Back catalogue:

Review: Two of the likeliest lads from Manchester team up for the first day release of their new collaborative project. And its something of a full circle moment, with Oasis frontman Liam Gallagher previously citing Stone Roses hero John Squire in a list of formative teenage musical inspirations, who, in turn, first encountered the former when both bands were working the same studio, respectively recording Definitely Maybe and The Second Coming. The pair first shared honours three years after that, co-writing 'Love Me & Leave Me' for Squire's relatively short-lived outfit, The Seahorses, in 1997. Skip forward to 2022 and Squire joined the Gallaghers et al on stage at Knebworth, reprising his appearances for renditions of 'Champagne Supernova' at the band's 1996 shows, spurring the idea to do something together again. Here's the result - and it's precisely what the duo should sound like together.

Review: Brooklyn-based psychedelic soul group Say She She have exploded onto the scene since their debut in 2019. Receiving critical acclaim for their two albums to date, and multiple TV performances, the Nile Rodgers-inspired female trio even got a video message of approval from the legend himself. Organic and authentic are two words that fit the classically trained troupe to a tea and, in the great soul tradition, covers are a necessity. Jim Spencer's 1979 track 'Wrap Myself Up in Your Love' didn't get much attention at the time - his attempt at doing disco wasn't well received - but thanks to the adoration of archive label The Numero Group, the song has seen a resurgence in covers and fans. The original vocal is expressive and powerful against some jangly funk guitars, whilst Say She She's rendition hones in on the sultry aspect of the track. Guitars are muted down to transform the song into a lovemaking slow jam, wind passages are introduced and the vocal is subtly powerful and sexy. This single has both Say She She's cover - as well as the original - on a 7" disc.

Review: This Australian and now London-dwelling three-piece made their name by balancing out their psychedelic explorations with a somewhat Madchester-derived pop sensibility, and this second album sees them throwing this delicate balance into orbit by effectively offering more of everything - the sonic textures here are more adventurous, the hallucinogenic swirls of sound more lustrous, yet the choruses are as indelible and infectious as ever. A party album with a 'Screamadelica'-esque experimental edge, 'Every Now And Then' makes these three space cadets sound like genuine contenders.