This Perfect Day (LP3: singles & live 1977) (2:09)
LIES (2:39)
Do The Robot (1:54)
Lipstick On Your Collar (2:38)
One Way Street (2:46)
Demolition Girl (1:55)
River Deep Mountain High (3:48)
This Perfect Day (live) (2:10)
Run Down (live) (2:42)
Erotic Neurotic (live) (3:04)
Demolition Girl (live) (4:56)
Nights In Venice (live) (4:05)
Introduction (LP4: live At The Hope & Anchor, London 26/11/1977) (2:20)
Do The Robot (3:44)
Lost & Found (2:53)
Lipstick On Your Collar (0:57)
River Deep Mountain High (3:20)
Untitled (Second version) (2:56)
Run Down (2:47)
This Perfect Day (2:33)
Messin' With The Kids (4:17)
Orstralia (2:23)
Nights In Venice (5:20)
(I'm) Stranded (3:15)
Demolition Girl (3:42)
One Way Street (2:44)
Review: Originally released in 1977 (the year of punk's simultaneous birth and more notably, death), (I'm) Stranded has gone on to become, not only one of the most vital pieces of OG Aussie punk, but commonly considered as one of the quintessential early blueprints for an entire generation of artists. Staying on course and not even wading into the creative differences that would soon loom large over each subsequent follow up, this box set arrives as a joint collaboration between L.A. garage rock label In The Red, Universal Music Australia and spearheaded by Feel Presents and The Saints founder Ed Kuepper (later Laughing Clowns), who collectively deliver the original LP remastered for the time in four decades, along with never-before-pressed-to-wax bonus discs of a five-song live performance from Paddington Town Hall in Sydney in 1977, the band's full set from the Hope & Anchor Front Row Festival, London November 1977, all three tracks from the 1977 This Perfect Day 12" and all four tracks from 1977's 1-2-3-4 double 7" single, as well as the previously unreleased 1976 demo mix of the (I'm) Stranded LP. Also boasting a 28 page 12" x 12" photo essay of the band covering their origins from 1973 through the end of '77, authorised band history, an 8" x 10" 1976 promo photo, and sticker, this is fan service and an album celebratory box set done right.
God Save The Queen (CD1: South East music Hall Atlanta January 5th 1978) (4:43)
I Wanna Be Me (2:57)
Seventeen (3:12)
New York (3:08)
Bodies (3:17)
Submission (4:10)
Holidays In The Sun (4:10)
EMI (3:36)
No Feelings (3:27)
Problems (5:03)
Pretty Vacant (7:07)
Anarchy In The UK (4:22)
Radio Ad (CD2: longhorn Ballroom Dallas January 10th 1978) (2:08)
God Save The Queen (3:45)
I Wanna Be Me (4:01)
Seventeen (3:17)
New York (4:35)
EMI (3:43)
Bodies (5:20)
Belsen Was A Gas (2:33)
Holidays In The Sun (4:36)
No Feelings (4:28)
Problems (4:31)
Pretty Vacant (3:32)
Anarchy In The UK (6:11)
No Fun (7:04)
God Save The Queen (CD3: Winterland Ballroom San Francisco January 14th 1978)
I Wanna Be Me
Seventeen
New York
EMI
Belsen Was A Gas
Bodies
Holidays In The Sun
Liar
No Feelings
Problems
Pretty Vacant
Anarchy In The UK
No Fun
Review: Nowadays regarded as the stuff of punk legend, the chaotic and ill-fated jaunt undertaken by the Sex Pistols across the US in January of 1978 was hindered by so many differing factors, it was almost as if they were set to fail. Plagued by poor management while trapped on a label with no real idea how to market such a tumultuous roster outlier, the band found themselves performing for those there out of mere curiosity more than their targeted audience or genuine fans, culminating in severe burn-out in real time, captured on these recordings. Finally, for the first time, several of these shows have been retooled to their correct sequencing with this collection reflecting the debaucherous live sets in all their feral glory that took place on January 5th at the South East Music Hall in Atlanta, Georgia, January 10th at the Longhorns Ballroom in Dallas, Texas, and January 14th at the Winterland Ballroom in San Francisco, California. Boasting all of the essential anthems from 'God Save The Queen' to 'Pretty Vacant' and 'Anarchy In The UK', behind the energy is the sound of a band imploding, while today not all wounds have healed with the surviving members currently enjoying a celebration of their iconic Never Mind The Bollocks LP with former Gallows frontman Frank Carter stepping in for MAGA man Jon Lydon, who continues to lob barbs at his former bandmates whenever given half the chance.
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