Review: Behind The Mask's second release comes from Lorenzo Aribone, the man behind the label and someone with a sound that draws on a range of house and techno styles. The A-side kicks off with 'Again', a low slung and sleazy sound with warped basslines. 'Question' is an eerie, spacious sound with pulsing rhythms and dubby low ends then 'Fog' brings more raw percussion and insistent grooves. Last of all is 'Stone,' a heavy, marching house sound with hints of intergalactic synth work and razor sharp drums that keep you upright. Another fine offering from this young imprint.
Review: Ali Berger has long been known for crafting soulful, dynamic house music whether through his label Trackland or releases on Spectral Sound, Clave House, Firm Tracks, and FCR. He also performs solo or with Davis Galvin as Hits Only when his unique touch always remains evident. This new 12" features four tracks that blend uplifting and introspective house vibes and it oozes class. Opener 'Sun Rising On Harmony' boasts an infectious bass line and melody, while 'Inside,' offers a classic acid house feel. On the B-side, you have the lovely 'Thoughts Like Light Snow' which delivers an alluring electro twist, while 'Mint Leaf' closes with a rich bass line and intricate details.
Review: Uruguay has been a rich source of minimal goodness for a number of years now. This label has been one of them since 2022 and despite only being up to a third EP here has already become trusted by those who know. Juan Daireschsion (Harry Styles, is that you?) kicks this one off with a mix of warped bass and more precision-tooled drums on 'Hijo Del Rigor.' 'Billy Bond' is a wonky one for the afters, 'Medeski' has serene widescreen synth spaces underpinned by tinny drums and 'Santa Isabel Dub Company' is more heavy dub tech.
Review: Dashiell has been road testing these two tunes in his sets for a while, and they have always done a job. They finally arrive on wax courtesy of Foul Play and are sure to get dropped all over the place this summer. 'dfuse all the tension' is the right mix of driving tech but wonky minimal. The bassline is drunk and all over the place while the lead synth has a retro video game feel, and some crisp melodies and refracted vocals finish it well. On the flip, 'da nastiest' is faster and more direct with some turbocharged and bass-driven tech house characterised by another sleazy vocal and phased synth lines that bring a playful twist.
Review: DATA17 is back with more of that irresistible hand-stamped white label minimal and tech house goodness. 'Pour Toi' kick off this particular party with high speed tech funk loops and crashing hits that demand you dance while wonky synth lines unfold up top. The clipped and kinetic funk continues on 'C La Vie' which has distant playground found sounds and balmy pads and 'Sous Influence' that slips down into superbly icy and economical minimal grooves, with nagging leads hooking you in as the militant drums march below. It's an eerie and futuristic sounds completed with some spoken words from Blade Runner.
Review: Fango lives in Venice in the middle of nowhere and works in a home studio when not practicing with his live band of the same name. He has been serving up his own take on techno for over a decade now and that vast majority of it has come on Degustibus Music.This is his first EP for a while and as ever it is well designed and atmospheric. All three cuts will work their magic on floors filled with serious techno heads and once more this is Fango in fine form.
Review: Blackinstock Records is a new branch of Mixcult Records and it debuts with the Reel Phase EP which is a showcase of the purest essence of dub techno. This most timeless release features the legendary Federsen alongside the innovative talents of Yagya and Ohm who are in remix mode. Each track on this 12" delves into minimalism and sonic depth to make for rather profound grooves that sweep you up and never let you go. The spacious, intricate soundscapes crafted by these artists explore every facet if dub techno with a slightly different personality which makes it a must-have for those who like their sounds deep, cuddly, and propulsive.
Review: Fi-Lo returns with his fourth release on Alphaville Records and it might be his best yet. Drawing from 90s tech house influences, the artist adds his own signature spin to a set of four dynamic tracks designed for the dancefloor. The cheekily named 'Shaggin' Wagon' is a fluid blend of light and shadow, with acid and breaks setting the tone. 'Toro Bravo' on the A-side offers deep, expansive rhythms and a robust groove and over n the flip is 'All Work, No Play (Pressure Mix)' which unfolds as a relentless, evolving proggy weapon with a playful edge. Closing the EP, 'LA-Z BOY' introduces a laid-back vibe enriched with eclectic samples and a nice smooth flow.
Review: The intriguingly named Perfumed Freedom makes its debut here with a seductive new minimal EP from Foehn & Jerome. The Frisbee of No Return is the sort of well-designed outing that lovers of those intimate yet zoned out 4 am moments will love: opener 'T-Dive' layers up synths that convey an unsettling sense of mystery and malevolent energy over flappy drums. 'Happy M'June' pumps the drums a bit harder while wonky synth details unfurl up top and last of all is the most raw of the lot - 'New Soul Interruption' has rasping bass and more cluttered arrangements.
Review: Halvtrak is hardly prolific - this EP is just his fourth solo vinyl outing in a decade - but what he does release is invariably excellent. The Finnish producer's trademark sound is rooted in the past, referencing British breakbeats, ambient techno, bleep, Motor City futurism and Chicago house, but always sounds fresh, pleasingly melodic and analogue rich. Opener 'X-Pressed' is probably the most peak-time ready of the strong bunch of tracks on show, with glassy-eyed chords and spacey melodies riding a thrusting bassline and sweaty breakbeats, though the house-tempo melodic techno strut of 'Rhythm Overture' pushes it close. Elsewhere, 'Phase Distorshun' is a more angular, deeper and lo-fi techno excursion, while 'Doubt' sounds like a cross between deep bleep minimalism and hypnotic, mid-90s Detroit techno.
Review: Returning after a four year hiatus from production, Glaswegian producer Jasper James presents the next release for Lovefingers' ESP Institute. As stated on the cover, James 'fights for what he wants to be cuz function is the key. These two songs will ping your pong and pong your ping'. On the A side you have the playful and swing-fuelled stomper '0141' that's certainly geared for the peak of the evening ,followed over on the flip with the heady minimal funk of 'E-Maniac'.
Review: The short-lived moniker of Kingpin Cartel comprised techno titan Mark Broom and lost legend CJ Baker. Their output spanned a 5-year period starting in 2005, on which the release of 'Moogie Nights' laid down their methodology; funky abstinations from Broom's usual style of hard, gritty techno. The 'Ghetto' EP was their second and most famous release. Best known for its lead title track, a triumphant techno-funk piece and a prototype for the bright, swanky mode repopularised by the likes of KiNK in recent decades. Also came 'Fishfunk', a wacky cut dipping its on motifs from French house to g-funk, and 'Bottle', a raspy house number replete with bitcrushed chords and domestic, found-sound samples.
Review: Fresh from serving up a superb set of off-kilter house cuts from Newcastle-based maverick Man Power, Timo Rotenen's Echocentric imprint has turned to regular Belters contributor Dominik Marz. The long-serving producer has delivered an EP of nostalgic, energy-packed delights that variously doff a cap to dance music sub-genres of the 1990s and early 2000s. For proof, check the gargantuan 'Honesty', where mind-bending noises and sharp, trance style stabs rise above stomping beats and deep, sub-heavy, bleep & bass style low-end pressure. Similarly excitable and mind-altering is EP-opening slammer 'Honesty'. Elsewhere, 'Only One' sees Marz pepper a stabbing bassline and hissing house beats with raw bleeps and nostalgic samples, while 'Never Use Quantize' is pleasingly wayward - like early Chicago house crossed with NYC freestyle.
Review: The Model brings great form and function to this arresting new EP on long-running French label Partout. It kicks off with 'I Am Always On Your Mind' which has bright, glass melodies and snappy snares that very much get your attention while 'Crossover' is a more frazzled bit of synth-laden techno with sci-fi motifs and withering melodies. 'Six Days Of Heat' is a slower groove with another big focus on the melodies, this time they are rather eerie and unsettling. Last of all is 'Global' with its smeared pads and dusty drum work.
Review: Italian house lover Fabio Monesi returns to his Wilson label - named and styled after that unforgettable volleyball in Castaway - with a collab EP next to Tom Carruthers. It's rooted in traditional tropes from the 90s and US scenes starting with the kicking, retro flavours of 'Mi Amor' before 'The Bass Theory' brings on, yep, some more heavy bass-driven grooves. Last of all is the more synth-laden 'Killer Fruit' which is a triumph in drum programming that will enliven any crowd.
Review: Release Sustain, a London-based underground label, is pleased to introduce a new EP by Moody Waters, the label's founder. "Beneath the Moon" is a four-track EP that offers a refreshing blend of deep techno and house sounds. With steady beats and intriguing vibes, "Beneath the Moon" is a versatile addition to any DJ's collection. This EP explores an underground sound that combines the essence of house and techno, making it an enjoyable listen for those interested in electronic music in 2023. Don't miss the chance to check out this latest offering from Moody Waters and and awesome remix from Fred P. Grab your copy of "Beneath the Moon" and discover why fans are appreciating this new release from Release Sustain.
Review: London-based label Dancing With Strangers returns from a brief hiatus with its third vinyl offering and this one goes from boss man Oliver Moon. In his third solo release, Moon presents two impressive tracks that both exemplify his raw production style and maintain a consistent groove while blending deep, dreamy sounds with sophisticated percussion. Co-founder Agile Kind takes on remix duties for the dubby and heady 'Downstream' and enhances the lead bassline with lush pads and crisp drum programming. Completing the EP, the don that is Carl Finlow delivers a stellar electro remix of 'Drifting' and layers in plenty of cinematic synths and acid stabs.
Review: By their standards, Berlin twosome Nap92 have been positively prolific this year. Having previously confined their output to a sole EP a year, this 12" marks their second of 2024. It is, of course, rather good, with the pair once again offering a collection of retro-futurist workouts that blend early 90s house sounds and late 90s tech-house tropes with plenty of ear-catching samples and agreeable melodic motifs. You'll find plenty of fine fare amongst the five tracks on show, from breakbeat house style opener 'Most Perfect' (where a squelchy bassline, floatation tank synths and eyes-closed vocal snippets catch the ear) and Clav-sporting garage-house shuffler 'Track 3', to the organ-rich MK goes tech-house flex of 'Laurent' and the fiendishly sub-heavy 'Body Body'.
Review: Silias Records welcomes Marko Nastic, a venerated DJ and producer from Serbia who could rightly claim to be one of his country's biggest underground electronic music exports. He brings peak time renegers here with tracks rooted in techno and tech such as 'Sour Pie' with its mechanical drum loops and rickety rhythms run through with blasts of electricity. 'Circuits' is smoother, deeper, more rounded in design and jazzy in melody. 'Que Rico Enrigo' is packed with well-designed sounds and a hint of Latin flair in the vocal sample and 'Clockworksx' shuts down with a thudding, persuasive and chunky tech sound with clattering percussion adding some texture.
Review: FaF's Marseille-based label Durite has assembled another Various Artists compilation full of global soundscapes inspired by Middle Eastern rhythms on one side, while the other blends psychedelic Japanese and Chinese samples into trippy, atmospheric cuts. Italian producer Nativo balances deep house and electro with worldly flair, French artist Pagenty keeps ting dubby and slow with snaking leads and hiccuping drums. Fellow Frenchman Blinkduus Dischetto sparkles with raspy synth leads and celestial keys and Crane De Poule then serves up 'Lucky,' the clear EP highlight with its hurried Eastern Melodie and vocal samples over a clipped and tight tech beat.
Review: AF1268 turns to the new talents of Nikol, a rising underground soundscaper from Manchester who makes a solid impression with this, his debut solo EP. Already somewhat known for singles on with MASS, his own label, and O.C.D., here he delivers a more fulsome four-track journey that blends modern minimal and electro. The EP features eerie, hallucinatory sounds with ghostly whistlings, acid stabs and hypnotic basslines perfect for more heady floors. It evokes a spectral atmosphere where Halloween meets tech-house while conjuring images of a damp, decaying club beneath a full moon. These evocative and unhinged grooves make bodies sway in slow motion, caught between dreamlike introspection and the rawness of the moment.
Review: A Beautiful Place label founder Noha (who is also head of Panick Panick) opens his new True Mirrors EP with its title track, which blends airy atmospheres, shimmering stabs and a buoyant bassline with crisp percussion into a vibrant, dancefloor-ready groove. Next, 'Royal Objects' dives deeper, layering ethereal pads, swung drums and processed spoken word into a richly textured composition. On the flip, 'Ghost Life' delivers warm, resonant synths, dubbed-out vocals, sweeping chords and saturated drums for a late-night feel. The EP closes with 'Over and Over' channelling early 2000s microhouse with raw, minimalist drums, deep sub-bass and warped synths. It's a pensive trip.
Review: The unstoppable Steve O'Sullivan brings more of his irresistible dub techno goodness to this heavyweight 12" for Taste Not Waste. By now you will be familiar with the sort of sound Steve deals in but somehow it never seems to get old. This one kicks off with a tight and tech-infused roller with clipped kicks and playful chords that bring feel-good vibes. 'Awakening' then has pinging kicks and vamping chords to enliven any floor and last of all is 'The Feels'. It's another perfectly executed club cut with oodles of warm bass and super smooth grooves.
Review: US-born, Germany-based Oshana's solo debut on Altered Circuits is a notable one for peak time party people with high-impact jams that also bring plenty of subtle detail. The tunes are rooted in the vibe of her live sets and fuse classic and contemporary club sounds with razor-sharp studio precision. From the tense, acid-laced drive of 'Above We Soar' to the cavernous, Chicago-flavoured bounce of 'Space And Time Dimensions,' Oshana balances groove with atmosphere perfectly. 'Girls In The Front' is another gem and hypnotic, bass-heavy workout with anthem potential, while closer 'Origins' explores trance-tinged territory before diving back into genre ambiguity. It's a refined, energetic statement from an artist in her element.
Review: The exceptionally named Panty Soaker Sound System bursts onto the scene here with a powerful debut EP on their own self-titled label. 'Hormones' marks the inaugural outing and is a track that ignites the floor while exploring self-empowerment and inner desires. It has picked up early praise from Honey Dijon and is a full-throttle and steamy, erotic house sound that is sure to become a bit of a winter anthem. The EP includes three acid-infused original mixes, followed by the Prosumer HorMoans Remix which is a dark stomper with prickly 303 lines and a heavy groove. For those craving a harder vibe, the LUXE Dark Room Remix delivers a broken-beat reimagining with high-energy that takes you to new heights.
Review: As you can tell from the title of this ongoing series, System Error likes to serve up only 100% party bombs. The third volume lives up to that once more with Parchi Pubblici kicking off with the acid-laced bumps of 'Perfect Vacuum2Disco' complete with zippy synths and snappy percussion. Lanzieri's 'Twisted Tango' hits just as hard with an electro-techno fusion that rides on psychedelic synth loops with jacked-up drums. Raku's 'Valle Dei Templi' has a more pared-back sound with a menacing and rubbery low end and creeping synths that keep you on edge. Phill Prince's 'Indigo' shuts down with something tripped out and retro with 90s techno vibes colouring the drums.
Review: Lithuanian producer Pletnev shows his class here on four hypnotic tracks on his I Like Your Bitcoin EP, which is heavy on driving basslines and full of infectious rhythms on Space Lab 013. Each track radiates a warm, bouncy groove and has punchy drum programming and a signature blend of EFX. 'How To Calm Down After That' is a fun and funky opener, 'I Like Your Bitcoin' gets more trippy with sci-fi melodies and watery effects and 'Cover Them With Blankets' is a rickety rhythmic workout. 'Skazka' closes with a garage dubby undercurrent.
Review: Deep techno mainstay Rico Puestel has many killer cuts in his back catalogue and now he has decided to remaster and repress some of them. The Undeniable Classics Vol 1 is a bold title for your own work but the tunes stand up, thankfully. This is the first time these have actually been available on vinyl too so do not sleep as 'Volute' is a perfect early evening roller with dubby drums and languid hits that hook you in and get you ready for more. 'Remembering October 3rd' is a cut for the early mornings with soulful pads and vocals soundtracking the moment the sun first peaks through the blinds.
Review: This new one from Stefan Ringer on his FWM Entertainment combines two distinct releases in one: 3 tracks from his 2021 Meta Music EP and his darker alias Black Sued's 'Rogue' EP. It's a yin-yang journey of sound that shows his range and quality. 'Monotone' pairs signature deep chords and soulful vocals and distorted bass with minimal drums, while 'New Plan' is a driving, rhythmic workout of persistence and groove. 'YIA' offers meditative chords and affirmations set against a thunderstorm backdrop and the flip, the title cut explores shadowy jazz textures with a mysterious groove, 'Maze' marches forward with urgency and layered rhythm, while 'Deep Dirt' closes with gritty, broken-machine chaos. Together, these EPs make for a powerful emotional and sonic contrast.
Review: Each release on the Vacuity label follows a spiritual journey inspired by the chakra system. This third EP focuses on the solar plexus chakra, which represents self-confidence, action and inner power. Titled 'Chiron Key,' it also references the astrological symbol of healing and resilience and embodies a coming together of spirituality and rhythm that, hope the label, encourages you to connect deeply with your own inner strength through music. Cakkou's 'Missed Call' has tribal techno leads and trippy neon lines and Luca Ruiz's 'Safari FM' is a twitchy and futuristic world of minimal tech with sprawling bass.
Review: The debut album from Ukrainian collective Noneside unites musicians and visual artists under the inspiring words of poet Taras Shevchenko, who said 'Make love, o dark-browed ones.' Framed by a painting from contemporary artist Iryna Maksymova, the music explores the trance and tech house that is destined to bring souls together on the dancefloor this summer and beyond. Shjva opens with fresh and mashed bass and sleek trance pads that are subtle but effective. Lostlojic layer sup deep, bubbly techno drums and bass with an angelic vocal tone and Saturated Color's 'Trancia' is a speedy, scuffed-up tech groove for late-night cruising. Peshka and Yevhenii Loi offer two more future-facing trance-techno fusions packed with feels.
Review: This is the fourth and final installment of Sushitech label head Yossi Amoya's reissue series focussing on the work of Eric Spire and his Silver Pearl label. The Los Angeles based producer was on a hot streak back in the late 90s, fomenting a new take on West Coast house music with hard drums and psychedelic synths that lay down something of a blueprint for later tech house a la Craig Richards, Wiggle and co. This useful 12" packs another punch with potent drums and razor sharp percussion across three cuts from some of the Silver Pearl mainstays.
Review:
For their second installment, the Chateau Chepere crew brings on board legendary producer Stephan Laubner under his STL moniker, with four time warping pieces of music. With his distinctive and intricate sonic palette, Laubner extracts from his hardware different musical colors and shapes to produce singular atmospheres. Opening up the EP is Fly Fly, an epic 11 min minimal house trip full of tension and excitement, followed by Eargrind, an eerie, laid back Detroit leaning ballad. On the flip is Light Up, a spaced out, playful and bittersweet number that will revitalize any hazy after-hours dancefloor. Closing up the EP is Unlike Dislike, a quirky, jacking and mischievous techno workout for the packed club. This diverse ep will pull the listeners and dancers into Laubner's multifaceted, low key but captivating universe.
Review: Mystique is a brand new label out of the always fertile Dutch scene and it opens its account with a no holds-barred EP from Sylvester Javier, aka Stefano Curti of Vibraphone fame. He offers three originals and two versions starting with 'Secret Ceremonies' (Italo Disco mix) which is a pulsating house cut awash with plenty of across textures and percussion. The Cocorico mix has shimmering vocal sounds stitched into the arrangement and the original has a spooky, rather eerie feel with its hurried drums and squirrelling synths. 'Lost In 1st Avenue Loop' is a gritty Detroit house cut with heart of the dance floor intensity and 'Microdot' gets as twisted as you would expect of such a track title. A fine debut EP overall.
Review: Sub Basics is back on his own fledgling label Temple of Sound - but under a new alias. As Tommy Basics he leads into a fresh house sound but still serves it up with plenty of his textbook bass-heavy low ends. 'Latitude' is a bubbly groover with dusty drums and fleshy basslines that get you moving and warmed up. 'Longitude' is even deeper, with smeared dub chords and woody percussive hits peppering the laid-back and inviting groove. Two stylish sounds from this versatile producer.
Review: Interdance impressed with its first couple of forays onto wax and now its third release packs in more fresh talent from South America's underground. On the A-side, Buenos Aires' Vinz delivers two standout tracks: 'Instinto,' a raw, trance-tinged techno trip straight from 1992, and 'Transradio,' which is a cinematic journey with pounding drums and acidic synth lines burrowing deep. Flip to the B-side for Uruguayan producer Juan Dairecshion's deeper, more hypnotic sound on 'Rebel Rebel,' which rides a steady four-on-the-floor pulse, while 'UR Love' dives into murky, Detroit-inspired territory with eerie vocals and twisted melodies inspired by the group name-checked in the title. A bold, mind-bending four-tracker built for serious late-night floors.
Review: youANDme has always been an important cog in the wheel of underground house and techno and his recent PPPPP was another fine project that has also spawned plenty of equally brilliant remixes. This is a second collection of them and it kicks off with the Polish master of perfect loop techno, Head High aka Shed. His bulky, barreling drums and big percussive loops come with plenty of bounce and raved up vocals. After that come Ian Pooley's dub, and Johannes Albert's deep house trip. Sasha, Roger Sanchez and Laurent Garnier have already been banging these so now it's your turn.
Review: Two years on from delivering a notably dark, fuzzy and drum-heavy debut on Public Possession (the genuinely brilliant 'Percussion Heaven', which more than lived up to its title), Zellmani is back on the Munich-based imprint with a similarly inspired four-track EP. Check first opener 'Yongheng Forever', a left-of-centre house cut in which weird electronic noises, atmospheric field recordings, saucer-eyed chords and cute melodies ride a charred bassline and unfussy tech-house beats, before admiring the quirky, breakbeat-driven deepness of Piotr collaboration 'Nuevo Portamento'. Over on side B, Gojiano hook-up 'Smutt' is a spacey, thickset slab of late 90s tech-house revivalism with added pots-and-pans percussion, while 'Eternal Loop of Emotions' is another jazz-flecked, breakbeat-driven slab of star-gazing wonder.
Review: ZKY who minimal fans will know as one half of Cab Drivers now finds himself on fine French label Phonogramme with a new EP that offers up his lovely and warm analogue house jams. 'Love Train' kicks off with a nagging, wobbly baseline between silvery drum loops and fleshy bass. 'Instant Delight' has the sort of synths that bring to mind deep Detroit techno and they're paired with over sized hi hats and a serene sense of futurism. Last of all is the most playful - 'Punky Music' with James Brown samples, smeared chords and steamy vocals.
Review: As the artist alias kind of suggests, Abyssy takes a deep dive into the unknown depths of the human spirit. It finds the artist returning to Simona Faraone's label after several years and finds him exploring electronic sounds of the 70s and 80s, blending Berlin school minimalism with Detroit techno's soul and funk. It is a record that ranges in mood and tempo as it heads into oceanic depths where wispy pads and chattery percussive patterns collide in unusual ways. It's a largely abstract album of unusual sound designs and genuine electronic discovery that often has you wondering just how certain abounds have been made.
Review: If UK talent Daniel Avery still feels like a new kid on the block then maybe that's because his music remains vital and fresh despite having actually been around for so long. We can't really believe it's been a full decade since his Drone Logic album arrived, but it has. This anniversary edition is a great reminder of its class across a bunch of dark and dirty, sleazy and seductive minimal, acid, and tech cuts. They are rife with his signature post-punk attitude and the early low-end chug he was known for, all with plenty of strobe-lit moments for the heart of the rave.
Crush (Deconstructed) (feat Klo & Lucia Odoom) (4:12)
Wrote This For Somebody (2:40)
Gretel Girl (feat Sophie Joe) (4:19)
Does Every Track Have To Be A Journey? (4:53)
Ways Of Raving (feat Aaron Altaras & Geoffrey Mak) (4:23)
Review: Courtesy's second studio album is another no-holds-barred deep dive into the heart of a minimal and tech house dance floor. Eschewing the usual ambient intro in favour of getting right down to business, things kick off with the surging comic-tech of 'I'm Happy I Am Not Susan Sontag', then the slamming drums of 'My Dazed Friend (feat Klo)' come with zoned out and alluring vocal musings. 'Let There Be LOVE! (feat Lyanne)' is another fast but smooth tech cruise with emotive vocal textures and 'Does Every Track Have To Be A Journey?' is a punchy tool which suggests not.
Review: Future Electronics label head Gojnea76 is back with more of his avant-garde sounds in the form of this new double vinyl album. It is packed with dance floor potency and eight cuts of techno and acid dynamite starting with the sleek 'Mass Music'. 'Party Time' then brings some bumping house sounds with raw, slamming drums, 'Get Control' has well-swung kicks that punch like Mike Tyson under some woozy chords and acid stabs and 'Baby Pn' is another muscular mix of rock solid kicks, coarse percussive patterns and deft synths.
Review: Per Hammar and Berlin-based label Sushitech are a match made in heaven as both have long since proven their credential in the world of dub techno. As the label turns 20, it kicks off its year with an album that has been two years in the making and features a top-quality array of dub techno sounds. Malin Genie features on two of the more kicking and propulsive cuts, while Jannik Jivung adds an organic touch to two more. In between those sounds are percolating slow-mo jams like 'Representant Dubb' and more kinetic sounds like 'TX Files' with its fresh kicks and rolling bass.
Review: The now 20-year-strong Sushitech have been working on this one for two years and finally it drops - a new album from cultured dub techno don Per Hammar. This is a seriously deep journey into his signature sound that melds the genre's most classic side with a fresh modern twist. Cuts like 'Generation Drive' have a nice crisp sense of motion as well as lovely warped pads, while 'Juvial' brings a sense of curiousness with its undulating drums and bass. 'Defender' leans into sleek techno styles and will have you cruising in no time. An instant classic album, for sure.
Clinomania (feat Joy Tyson & Nathan Tugg Curran) (4:25)
My City's On Fire (3:06)
Der Aufstand (3:27)
Too Far (4:45)
Macarena (4:31)
Shakin' (feat Nathan Daisy, Dave Aju & Aquarius Heaven) (3:06)
Read (3:44)
Nothing But My Story (2:36)
Burning (7:33)
Review: Multi-instrumentalist Jimi Jules got plenty of acclaim, and rightly so, for this 2022 album, which now sees a reissue on coloured vinyl. Executively produced by Innervisison label head Dixon, the album includes some of the most hammered tracks of the year it was released in - see 'My City's On Fire,' the superb 'Der Aufstand,' the dancefloor hit 'Burning' and 'Clinomania,' featuring Joy Tyson and renowned drummer Nathan Curran who has worked with the likes of Lily Allen and even Elton John. It's a melodically rich album that works at home as well as in the club and the album's artwork is designed by none other than the legendary Trevor 'Underdog' Jackson.
Review: Dubwise astral travellers Seekersinternational here present their latest self-released album, 'What He Does', another timeless meditation on cosmic dub and house. Phoned-in vocal samples, two-tone ambiences, soothing sub; they all feature on this mega LP from the artist and label, whose aim is clearly to bring an extra, perhaps fourth, dimension to an established sounds. Rough and ready and analogue-centric, it's perfect for the restless jam-seeker.
Review: While there's no over-arching concept behind the series, it's always safe to assume that any new Selects compilation from Global Underground will be packed to the rafters with brand-new house and techno that tends towards the melodic, atmospheric, glassy-eyed and tactile. Volume eight certainly ticks those boxes, with 12 highlights from the (more expansive) mixed version stretched across two slabs of purple vinyl. Our picks of a predictably strong bunch include a delightful deep tech-house tweak of Fulltone & Parallel's 'How Can I Resist' by Patrice Baumel, the Space Invaders-goes-trance throb of 1979's 'Vulcano', the bleeping brilliance of Captain Mustache's retro-futurist rework of O.N.O's 'Gran Music' and the ambient soul beauty of Yotto's 'Silhouette'.
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