Back catalogue:

Review: It's been a while since we've heard from high-end hip-hop helmers PartyNextDoor and Drake. The two superstars usually work together to make ethereal stopovers on otherwise damn hard rap records, especially by the latter former Young Money megastar. Though the pair have never worked on a full-length album together before, Some Sexy Songs 4 U tots up to the third in an unsaid series of Drake collab albums, following ones between 21 Savage and Future. Dealing in themes of sexual jealousy and ongoing personal feuds - especially amid tumultuous fallouts between the larger private-jet-bound artist and various smaller up-and-comers such as Ice Spice - the record offers a stylistic range on an wide trap smorgasbord, working in Mexican rock samples and alt-rock progressions.

Review: This historic 1972 performance film marked a definitive evolution of Pink Floyd's artistic vision, and is possibly the moment they first truly escaped the more ephemeral pop of the Syd Barrett era and started to become the prog giants that would go on to dominate the 70s both culturally and commercially. The haunting imagery of Pompeii combined with an expertly remixed sound design by Steven Wilson turns this film from a mere document of the past into a multi-sensory experience. Meticulously remastered, each note of 'On The Run' and 'Us and Them' hang with crystalline clarity in the surround mix and the shifts between searing intensity and quiet reflectionifrom the thunderous opening of 'Echoes' to the fragility of 'Mademoiselle Nobs' - are rendered in remarkable detail. It's a profound exploration of Pink Floyd's creative process, capturing the band at a pivotal moment as they craft the sonic landscapes that would later define The Dark Side of the Moon. This release ensures that the film's timeless allure is as potent today as it was over fifty years ago, inviting a new generation to experience the alchemy between image, sound and performance.

Region code: B

Review: More than half a century after its original release, Pink Floyd At Pompeii: MCMLXXII has returned to cinemas. Shot in 1971 at the haunting amphitheatre ruins of Pompeii, the film captured the band in their pre-DSOTM phase, during which time they were moving away from their originally overt psychedelia and space rock ventures and packing their work with a denser thematic and political verve. The DVD edition represents live versions of 'Echoes' and 'A Saucerful of Secrets', among other ashen, ruinous greats, in newly restored clarity - and that's not to mention its accompanying, behind-the-scenes studio footage of an early DSOTM studio session. This is a full 90-minute cut scanned in 4K from rediscovered 35mm negatives, with Steven Wilson providing a lush new audio mix in Dolby Atmos and 5.1.

Region code: 2

Review: Released in 1969, Pink Floyd's Ummagumma is a double album that showcases the band's experimental edge. The first disc features live recordings from concerts in Birmingham and Manchester that highlight the group's dynamic stage presence with extended versions of tracks like 'Astronomy Domine' and 'Careful with That Axe, Eugene.' The second disc consists of solo compositions by each band member, revealing their individual creativity and eclectic styles. This album captures Pink Floyd's transition from their early psychedelic sound to a more avant-garde and progressive approach, making it a significant milestone in their illustrious career.

Review: Celebrating its 50th anniversary, this iconic release - arguably one of if not THE msot famopus rock album of all time - gets an anniversary edition remastering, bringing its revolutionary sound into sharp focus while maintaining the spirit of its original recording. The remaster captures the depth and complexity of the band's vision, from the eerie pulses of 'Speak To Me' that lead into the tranquil yet ominous 'Breathe (In The Air),' to the iconic synth-driven chaos of 'On the Run.' The haunting 'Time' sounds even more immersive, its ticking clocks and swelling synths fully realised in this updated mix. And then there's the unparalleled vocal energy of 'The Great Gig in the Sky,' which now resonates with even greater emotional intensity. On the second side, 'Money' continues to provide that inescapable groove, its jazzy bassline never failing to captivate. 'Us and Them' brings with it a sense of melancholy and philosophical reflection, while 'Any Colour You Like' serves as an entrancing bridge before the chilling introspection of 'Brain Damage' leads into the album's climactic conclusion, 'Eclipse.' For both long-time fans and newcomers, this remaster offers an opportunity to hear the album as it was always meant to be heard, with every nuance and every note given the space it deserves.

Review: The newly re-mastered release of Pink Floyd's legendary Pompeii performance from 1972 - released as a film initially and recorded without an audience - immerses the listener in the eerie grandeur of the ancient Roman amphitheatre. Steven Wilson, in charge of reworking the audio, breathes fresh life into the familiar, giving tracks like 'Echoes Part 1' and 'Careful With That Axe, Eugene' a heightened sense of space and detail. The alternate take of 'Careful With That Axe, Eugene' and the unedited 'A Saucerful of Secrets' show the band's ever-evolving approach at this most productive stage in their career. A raw, expansive reflection of Pink Floyd's creative journey as they morphed from psychedelic garage stars to prog rock giants.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Prefab Sprout's Jordan: The Comeback stands as their most ambitious work, now reissued on stunning translucent blue and red vinyl. This expansive double LP, produced by Thomas Dolby, is divided into four thematic movements, blending pop, samba, and Steely Dan-esque sophistication. Tracks like 'Wild Horses', 'We Let the Stars Go', and 'Looking for Atlantis' showcase Paddy McAloon's mastery of both melody and lyrical depth. The album explores wide-ranging themesifrom the myth of Elvis Presley's resurrection to the complexities of love, heartbreak, and spiritual redemption. The Elvis suite is a highlight, filled with symbolic references to his life and legacy. Ending on a redemptive note with 'Doo Wop in Harlem', Jordan takes listeners on a journey through McAloon's introspective world. This vibrant reissue only enhances its legendary status.

Review: Prefab Sprout's Jordan: The Comeback stands as their most ambitious work, now reissued on stunning translucent blue and red vinyl. This expansive double LP, produced by Thomas Dolby, is divided into four thematic movements, blending pop, samba, and Steely Dan-esque sophistication. Tracks like 'Wild Horses', 'We Let the Stars Go', and 'Looking for Atlantis' showcase Paddy McAloon's mastery of both melody and lyrical depth. The album explores wide-ranging themesifrom the myth of Elvis Presley's resurrection to the complexities of love, heartbreak, and spiritual redemption. The Elvis suite is a highlight, filled with symbolic references to his life and legacy. Ending on a redemptive note with 'Doo Wop in Harlem', Jordan takes listeners on a journey through McAloon's introspective world. This vibrant reissue only enhances its legendary status.

Review: Latest from the Elvis Presley reissue/retrospective crock comes Memphis, the first fully comprehensive collection of Elvis Presley's hometown recordings. Yes, the entirety of Memphis was recorded, at one time or another, by the King Of Rock & Roll in the prodigal city sandwiched somewhere between Kentucky and Alabama in the American Midwest. Clocking in at 24 tracks, Memphis captures Presley from his earliest sessions at Sun Studio - which occurred 70 years ago this summer - to American Studio and Stax sessions, his 1974 hometown show and his final recordings in Graceland's Jungle Room.