Back catalogue:

Review: This Ramones album - one of their very, very many - is packed with relentless guitar energy and a proud punk ethos. Originally released in 1987, it captures their raw spirit and is packed with gritty rock licks and infectious melodies. Featuring standout tracks like the opener 'I Wanna Live' and the guttural vocal bite of 'Garden of Serenity' it showcases the band's evolution while staying true to their signature sound, during what was a pivotal moment in the US punks' lengthy career, a decade or so on from their explosive arrival.

Review: Are The Ramones now best known for being on t-shirts worn by people who have never heard the band? Maybe. But either way, Too Tough To Die, which was released 40 years ago, is often seen as a return to form. Really, it deserves a more radical categorisation. Released in the mid-1980s, the album felt out of step with the era, not in a negative way, but in how it captured the contradictions of its time. Made without a clear direction, its incongruity became its defining feature. As Joey Ramone noted in a 1988 interview, "Around '84, the world was changing drastically... Things were getting scary. So, our songs started changing." This shift in tone marked a new chapter in their musical evolution.

Review: Originally released in 1978, Road To Ruin would serve as the fourth full-length from leather jacket-clad punk pioneers The Ramones. While a rejected, mitigated flop upon release due to the band's swing for the radio fences (or airwaves) complete with sonic elements at the time alien to the punkosphere such as acoustic guitars, lead guitar solos and 60s pop ballads, in the near five decades since release, the project has been reevaluated as a bold successor to 1977's iconic Rocket To Russia (although that album did place 50 places ahead on the Billboard 200 at the time of release). Marking (no pun intended) their first effort to feature drummer Marky Ramone, who replaced Tommy Ramone after his departure due to the inability to keep up with the rigors of touring and lack of residuals from their previous record; the album's glossy, clean production has slowly morphed from malaise to praise over the ensuing decades, while offering up some of their most timeless and essential bangers including 'Needles & Pins' and 'I Wanna Be Sedated' (which if Spotify metrics are anything to go by, is the band's most popular song after, of course, 'Blitzkrieg Bop').

Review: Rush's 1989 release marked a clear departure from the synthesiser-heavy sound of their mid-80s albums, returning to a more guitar-driven approach. Alex Lifeson's intricate riffs shine through tracks like 'Show Don't Tell', while 'The Pass' layers introspective lyrics with melodic finesse. Geddy Lee's basslines feel taut and precise, anchoring the dynamic interplay between his vocals and Neil Peart's inventive drumming. The production captures a sense of clarity, allowing the band's technical prowess to shine without unnecessary embellishments. It's a turning point in Rush's journey that bridges their progressive roots with a leaner, more direct sound.

Review: Rush's Roll The Bones reissue for 2025 brings this 1991 classic back to vinyl with a fresh coat of audio enhancement. Kicking off with the energetic 'Dreamline,' the album effortlessly blends progressive rock with more accessible, radio-friendly sounds. Tracks like 'Bravado' showcase the band's refined songwriting, balancing introspection with their signature musicianship. The title track, 'Roll The Bones,' with its groovy bassline and playful lyrics, remains one of the band's most memorable moments. This LP reissue offers both die-hard fans and newcomers a chance to hear the band's versatile sound in pristine analog form.

Review: In 1993, Rush leaned into a heavier, guitar-driven sound, stripping back the synths of their earlier work. Tracks like 'Animate' open with robust riffs and tight rhythms, setting a confident tone, while 'Stick It Out' adds a grunge-inspired rawness that reflects the shifting rock landscape of the 90s. Geddy Lee's basslines are as commanding as ever, threading through Alex Lifeson's crunching guitar work and Neil Peart's signature, intricate drumming. The production captures a raw energy, showcasing a band comfortable in reinvention without losing their edge.

Review: A 1996 classic brought back to life with a new, enhanced vinyl experience. Opening with the title track, the album presents a blend of prog-rock with more streamlined, radio-friendly elements, which defines much of the era. 'Driven' stands out as a high-energy, guitar-heavy track, while 'Virtuality' brings an electronic edge to their sound, embracing the technology of the time. This 2XLP release allows fans to revisit the album in rich analogue quality, offering a fresh perspective on Rush's evolution during the 90s, with the complex musicianship and dynamic range that made the band iconic.