Back catalogue: All genres

Review: Proper Monday Number is one of Brighton's most acclaimed electronic duo and here it teams Suzi Horn of cult DFA's Prinzhorn Dance School with producer Christoph Boseley. Their Deep Clean Your House EP packs five sharp, DIY dance-pop tracks into a tight 15 minutes of no filler, all fire heat for the 'floor. Mixing mid-2000s electro, bassline and a touch of nostalgia for 90s house vibes, it channels the gritty energy of your teenage bedroom's busted speakers. But this isn't just a throwback, it's a fresh, cynical-smashing blast of attitude and energy. Fun served up with a serious purpose that cannot fail to energise you to your core.

Review: Experience Pearl Jam's Binaural like never before. In honour of the 25th anniversary of the album, dive into its world with the spatial audio Blu-ray. Feel every note and lyric of tracks such as "Light Years" and "Nothing As It Seems" wrap around you in a way that's beyond amazing. Whether you're reliving the memories or discovering it anew, it's time to let the music take over.

Single Blu-ray disc contains Spatial and Hi-Res stereo mixes.

Review: Originally released in 1990 and celebrating its 35th anniversary this year, Frizzle Fry was the debut full-length from avantgarde funk metal absurdist trio Primus. Known to normies as the band who penned and performed the South Park theme song, those more in the know should be aware of the bold staying power and creative fearlessness this album exuded, whilst signifying that the heavier realms of alternative rock and metal didn't need to be all leather clad angst. Arriving at a similar time to the self-titled debut from Mr. Bungle, the early 90s began with earnest outsider attempts to push the envelope before grunge would come along and be completely devoured by the mainstream machine. Funded with money from the sales of their initial 1989 live album Suck On This, by the time of recording, original guitarist Todd Huth had departed the group, being replaced by mainstay Larry LaLonde playing many parts written by his predecessor. Boasting the band's breakout single, minor radio hit and longtime fan favourite 'John The Fisherman', this reissue duplicates the 2002 remaster and includes the addition of their double whammy cover of The Residents' 'Hello Skinny/Constantinople'.

Review: It might be Pulp's first new album since We Love Life in 2001, but Jarvis Cocker has kept busy in that time, not least with his impeccable Jarv Is... project. Keeping himself match fit musically has evidently played into Pulp's hands because they sound inspired, at the top of their game and bound to consolidate their reputation one of the UK's most loved bands. Recorded with producer James Ford at Studio Orbb in North East London, they laid down eleven tracks in three weeks for this album and the lead single, 'Spike Island', is an enrapturing synth-led indie pop cut that whets the palate nicely for the other ten. The album is also their first since the passing of bassist Steve Mackay, who died in 2023. It is dedicated to his memory.

Review: Jarvis Cocker has opened Pulp into a nine-piece band for this resounding comeback, their first album in 23 years. With some members having been touring members and part of the Jarv Is... band - Cocker's made them more formally part of of Pulp, which is great because the likes of Emma Smith on violin and guitar (she played with Meilyr Jones previously) is an incredible musician to have around. The lead single 'Spike Island' is a song that like many of Cocker's classics you don't need to hear that many times before it's wedged in your head and your whistling it until the end of time. But Pulp is never in danger on relying on the topline; there's a textured, though-provoking underpinning that hints at how epic their live shows are set to be in the wake of this album, which does look handsome in that particular shade of green.