Back catalogue: All genres

Review: It's difficult to ignore the sobering realisation that the swan song LP from French robo-duo Daft Punk is already celebrating its ten year anniversary. Although divisive amongst their fan base, the organic instrumentation and compositional homage to retro disco still feels like an artistic endeavour the pair of Thomas Bangalter and Guy-Manuel de Homem-Christo needed to add to their back-catalogue before graciously bowing out (or powering down) on their own terms. Following an expansive deluxe edition released earlier in the year, this drumless version strips away any and all notable percussion to offer the velvety basslines, glistening synths and lush grooves a chance to take centre-stage. With re-imagined approaches to hits such as 'Instant Crush' (featuring The Strokes' Julian Casablancas) as well as the plethora of Pharrell Williams collaborative bangers from 'Lose Yourself To Dance' to the once inescapable 'Get Lucky' (also featuring Nile Rodgers of Chic), this project is a unique and vital addition for lifers, newcomers and boogie enthusiasts alike.

Review: Although artists often claim not to read their reviews, Doja Cat clearly does. Scarlet, her fourth album, is a direct reaction to criticism of her rapping and the pop-leaning nature of her later work. So while she does sing at times, it's her sassy, confident and dextrous verses - alongside beats and basslines rooted in r&b and hip-hop, with plenty of high-profile sample flipping thrown in (see recent single 'Paint The Town Red', which utilises elements of Dione Warwick classic 'Walk On By'). The results are undoubtedly remarkable and -in her words - "masculine", with highlights including the strutting and insanely weighty 'Demons' (whose lyrics are a direct attack on critics and misogynistic male rappers), the Rotary Connection-goes-r&b shuffle of 'Attention' and the deep, head-nodding wooziness of 'Balut'.