Review: A unique slice of classic library music flies off the shelf. These four tracks were lifted from the classic library music series known only as 'Sounds Music Album Volume 18', and were made by the library maestro Klaus Weiss, the former jazz drummer who later turned to the trade after falling in with German music publisher Ring Musik. An eerie uncanniness cuts across these instrumentals, as Weiss' drumming provides steady boppage to serene yet dubious backings of strings and synth.
Review: Klaus Weiss was a German jazz drummer who left behind a rich legacy of library music, especially on the series of Sound Music albums for Golden Ring Records in the late 70s-early 80s. In the digging era, Weiss' impeccable grooves now fetch serious prices second hand, and so be thankful for the likes of Dynamite Cuts reaching over into the world of library music reissues to pull four perfect joints from unreachable realms back into the hands of real music fans. From low down nasty funk to space-age star gazing, Weiss packed a lot into these tracks, and now you can cop them on a sureshot 7".
Review: This great series from Dynamite Cuts continues to delve deep into the alluring world of library music. It is sound that captures real feelings and evokes all sorts of memories, even those that are imagined, with a single note or seductive groove. This collection is made of tracks from the German Library series Sound Music Albums which sell for over L150 if you can find a copy. There are four tunes in all, three from Klaus Weiss and one from Peter Thomas, all of which add up to another great collection and a must for serious music heads.
Review: The work of legendary drummer turned library musician Klaus Weiss continues to be reissued. For this series, Dynamite Cuts are looking back on a mid-1970s series of EPs released by Weiss originally for the famous library Sound Music. Carrying a minimal production that still has appeal for the modern listener (don't Dynamite know it), the four tracks here are curt, squelchy and beat-centric, with highlights including the clavichord-wacky 'Frogs', the sonically obese 'Productive Facilities', and the space-age drum freakout 'Coordinates Meeting'.
Review: The reissue of Ike White's 'Changin' Times' brings a rare soul treasure from 1976 back to life. On Side-1, 'Changin' Times', is a low-key funky gem, its understated groove and soulful depth capturing a timeless beauty. Flip to Side-2 and 'Love & Affection' takes the spotlightia vibrant, funk-infused track with echoes of Stevie Wonder's iconic 'Superstition' taken from Ike's full length release. Its forward-thinking soul grooves blend seamlessly with funky rhythms, making it a standout piece that feels both nostalgic and ahead of its time. This 7" packs a punch with its perfect balance of understated charm and bold musicality.
Review: New Orleans funk outfit The Wild Magnolias were active in the mid 70s, releasing two albums and then regrouping in the 90s. Their sound is in step with their more renowned Louisiana peers, but certainly running hotter than the likes of The Meters. "Handa Wanda" is a stirring, effervescent call and response epic that shows the band at their best, rocking a wall of sound approach that keeps the pressure up the whole way through. "(Somebody Got) Soul, Soul, Soul" is a more fluid track, but it's certainly no slouch in the energy department either. This is hi-octane funk to get people shaking and sweaty.
Review: Brought to you by Dynamite Cuts and The George Semper Music Archives, here we have a righteous stormer from 1969 fronted by the formidable Patti Williams. Recorded at Original Sound Record Hollywood, 'Do You Know' was originally intended for Williams' album which sadly never saw the light of day. This is the first time this track has made it out into the sunshine, and it's the kind of song which will become an evergreen classic up there with the likes of 'Hard To Handle' and 'Express Yourself'. It really is that strong a song, and it feels right to spin it on this sure shot 45, backed up by the instrumental for those who dig it.
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