Mr Doris - "Want Some More" (feat Much Maligned) (3:54)
Review: Heavyweight sonic Afro-botics from Nikodemus, Barzo and Mr Doris on 7" wax. The trio team up here with Dinked Records for a double-bill 7" in veins of amapiano and broken beat, primed for crate sifters and floor ambulants alike. On the A, 'Want Some More' delivers Mr. Doris' signature blend of rhythmic muscle and Afro-Latin swang, while the flip flops Nickodemus with Barzo and Zongo Abongo for 'Show Your Power': a bold, percussive cut straddling broken beat, house, and ska. Somewhere between 126 and 128 BPM, both are utter floor finishers and could easily intro your next Afro-house set as they could provide it a sense of continuous, mid-set body.
Review: This is a completely new project the mighty Dr Robert of sophisti-pop hitmakers The Blow Monkeys fame and British folk icon Matt Deighton (Mother Earth, Bill Fay, Paul Weller). The single and title track is a banger: T-Rex-esque glam interlaces beautifull with an earthy acoustic guitar bedding on the catchy number. Elsewhere, things get more pastoral and psychedelic on the hypnotic 'Dude In A Roller'. The record is billed as a duo and sonically doesn't try to sound like anything more than that, which is refreshing in a world of endless layers. It's sometimes about knowing what to take away than what to add to a mix and Dr. Robert and Matt Deighton seem to know this. A truly stellar songwriting partnership that we hope is the beginning of much more to come.
Review: Lazaro Pla AKA Manteca is undoubtedly a Cuban musical legend - even if the bongo maestro only recorded a handful of albums as featured artist and bandleader. 1978's Rito Y Sabor, a percussive masterpiece made up almost entirely of drums, timbales and bass, is the most celebrated of these - and in general, one of the hardest to find. Created by Pla and a handful of musicians, it delivers an enticing mix of infectious Afro-Cuban grooves, sweat-soaked percussion solos, bold basslines and occasional (and often mixed-down) piano motifs. Highlights include Latin jazz dancefloor bombs 'Casas De Manteca' and 'Afro Funky', and the Incredible Bongo Band style brilliance of 'Abacua'.
Review: Jamaican singer Clive Matthews has enjoyed a stop-start career, with relatively brief periods of activity in the 70s, 80s and early 2000s followed by a late blossoming over the last decade - a career bump provided by the backing of Spanish roots reggae outfit A-Lone Productions. They're at the controls again on Matthews' second album, Going Home, which marks the Trenchtown-born artist's first full length for seven years. Rooted in his love of roots reggae albums of the 1970s, but with occasional updated instrumentation, it's a classic-sounding set that provides a perfect platform for Matthews' conscious lyrics and honeyed, effortlessly soulful voice. The results are undeniably impressive, with our current favourites including 'Yes I Do', 'Ancient Lion', dancefloor-ready title track 'Going Home' and the pleasingly jaunty 'Reggae Music'.
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