Back catalogue: All genres

Review: L.A. Witch is back with a marked evolution in their sound that pulls in aspects of garage rock and post-punk while exploring existential themes of love, devotion and subservience. Recorded in Paris, the trio of Sade Sanchez, Irita Pai and Ellie English push their craft to new realms with icy instrumentation and introspective lyrics. Tracks like 'Icicle' channel early goth vibes while '777' delves into fatalistic passion. The album also, we're told, explores the symbolic connection between women and dogs with themes of sacrifice and loyalty. All this makes it rather menacing yet oddly romantic, so DOGGOD revitalises the band's trademark sound while taking them into darker territories with haunting overtones.

Review: It's hard, if not impossible, to separate Lord Huron from the deeply heartrending Netflix show, 13 Reasons Why. 'The Night We Met', which closes this, the band's second studio album, features prominently in the series about teenage suicide. It also defines many of the emotions characters are left with, and universal feelings many of us experience at some point or another. That deep regret at not having done more, having done too much, got too deep, or stayed in the shallows and missed what could have been. It's a sad, sad song, make no mistake, twangy guitars and timeless Americana lyrics calling to mind a century or so of forlorn guitar balladry. Is it the best thing on here? Maybe. Maybe not. As a record, Strange Trails more than lives up to its title, taking us by the hand, leading us out into some Pacific Northwest wilderness and inviting us to stay in the patient quiet of deep personal reflection.