Back catalogue: Trance

Review: Re:discovery has got a superbly illusive reissue eon its hands here with 1993's Clouds Over Europe EP from Aquarian Atmosphere, 39626 and Unit 2. It is a cosmic deep tendon voyage that tingles all of your sense as you ride on the gloriously serene synths of opener 'White Clouds'. It is one of the three tunes from Aquarian Atmosphere, the others being 'Floating On Boyne' a dreamy downtempo number that leaves you gazing at the stars and also 'Rhiannon', a thinking melodic masterpiece. 39626' 'Elixir Of Life' is an intense mix of synth modulations and minimal rhythm and Unit 21s' 'Clubtraxx' (Movement 1 - unreleased version) is pure Detroit techno goodness.

Review: Beyond the Outer Limits by Cult of the UFO is a new solo recording produced by Anthony Barker of Overlords of the UFO.

Due to Anthony being an integral contributor to the music of Overlords of the UFO, the four tracks maintain the trademark retro analogue sci-fi vibe of Overlords of the UFO, although with a more contemporary edge.

This is the 3rd release by Enlightenment Records.

Review: 3 track EP by Overlords of the UFO, including 2 previously unreleased tracks and one track released on an earlier EP named Transcendental Overdrive.

All tracks were produced in the late 90's.

This EP continues the trademark retro sci-fi analogue synth vibe of Overlords of the UFO and is the 2nd release by Enlightenment Records.

Review: "Remembering is not the opposite of forgetting," Casey MQ sings at the start of Later that day, the day before, or the day before that, his new LP and Ghostly International debut. It's a phrase fittingly misremembered from something the LA-based, Canadian-born composer came upon, as he spiraled into unconscious and subconscious-led writing sessions at the piano. Musing on the joys of the selective-amnesiac tendency of the creative flow state, MQ makes riveting use of classical-synthetic composition - piano parts run through copious effects chains, vocal parts run through subtly humanised, formant-shifted and note-bent pitch correctors - to produce a sublime amnestic union. But to forget is also to forgive: hence the word 'amnesty' and its common root with amnesia. This is a profoundly forgiving record, with 'Grey Gardens' and 'Me, I Think I Found It' finding a profound space of acceptance for the days coming and going, for solitude and for new leaves uncovered in amnestic carvings-out and turnings-over.

Review: Complementing the main LP release of this career-bookending Chicane release comes the CD edition of the new symphonic edition of Far From The Maddening Crowds. The original trance uplifter LP blew us all away at its initial '90s moment, proving producer Nicholas Bracegirdle's fine talents to the world. Now, however, comes the full orchestral version, sating our tireless retroactive desire for symphonies after trance; every track on the original album hears a full-blown symphonic orchestral rerub, utilising the collective talents of members of the The Halle and the Royal Liverpool Philharmonic Orchestra, and combining them with glistening SFX and studio embellishments to lend an epic neoclassical vibe to an all-out classic.

Review: Sphongle continue to gift their fans with these exquisite reissues of their illustrious catalogue, catching up to more recent times with the richly dynamic sound of Museum Of Consciousness. This 2013 epic leant in on every dimension of Simon Ponsford and Raja Ram's sound, at once bristling with kinetic electronica energy while keeping their much-loved mysticism front and centre. It's a trip, like a Sphongle album should be, but it's also got a certain bite which more than stands up to the rigours of the modern dancefloor. One of the group's great skills has been in moving with the times while staying true to a certain deep-rooted, festival-friendly playfulness. Grab a slice of cosmic delight, freshly remastered for your brain to happily feast on.

Review: What goes around, comes around, at least when it comes to dance music culture. The rise in new productions informed by early psy-trance and hallucinatory ambient techno jams has led to a swathe of reissues of long-forgotten releases from the 1990s. Here's another, and a chance to cop London outfit Shpongle's 1998 debut album, Are You Shpongled. As an LP, it's very much of its time, with the pair brilliantly blurring the boundaries between spacey ambient, dub, chill out room-ready downtempo grooves, intergalactic-sounding drum & bass, flute-sporting soundscapes and the kind of bustling rhythms and shroom-fuelled electronics that were once the preserve of new age travellers in brightly coloured trousers and slightly damp woolly hats.

Review: British psy-trance oddity Sphongle have been traversing the highways and byways of transcendental music culture since the late 90s, and they remain as adored within the scene as ever. Their third album, Nothing Lasts - But Nothing Is Lost is considered one of their great opuses - a twisting and turning fever dream of exotic passages, mind-warping synthesis and lysergic grooves from the studios and brains of Simon Posford and Raja Ram. Split into 20 tracks, but supposedly formed of eight phases in a cohesive dream sequence, it's the ultimate trip, and it's finally getting a repress on vinyl via Posford's legendary Twisted Records, one of the true bastions of psy-trance culture.

Review: Cubic Space by SYT is a highly sought album from UK's mid-90s underground trance/rave scene, originally released on the Magick Eye Records, the label co-founded by Swordfish from Astralasia. With SYT short for "shave yer tongue" - don't ask us, we don't know - Cubic Space amounted to the only record outputted by the pseudonym, yet still went on to charm club-goers, owing to its unique trance sound-sources not available to the average high street shopper, and its many sprouting tangents through futuro-"tribal" sounds, dashing any concerns over tempo regulation or idiosyncrasy in the process; an ill a fellow artist might suffer from. Club numbers like 'Eclipse' and 'Global Drift' are torrential enough; it's the filterpassed breakbeats of the likes of 'Nu Dawn', and the punctiform, recherche sound design of 'Lost Cargo' that really get us moving.