Review: "Must Be The Moon" is the next 'interlude' in the series of 'myths' from !!!'s latest album, "Myth Takes". This 12" Warp release features remixes from Hot Chip and Emperor Machine.
Review: Children Of Alice is the new project from Broadcast's James Cargill, its name a memorial reference to Lewis Carroll's Alice's Adventures In Wonderland, the favourite book of Cargill's bandmate Trish Keenan, who sadly passed away in 2011. Unsurprisingly, the eponymous record carries immediate similarities to the work of Broadcast - especially their crucial soundtrack work for Peter Strickland's 'Berberian Sound Studio' - with a non-linear fluidity through rich and atmospheric vignettes of folk and electronic soundscapes that hazily lose any sense of beginning or end. Although only four separate tracks, 'Children Of Alice' is 43 minutes of intelligently and intricately woven sound that mesmerizes and entrances, serving as a respectful tribute to the late singer Keenan.
Review: Children Of Alice is the new project from Broadcast's James Cargill, its name a memorial reference to Lewis Carroll's Alice's Adventures In Wonderland, the favourite book of Cargill's bandmate Trish Keenan, who sadly passed away in 2011. Unsurprisingly, the eponymous record carries immediate similarities to the work of Broadcast - especially their crucial soundtrack work for Peter Strickland's 'Berberian Sound Studio' - with a non-linear fluidity through rich and atmospheric vignettes of folk and electronic soundscapes that hazily lose any sense of beginning or end. Although only four separate tracks, 'Children Of Alice' is 43 minutes of intelligently and intricately woven sound that mesmerizes and entrances, serving as a respectful tribute to the late singer Keenan.
Review: Chris Clark follows up his last full length, 'Body Riddle' with a harder, more rave-oriented sound. 'Turning Dragon' (Warp) features all new material.
Backed up by live dates and a comprehensive online promo strategy. Described by many as the heir to Aphex Twin and Squarepusher's crown.
Review: It is some 13 years since Chris Clark delivered his debut album on Warp, the rather quite brilliant Clarence Park. By his prolific standards, he's been relatively quiet in recent times; this seventh full-length is his first for two years. While there are occasional experimental interludes, for the most part Clark is a playful affair, with the St Albans-born producer delivering a set of tracks that layer fuzzy chords, distorted melodies, spiraling electronics and exotic instrumentation atop scratchy techno grooves. There are, of course, plenty of twists and turns along the way, with the dystopian electro of "Banjo", eccentric ambience of "Snowbird" and the surging, almost symphonic electronica of "Beacon" standing out.
Review: Last year, Warp Films commissioned Chris Clark to create a score for The Last Panthers, a crime serial aired on Sky One in the UK. While Clark has always capable of creating atmospheric, mood-shifting music, it was still something of a surprise. Here, Clark has shaped that music into a 48-minute album that seemingly tells its' own dark, weary tale. As dark and intense as the series itself, The Last Panthers rises and falls; one minute, you're listening to a creepy tribute to Erik Satie, the next an evocative fusion of alien electronics and mournful strings. It's this fusion of neo-classical intent and unsettling ambience that strikes the greatest chord, ensuring that The Last Panthers ranks amongst Clark's most striking work to date.
Review: Last year, Warp Films commissioned Chris Clark to create a score for The Last Panthers, a crime serial aired on Sky One in the UK. While Clark has always capable of creating atmospheric, mood-shifting music, it was still something of a surprise. Here, Clark has shaped that music into a 48-minute album that seemingly tells its' own dark, weary tale. As dark and intense as the series itself, The Last Panthers rises and falls; one minute, you're listening to a creepy tribute to Erik Satie, the next an evocative fusion of alien electronics and mournful strings. It's this fusion of neo-classical intent and unsettling ambience that strikes the greatest chord, ensuring that The Last Panthers ranks amongst Clark's most striking work to date.
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