Back catalogue: All genres

Review: Corsican label Isula Science drop a fresh brooder of previously unknown electro knowns, this time from label founder Flash FM alongside HDV, Sweely and Man/ipulate. Spanning vertiginous dark acid, then moving on through to dreamatic neon breakbeat and expedient Italo - 'Vol de nuit' especially makes signature use of a classic slap bass synth - they've got us entirely covered here. Enticing bumps in the night from the exquisitors.

Review: Dubliner Noah Skelton brings a deep four-track helter-skelter to Zingiber Audio, topping up a well-travelled catalogue whose earprints are borne in the discographies of Amour, Daydream and Mayak. 'Formentario' and 'Pacer' deepen our hearts with fulsome beats n' bass, carefully constructed to manifest in the listener a looser, undammed destiny. 'It's A Flesh Wound', meanwhile, subtly balances emo-breaks and curious acid jazz, with a popout FM and dancing piano plinks proving particularly pacific, not least when set against *those* chords.

Review: Under his long-standing electro alias Sniper Mode, German techno veteran Gregor Tresher returns with a new EP. This is a sharp, sci-fi-inflected collection that shows his enduring command of sleek, futuristic sound design. Though better known for his techno output, Tresher’s electro work is no side project. Side-A opens with 'Homecoming', featuring Miami’s Exzakt. It’s a shadowy, pulsing cut built on punchy drums and steely synth lines. This is pure classic dark electro with modern muscle. 'The Iron Raven' follows, a high-definition flight through synthetic skies, all crisp sequences and distant echoes, evoking cold futurism with cinematic flair. On Side-B, 'Golan Heights' ventures into IDM territory while staying grounded in electro’s tight frameworks. Its textures shimmer, its rhythms glitch and glide. This is sci-fi circuitry rendered with surgical precision. Closing track 'Bornheim 34' tips its cap to the old school, fusing vintage 808 bounce with a contemporary finish. Tresher taps back into the pulse of pure machine funk, reigniting a project that’s quietly shaped the electro undercurrent for nearly 25 years. It’s a controlled detonation of style and substance.

Review: To go "sniper mode" implies a mixture of precision and force, and doesn't Gregor Sniper know it! Returning to Rawax after a break, this fresh 12:" killshot emerges stealthily from a protrusive barrel, with guest vocals from fellow producer Exzakt aka. Larry McCormick on the lead tune. 'Homecoming' exemplifies creative vocal processing, working snappy rhythms about reverse reverb and harmonic pitch layers. 'The Iron Raven' contrasts with its purgatory purity, opting for cleaner drums and dastard ricochets, set against an inauspicious detuned tone. 'Golan Heights' builds on the same root note to soar above an emergent landscape, while 'Bornheim 34' again concludes things on an ill-bade note, evoking moods of a goblin kingdom turned collective cyborg zombie.

Review: Philadelphia producer and DJ Sweater makes a blistering debut on New York's BLKMARKET MUSIC with five cuts that blur the lines between breakbeat, tech-house and low-slung electro. It's a sound rooted as much in dusty record bins he works the counter at Impressions Philly as it is in the warehouse circuits that forged this connection back in 2021. 'The Answer' opens with choppy drums and cosmic static, before both versions of 'Twilight Zone' spin the same eerie motif into sleek machine funk ('Space Mix') and woozy stepper ('Broken Mix'). On the flip, 'Better Ask Somebody' dials up the groove with bumping mids and a ghosted vocal chop, while 'Contact In The Zone' sends things into sludgy, broken-rhythm hypnosis. A bold first outing that speaks in riddles but hits with intent.

Review: After originally being self-released as a white label, Synthasy's breakbeat hardcore debut quickly gained cult status. It was engineered by Jezz Wright, who did renowned work on Liquid's 'Sweet Harmony' and Lemon D's early EPs and was distributed through London shops. High demand led to a full artwork repress, but copies vanished swiftly and helped cement its cult reputation as a rare gem. Over time, it became a coveted collector's item that commanded high prices - but not any more, thanks to this latest reissue. The rain, directness of the music, rave-ready synths and unforgettable vocal cries that turn the emotion up to 11 mean this debut remains a standout from early '90s rave culture.