Back catalogue:

Review: Neil Young's return to this 1977-recorded "lost" collection of songs feels like a snapshot of an artist in transition, navigating between the raw edges of his 70s output and the more polished direction he would take in the years to come. Recorded between Florida's Triad Studios and Malibu's Indigo, the tracks resonate with a kind of unforced authenticity that's increasingly rare in modern music. You'll know some of these tunes - the majority did turn up in other LP tracklistings eventually - but re-pieced together it's clear there's a quiet confidence here, as if Young, unburdened by the pressures of commercial expectation, was simply allowing the music to flow out. Opening with the delicate 'Sail Away,' Young sets a tone that's both intimate and expansive, a rare combination that permeates the entire set. 'Lost In Space' follows, its understated melancholy giving way to moments of real tenderness, as though Young was channeling something deeply personal without ever letting it feel too heavy. The rolling 'Captain Kennedy' showcases his gift for storytelling, while 'Goin' Back' and 'Human Highway' bring with them echoes of past greatness, weaving themes of reflection and longing with his signature mix of folk and country. By the time 'Pocahontas' rolls around, it's clear that the collection, though rough around the edges, forms a cohesive whole, a snapshot of Young's restless creativity and unflinching approach to songwriting.

Review: Crazed equestrian songwriter Neil Young hears the first reprisal of a formerly unreleased album, deemed one of his great "lost" albums. Recorded in 1977, Young commented on the record's various inspirational breeding grounds: Florida's Oceanside beach, Triad Studios in Miami, and Crazy Mama's in Nashville, and of the fact that it was "quite a personal record, mostly made up of acoustic songs with no bass or drums." Known of for years online, where it was place-held with a hand-scrawled album cover, the record now comes with full-blown official cover art, documenting Young in the brief interim period between American Stars 'N Bars and Comes A Time (1977-78).

Review: This is the great Neil Young's latest "lost" album, now released as part of his Analog Original Series. Recorded between May and December 1977, it precedes Comes A Time from 1978 but it also shares its country and folk sound. Three tracksi'Goin' Back,' 'Human Highway' and 'Field of Opportunity' appear on both albums in fact. This vinyl release reflects the album's original planned tracklist and 'Oceanside' finds Young perform solo, while 'Countryside' features collaborators like Ben Keith, Rufus Thibodeaux and Levon Helm. Some tracks differ from Archives Vol. III, with original versions of 'Field of Opportunity' and 'Dance Dance Dance' featuring Young's backing vocals.