable to larger configurations.

Matrix mixers may need some time to get used to, but they are very much self-explanatory, each knob controls the volume of a matrix point routing the respective input to the desired output. The flexibility of a matrix mixer is far superior to a standard mixer, the possibility to route any input to any single or multiple outputs allow for very complex chains, combining parallel and series processing while easily reconfigurable without any extra patching.

All Inputs Left channels are normalled to the Right Inputs.

Blank areas on the left and bottom edges of the panel allow for the user to write all the inputs and outputs sources that each channel is connected to.

Different coloured knobs for faster visual recalling: Black for A,C,E Outputs Dark Red for B,D,F Outputs Cream knobs for potential feedback diagonal: 1A, 2B, 3C, 4D, 5E, 6F.

DC coupled circuitry, can be used to mix both audio or cv signals.

Jumpers on the back of both modules allow the user to set each channel independently to Line or Synth Level, making it easier to integrate with external sources, sound processors or guitar pedals.

Internal connections

The control and input modules are connected via a large 34 wire ribbon cable, only the control module needs to be connected to the Busboard.
Extra IDC sockets are used for connecting larger configurations like 12x12 or 18x18.
Other configurations are also possible: 6x12, 12x6, 12x12, etc...
Up to 12x12 all ribbon cables are provided, for larger matrixes custom ones will be necessary, contact us directly if planning to go BIG.

Potentiometers

Although ADDAC System are using Thonk's Tall Trimmer Topper for Knobs all potentiometers used have metal shaft and are not plastic trimmer potentiometers.

Tech Specs: 25HP + 8HP (33HP total, 4.5cm deep, 140mA +12V, 140mA -12V

Notes: Really nice approach to sequencing from Omni-Tone. The Melodi generates 'semi-random' patterns based on tunable parameters and probabilities. Dial in combinations of scales, pitch range, tempos and so on to create unique melodies.

Supplier's Notes:
Melodi generates sequences based on the mood you set so you can create the sound you're searching for- it can be tweaked to create anything from a powerful bassline to a sparkly melody.

Ships with version 2 of firmware

Improvements: Skip, tie, length are now LIVE knobs. Added a ping-pong trend line and a blues scale.

GENERATE

1. NEW - will prompt Melodi to generate a new sequence.
2. TRIGGER IN - accepts a trigger to prompt Melodi to generate a new sequence.

CYCLE

1. ON/OFF - determines if the sequence will loop or require retriggering.
2. TRIGGER - button and jack trigger the sequence to restart at the beginning.

TUNE

* While adjusting tunable parameters, the light bar will reflect the current selection. For continuous parameters the light bar shows amount from 0-100%, for quantized parameters the light bar shows steps.
1. SKIP (continuous) - sets the probability that a note will be skipped in a sequence.
2. PLUCK (continuous) - sets the length of the gate, from short plucks to gliding between notes (portamento).
3. TIE (continuous)- sets the probability that a note gets tied to the next (effectively making the note last two clock cycles).
4. TREND (continuous) - sets whether the sequence trends upwards or downwards in pitch.
5. SCALE (quantized) - select the quantization of the notes used in the sequence. Choose from perfect notes, pentatonic scale, diatonic scale, chromatic scale and completely unquantized.
6. RANGE (continuous) - sets the range of notes from 1 to 4 octaves (unquantized)
7. LENGTH (quantized) - select the number of notes to play in a sequence (from 1-16, or infinitely generating at the max position).
8. SPEED (continuous) - sets the tempo of the internal clock, between 20 and 2000 BPM.

OUT
1. GATE - outputs the gate of the notes in the sequence.
2. PITCH - outputs the pitch (in V/OCT) of the sequence.

CLOCK

1. SELECT - Melodi will generate internal clock signal if select switch is up, and will use external clock signal when down
2. IN - connect external clock signal
3. OUT - output clock signal

Technical specs:

- Module Size: 3U X 8HP X 25 Mm Deep.
- Current Draw: 85mA @ 12V, 10mA @ -12V.

What's in the box:

- Ready to use Assembled Module
- Mounting Screws
- Power Cable
- User Manual

Notes: A handy combination of two of Serge's most recent designs:

The GATE (left side) is an enhanced redesign of the classic Serge Gates which can be used as a linear or exponential VCA or ring modulator or some interesting combination of these.

The VCFX 2023 is a newly designed Serge filter that is essentially a Bandpass, but also offers a Lowpass output.

Serge NEW GATES / VCFX 2023 for eurorack:

Designed by Serge Tcherepnin 2023
Eurorack format (3U), 18 hp
Power consumption: 24mA @ +12V, 24mA @ -12V
(NEW) Skiff-friendly: < 25mm (1")

Notes: A powerful utility module:

The 2+2 Mixer (left side) is a combo of two DC coupled 2-channel mixers with a sum out. For audio or CV purposes.

The Dual VCA is the audiophile and distortion friedly VCA taken from the Stereo Mixer. It has a special exponential response that imitates the behavior of the early Serge VCAs and allows massive amplification and overdrive. Beware - the resulting signal can get very high amplitudes (up to 16Vpp) and allows squaring of a sine or triangle wave.

Serge 2+2 Mixer / Dual VCA for eurorack:

Designed for audio performance
Eurorack format (3U), 18 hp
Power consumption: 55mA @ +12V, 50mA @ -12V
(NEW) Skiff-friendly: < 25mm (1")

Notes: The Dystopia is ideal for complex patches where sound can be used to thicken the sound or filter out frequencies. It features a noise generator which can provide white, white to pink, white to blue, scatter, digital, pitch types of noise. The digital noise is brilliant as it can be used as a random gate generator. The bit crusher stage can range from one second up to 8kHz - meaning you can obtain really thick distortions - ideal for a range of styles of music. You can reference all the signals through the four LEDs too - which help you determine the level at which the module is pumping out the noise sources.

Noise Generator (white, white to pink, white to blue, scatter, digital, pitch)
Bit Crusher with range from 1sec up to 8kHz
Digital Noise can also be used as a Random Gate Generator
Dual Filter (parallel) 12dB Low Pass and High Pass Filter
When you insert a signal to the External In, the Internal Noise generator is cancelled and the External Signal is in process
LED indicator for all controls to illustrate the current CV Sum

56 mA +12V
67 mA -12V
35 mm deep
10HP

Notes: Clock generation meets waveform manipulation in this analogue harmonic oscillator. Combine with the Tobinski sequencer and/or interpolating scanner modules for the best creative results.

Supplier's Notes:
The Harmonic Timing Generator is a versatile Eurorack module that combines advanced clock generation with harmonic waveform manipulation. Combined with the Tobinski Sequencer, the module is a great tool for rhythmic and sonic creativity in the modular system.

As a reference clock generator, the Harmonic Timing Generator produces a base frequency with analogue multipliers (x1 to x8) to generate complex timing signals. Three selectors provide manual or voltage-controlled frequency switching, offering flexibility for intricate sequencing patterns. An LFO mode enables slower clocking rates, ideal for driving sequencers or generating modulation sources.

When used with the Interpolating Scanner, the sawtooth outputs of the Harmonic Timing Generator are transformed into sine waves. This allows the module to function as a harmonic oscillator at audio rates or as a versatile modulation source in LFO mode. Its dual functionality ensures that it can adapt to a wide range of patching needs, from rhythm generation to rich harmonic exploration.

The Harmonic Timing Generator is a versatile and creative tool, offering rhythmic and harmonic possibilities that complement any modular synthesizer setup. Its integration with other Tobinski modules ensures a cohesive and expansive sonic palette.

Power consumption: 235mA at +12V and 176mA at -12V and 20mA at +5V

Depth: 27mm

18 HP

Notes: This module is divided between 3 functions, a 3 channel mixer, with 3 knobs the the singal together, this then passes in a dual analogue filter, a resonant 24db LPF and a non resonant 18db HPF, passing from there into a built in VCA.

Notes: Based on the ADDAC501 Complex Random module, the 511 expands the concept to become an even more powerful random/stochastic voltage generator. Four channels, all capable of being used for envelopes, modulation sources, sequencers and much more.

Supplier's Notes:
This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.

This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.

The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.

Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.

The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.

Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V

Notes: Beatsi is Omni-Tone's love letter to modular drums! Inspired by classic modular drum synthesis which uses the fundamental building blocks, Beatsi's timbres were created using the same methods, only digitally. Beatsi is not a sample player or a physical modeller, and it's meant to be that way.

Beatsi's interface allows for control over individual piece Timbre, Pitch, Decay, and Level. The timbres are organized into 3 kits: an orange (acoustic) kit, a blue (low-fi) kit, and a green (alien) kit. Within these kits the timbres blend smoothly into one another allowing for seamless modulation. Beatsi has two CV modulation inputs which are assignable to any and all parameters with individual attenuversion. Beatsi may be small, but it packs a serious punch.

Technical specs:

- Module Size: 3U X 8HP X 25 mm Deep.
- Current Draw: 160mA (180mA peak)@ 12V, 10mA@ -12V.

What's in the box:

1x Beatsi module
1x User Manual
1x Power cable
1x Jumper cable
4x Mounting screws

Notes: DASSBRUM is a powerful kick module capable of producing a wide variety of sounds, ranging from classic kick tones to complex folded timbres. It features an analogue core processed through a digitally controlled matrix of analogue wave folders and envelopes, offering deep sonic flexibility in a compact 8HP form factor. A built-in sweet spot mode ensures optimal pitch envelope relationships for consistently punchy and dynamic kicks.

Consumption: 120mA +12V /30mA -12V
Width: 8HP
Depth: 29mm

Inputs maximum ratings
Fold type (rear switch): 0/5V
Trigger IN: 5V (>0.5V)
Other inputs: -5/10V

Notes: Add-on for the Krait module.

Ewa was created as a lovely partner for the Krait module, a syncable 3-channel modulation source. Paired with Ewa, Krait will get new useful abilities, such as 3 freely routable cv inputs, endless encoder for smooth editing without value jumps, dedicated clock menu button and clock and reset outputs.

Each CV input can be used to record external cv source in Record mode. Beside that you can route any input to any parameter of the LFO and Random too. With Ewa now it is easy to modulate LFO rate or Random slew for example. CV inputs are bipolar and react to the signals between -5 +5 voltages.

Additionally a dedicated clock menu button and clock output can make Krait as a clock source for other modules in your system that need sync.

Technical details

4 hp

20 mA +12V

12mA -12V

0 mA 5V

42 mm deep

CV input voltage ranges: +5-5v, 0v+5v

To use Ewa, you need to install firmware 2.0 on Krait.

Notes: Module A-188-9 is a so-called high speed VCO that tracks perfectly to the 1V/oct scale in the frequency range of about 15kHz ... 500 kHz. The main application is the exact drive of BBD modules (A-188-1/2) to generate sounds realized by means of the so-called Karplus-Strong synthesis. But even in cooperation with other modules featuring high speed inputs (e.g. digital noise, delay, frequency divider) the A-188-9 makes sense. In principle the module is made of a precision audio VCO followed by a PLL (phase locked loop) unit that multiplies the frequency of the audio VCO by 32. Thus the module can be used also as an audio VCO as it features the standard waveforms sawtooth, triangle and rectangle with adjustable pulse width.

Controls:
Frq: frequency control (coarse)
CV: attenuator for the frequency control input CV
Fine: frequency control (fine), small control without knob
PW: pulsewidth control for the rectangle output of the audio VCO, in HSVCO mode this control has to be in the range marked "HSVO", small control without knob

Sockets:
1V: frequency control input 1V/oct scale
CV: frequency control input with attenuator CV
socket with rectangle symbol: rectangle output of the audio VCO, the pulse width of this output is adjusted by means of the control PW, output level ~ 7Vpp (~ -3.5V/+3.5V)
socket with sawtooth symbol: sawtooth output of the audio VCO, output level ~ 7Vpp (~ -3.5V ... +3.5V)
socket with triangle symbol: triangle output of the audio VCO, output level ~ 7Vpp (~ -3.5V ... +3.5V)
socket with inverted comb symbol: high speed VCO output, waveform rectangle, output level ~ 5Vpp (~ -2.5V/+2.5V)

Switches:
Range
upper position: audio VCO mode (frequency range of the audio VCO about 15 Hz to 6 kHz, the high speed output is not usable in this mode! )
lower position: High Speed VCO mode (frequency range of the high-speed output about 15 kHz ... 500 kHz, frequency range of the audio VCO about 500 Hz ... 15 kHz), in this mode the audio VCO and the high speed VCO can be used simultaneously

Slew
upper position: medium slew time
centre position: short slew time
lower position: long slew time
Technical Note regarding the Slew parameter:

Besides the audio VCO the module contains a so-called PLL circuit (Phase Locked Loop) and a 1:32 frequency divider. A slew limiter is part of the PLL. It defines how fast the frequency of the PLL follows the frequency of the VCO. The PLL cannot follow the VCO without any delay. Rather one has to find a compromise between the residual ripple of the PLL frequency and the frequency follow rate. That is the job of the slew limiter (works in principle like a glide or portamento unit). For this the module is equipped with a 3-position switch that is used to switch the slew time in 3 ranges. When mostly higher frequencies are used ((~ 100kHz ... 500 kHz) a short slew time can be chosen. When also lower frequencies are required (< 100kHz) a longer slew time may be used to reduce the residual frequency ripple. More details about the working principle of a PLL can be found in the information about module A-196. Module A-188-9 is in principle an A-196 combined with an audio VCO and a 1:32 frequency divider.

Width: 4HP / 20.0 mm
Depth: 45 mm (measured from the rear side of the front panel)
Current: +30 mA (+12V) / -15 mA (-12V)

Notes: Packed with powerful features while maintaining intuitive playability, Strymon's Magneto module is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I/O.

Turn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.

To capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.

Every function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.

Not only does Magneto deliver the warm, luscious delay signals that tape delays are known for, it is also capable of a high degree of saturation. Turn up the Record Level knob to send a hot signal to the record head for any amount of tape saturation you desire. Turn up the Tape Age control for warmer repeats. Add some truly beautiful Spring Reverb. Magneto adds organic heart and soul to the sound of your modular.

The effect of the Low Cut and Tape Age knobs are explored, followed by the mechanical 'deterioration' of the machine with the Crinkle and Wow and Flutter controls. The Speed knob is put to use for sonic enhancement.

In a typical digital effect the dry signal gets converted to digital, causing conversion noise and latency. Signals are often attenuated before combining digital dry and wet, with makeup gain amplifying the conversion noise. To avoid this scenario, Strymon have equipped Magneto with a completely analog dry path. Why go to all this trouble? Because the improvements in dynamic range and reduction in noise are so dramatic.

Strymon have outfitted Magneto with the powerful Analog Devices SHARC ADSP-21369 processor, which provides a 366 MHz core instruction rate, and an incredible 2.4 Gigaflops of peak performance. Thanks to this high-powered technology platform within Magneto, we had the freedom to craft our processor-intense tape echo algorithms without compromise.

Notes: Discover the flexibility in your sound design with our ultra-compact 2HP wide Sync LFO (Low-Frequency Oscillator) in Eurorack format. Designed for musicians looking for versatile modulation in their Eurorack system, this LFO delivers a wide range of possibilities to make your soundscapes dynamic. Despite its small size, this Sync LFO offers a wide range of features to help you reach your creative potential.

Compact design With a width of only 2HP, the Sync LFO can be seamlessly integrated into your Eurorack and saves valuable space for additional modules.

Unleash your creative freedom with manual control over the rate and waveform of the LFO. Whether it's slow, gentle modulations or fast, rhythmic oscillations, you're always in control of the character of your sound.

Synchronizable

Expand your sound spectrum with the LFO's synchronization function. Sync it with external beats to keep modulations perfectly in time and add precise rhythmic structure to your sound design.

With three different output waveforms - triangle, square and sine - the Sync LFO opens up a wide range of modulation possibilities. Choose the right shape to give your sounds the texture and movement you want.

Intuitive Performance

Easy-to-use controls make it easy to perform live or explore new sonic ideas. Create modular soundscapes with the Slimline Sync LFO and breathe life into your sounds.

Content:
Module
Bus cable 16-pin > 10-pin, 30cm
2x Screw M2.5x9 Phillips
2x Screw M3x9 Phillips

Notes: Analogue VCO with range from 16Hz up to 32.000Hz.

Variable Voltage Controlled Wave Shaper.

Advanced pitch control with Voltage Controlled Quantizer, so it is always in tune.

Hard Sync Input.

Separate Pulse Output, for use as a clock or to sync other oscillators
.
Power Consumption: 114mA @ +12V , 46mA @ -12V.

35mm depth.

Notes: Want to smooth out attack and release on your signals, but don't want to sacrifice too much space in your case?

Quadar is an analogue 4 channel slew rate limiter that can be used as an attack/release envelope generator. Send in any signal to independently control the attack time and release time with the A and R knobs.

Technical Specs:
- 3U x 6HP x 25 mm deep
- Current Draw: 10mA @ 12V, 10mA @ -12V

What's in the box:
- 1x Quadar module
- 1x Power cable
- 2x Mounting screws

Notes: Expand the connectivity options in your Eurorack system with the versatile 2HP Eurorack compatible Passive Multiple. This compact module is an indispensable helper when it comes to efficiently distributing signals within your modular setup. With its intelligent design and two normalized channels, it offers a flexible solution for a wide range of patch requirements.

Space-saving design

With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.

Flexible Signal Distribution

Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.

Optimized for gate and trigger

The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.

Limited CV signal suitability

Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.

Dimensions
2 HP
14 mm deep

Current Draw
Module does not draw current

Notes: What do you get when you combine voltage controlled distortion and one of the most infamous bassdrums? Hexinverter took one of the most revered bassdrum synthesis designs of all time - the TR-808 and completely redesigned it for use in a modular analogue synthesiser.

13HP
30mm deep
+55mA, -45mA
Eurorack format module

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Notes: Expand your modular synth world with the 2HP Eurorack-compatible Dual Buffered Multiple. This versatile and space-saving module is a must-have for those who want to distribute their signals with precision and flexibility. Whether you want to synchronize multiple oscillators, control filters in parallel signal paths, or create complex modulation setups, our Dual Buffered Multiple gives you the reliability and versatility you need.

Compact design

With its slim 2HP width, this module fits seamlessly into any Eurorack system without taking up valuable space.

Normalized Second Input

The input of the second channel is normalized, which means that a signal is automatically distributed to both channels if only the first input is used. This simplifies simultaneous signal distribution and increases creative freedom without the need to use multiple patch cords.

Dual operation

Equipped with two channels, our Buffered Multiple offers the freedom to distribute signals either as 2x 1->3 or as 1x 1->6 for maximum flexibility. This allows for a wide range of patching options and maximizes the efficiency of your system.

Buffered Outputs

Each output is buffered, which means your signal is amplified without any loss of quality or voltage drop. This is especially important if you want to send precise control signals (such as pitch CV) to multiple targets.

Versatile applications

Whether you want to build complex modulation routings, control multiple synth voices at the same time, or simply distribute a signal across multiple effects modules, this module gives you the flexibility you need.

Content:

Module
Bus cable 16-pin > 10-pin, 30cm
2x Screw M2.5x9 Phillips
2x Screw M3x9 Phillips

Notes: Tap into the world of precise signal processing with the 2HP Eurorack-compatible Precision Rectifier. This compact but powerful module is a must-have for anyone who wants to modify their audio signals with the utmost precision. Not only does it provide rectified solid wave, but it also provides dedicated outputs for the positive half-wave as well as the inverted negative half-wave of the input signal. Perfect for experimental sound designers and creative synth users.

Compact format

At just 2HP, this Precision Rectifier offers a powerful feature extension for your Eurorack system without taking up a lot of space.

Versatile signal processing

Get access to rectified full wave to fully modify your input signal, ideal for dynamic effects and creative signal paths.

Dedicated Half-Wave Outputs

In addition to full-wave rectification, the module offers separate outputs for the positive half-wave and the inverted negative half-wave. This special feature allows you to play with the original character of the input signal and create unique sound textures.

Precise signal processing

The Precision Rectifier is designed for the highest level of accuracy, so you can count on clear and precise signal processing, no matter how complex your requirements are.

Notes: The P8S8 controller is for those who love those little sliders. The sliders behave like regular pots, so we named the module P8S8 (the "S" stands for the switches).

The P8S8 has eight Alpha sliders with a range of 20 mm. As a speciality the sliders contain LEDs. Their brightness can be controlled and used for any purpose. As long as you don't use the LED registers, the brightness of the LEDs reflect the current slider positions.

At the bottom the P8S8 has eight 3-way toggle switches.

As always in the DROID universe, it can be patched as whatever comes to mind, but looking at this module, it's almost imposing to be used as modulation sequencer or ADSR controller.

Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.

Current Draw: 20 mA +12V, 0 mA -12V, 0 mA 5V
Width: 8 HP
Depth: 25 mm

Notes: Easily connect your modular system to the rest of your setup with Out, a compact 2HP stereo line output and headphone module. Despite its small size, it includes everything you need for clear, convenient listening.

The top section features stereo modular-level inputs with LED indicators for quick level monitoring. From there, the signal is routed to both a stereo line output and a dedicated headphone jack, each with independent volume control. Whether you're sending your modular through external effects, recording into an interface, or just monitoring with headphones, Out keeps things simple and efficient.