Back catalogue: All genres

Review: Captured in San Francisco in December of 1982, only over six months before their original dissolution in July of the following year, this live performance from gloom maestro goth rock pioneers Bauhaus leans heavily on material from their (at the time) two-month old third full-length The Sky's Gone Out including their opening cover of Brian Eno's 'Third Uncle' and 'Silent Hedges', as well as 1981's career height sophomore classic Mask, with cuts such as 'In Fear Of Fear', 'Kick In The Eye', and 'Hollow Hills' making appearances. Some love is shown to their debut In The Flat Field with the inclusion of 'Spy In The Cab', but most noteworthy is that the set features an early live unveiling of 'She's In Parties', which wouldn't see release for another four months with the band breaking up just a week before the single's adjacent album Burning From The Inside would drop.

Review: Kate Bush enjoyed an unlikely renaissance (and a welcome boost to her bank balance, no doubt) with the younger generation when her music was used in iconic scenes in the hit Netflix show Stranger Things. She has long been a revered pop great who always had an outlier sound which despite that saw great commercial success. For that reason, she was invited to the BBC for a Christmas Special in 1979 and that recording is now pressed up just in time for the festival season. It features plenty of her best moments which will bring great warmth to the winter including the likes of 'December Will be Magic Again' and 'The Man With The Child' plus a version of Peter Gabriel's 'Here Comes the Flood' featuring the former Genesis frontman himself.

Review: A live concert recording of the penultimate date on Kate Bush's first and only ever tour: The Tour of Life. As part of this run, Bush performed three nights on the trot at the Hammersmith Odeon in West London and the middle date was broadcast, thus immortalising one of the most innovative shows of that era or any era since. Hot off the heels of the release of her debut album The Kick Inside and the follow up Lionheart - both released in 1978 - the setlist draws heavily from said albums and she turned the songs from those albums into a visual spectacle. The full-blown theatrical appearance came at a time when Bush was the most photographed woman in Britain and had a megahit in the shape of her debut single 'Wuthering Heights' and soAit's a truly defining era that's on record. Kate Bush's mystique and a goddess-like aura may have been nurtured through her emphasis on visual art and theatre but delving into the music alone and drawing your own pictures to go with it, aided by her mesmerizing voice, is equally enthralling.