Review: A really cool concept from Expansion here; one side is a reissued seminal classic, the other is a contemporary version. And what a way to start the start the series; hard bop hero Johnny Hammond influenced pretty much every soul, jazz, rare groove and funk artist who've followed in his path, and the joyously unpredictable "Los Conquistadores Chocolates" is one of his best. Naturally Japanese jazz outfit Quasimode are an ideal remix choice. Known for their wildstyle riffage and signature switches, they've paid the utmost respect to Hammond.
Review: It's not a scam... it's Skam! To the Skam sister label Kasm comes Russell Haswell with a mitre-sawing electro release, veering toward brash abstraction. A gobby intonation is wrought from the distortion send here, where drums near-vocally poke through the muck, like rambunctious talking ghosts in machines. Warring allusions to lost humanity take shape on titles like 'Fractured Bones' and 'Tournament Species', where cyborg gladiators rise from their catacomb internments to face off against each other again and again, in haunted perpetuity. 'Different Takes' is the best example of the record's at times tempoless ferocity, scattering what remains as an intuitive pulse across phase-distorted gargles and made-wonky beat hydraulics.
Review: Mayer Hawthorne's debut release hears a faithful reissue via Stones Throw. 'Just Ain't Gonna Work Out' was first released in 2008 as the first forerunner to the LP A Strange Arrangement, which was released the following year. Housed on a distinctively oblong, heart-shaped, red 7", the star track hears Hawthorne segue uncertainly from serenade to breakup song, and we're treated to his trademark croaky falsetto too; too nice to pass up. B-sider 'When I Said Goodbye' is a haunting soul reminiscence, giving barbershop harmonies laid down by a ghostly troupe, amid talk of shattered wills and wistful post-breakup apologies.
Review: The House Of Love was the name of both a British indie band and that of their debut album. Notably part of the C86 scene in the late 1980s - a catch-all term to describe a wave of bands at the time making jangly indie with a distinctive power-pop song structure, and which was sadly maligned after a dismissal by massively influential radio DJ John Peel - the band's sound fit well into the category and is a suitable precursor for an undeniably British sound which still resounds today, whether exemplified by its lead track 'Christine' or follow-ups 'Shine On' or 'Destroy The Heart'. The reissue is pressed on vinyl for the first time since 1989.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.