Back catalogue:

Review: The Corrs return to their Celtic roots with their seventh studio album, blending familiar folk elements with their signature soft rock sound. Opening with 'Son of Solomon', the album features the tin whistle and violin that defined their early hits, with Andrea's emotive voice taking center stage. The album shines when the three sisters harmonise, evoking the charm of their early classics like 'Runaway'. Now pressed on red vinyl, tracks like 'SOS', addressing the Syrian refugee crisis, showcase the band's growing social awareness. 'Dear Life' cleverly blends lyrical wit with traditional instrumentation, while 'No Go Baby' offers a heartfelt, minimalist reflection on loss. The album closes with the melancholic, nearly eight-minute 'The Sun and the Moon', highlighting Andrea's vocal artistry. The band's harmonious rapport and Andrea's captivating vocals keep their sound fresh, is a nostalgic yet satisfying experience for longtime fans.

Review: Reissued on yellow vinyl, Home by The Corrs marks a fitting tribute to their Irish heritage and late mother, capturing their classic blend of Celtic roots with polished pop sensibility. Originally released in 2006, this album reflects the band's true embrace of traditional Irish music, produced by Mitchell Froom and backed by the BBC Radio 2 Orchestra. The album elegantly balances traditional favoruites, like the haunting 'Black is the Color' and nostalgic 'Spancill Hill', with lively jigs such as 'Old Hag' and 'Haste to the Wedding'. Andrea Corr's angelic vocals shine, especially in Gaelic tracks 'Buachaill on Eirne' and 'Brid og Ni Mhaille', infusing the album with authenticity. Songs like Richard Thompson's 'Dimming of the Day' and Anna McGarrigle's 'Heart Like A Wheel' are soulful additions, while 'Old Town' feels slightly at odds with the folk theme. Avoiding overt sentimentality, Home stands as a lovingly crafted and intelligent collection of Celtic-inspired pop that fans and newcomers alike will find captivating.

Review: As The Corrs gear up for their 2024 Talk On Corners tour across the UK and Ireland, they're marking the occasion with a special reissue of six classic studio albums on limited edition colour vinyl. This is the first-ever colour vinyl release for these albumsiaside from Forgiven Not Forgotten (2023) and Jupiter Calling's black vinyl in 2017imaking this a collector's dream. Each album arrives in three batches timed with the tour, offering fans a rare chance to own these beloved records on vibrant vinyl, just in time to celebrate the band's return to the stage.

Review: In Blue, the celebrated album by The Corrs, finds the Irish siblings navigating the fine line between their Celtic roots and mainstream pop sensibilities. Initially striking a balance with their 1995 debut, Forgiven, Not Forgotten, the group has evolved, embracing a polished sound that resonates widely, particularly in the U.S. Their collaboration with renowned producer Robert John Lange infuses the album with radio-friendly appeal, evident in standout tracks like 'Breathless' and 'Irresistible'. While some fans may lament the departure from traditional instruments, the album showcases The Corrs' melodic strength and lyrical warmth, proving accessible to a broad audience. Songs like 'One Night' and 'No More Cry' inject moments of freshness amidst the pop sheen, highlighting the band's ability to craft catchy, memorable tunes. In Blue remains enjoyable, celebrating The Corrs' musical journey while introducing their sound to new listeners. Now available on limited edition blue vinyl, this collection captures the essence of their infectious charm and artistic evolution.

Review: Neil Young's Early Daze with Crazy Horse is a treasure trove of mostly unreleased rarities from the early 70s. This 10-track album features familiar songs in rare and previously unheard versions, showcasing Young's raw, unfiltered creativity. Highlights include unreleased takes of 'Come On Baby Let's Go Downtown' and 'Look At All The Things,' co-written with Danny Whitten, adding depth to their collaborative legacy. Fans will also relish unreleased versions of classics like 'Helpless,' 'Wonderin',' and 'Down by the River.' The album offers a fresh experience with rare mixes of 'Birds' and the seven-inch mono mix of 'Cinnamon Girl,' complete with a unique guitar outro not present on the original LP. Early Daze is a compelling collection that captures the essence of Neil Young and Crazy Horse's early synergy, making it a vital piece of rock history.

Review: Back in November 1990, fresh off recording Ragged Glory, Neil Young and Crazy Horse took the stage at The Catalyst in Santa Cruz. They played a long and sprawling set of tunes that last three hours and took in songs like 'Love and Only Love' and 'Like a Hurricane' which they managed to hypnotically stretching out for more than ten minutes. The gig was also the debut live airing for 'Danger Bird' which was on the 1975 album Zuma. All of these make it on to the Way Down In The Rust Bucket album as part of Young's on going Performance Series.