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Review: An album that stands as one of American jazz pianist Silver's last great albums for Blue Note. Recorded in early 1968 with two mostly different quintets, the album features trumpeter Charles Tolliver, alternating tenor saxophonists Stanley Turrentine and Bennie Maupin, bassists Bob Cranshaw and John Williams and drummers Mickey Roker and Billy Cobham. Silver's rhythmic, economical piano style is often described as funky and nowhere is this more evident than on the album's standout opener, 'Psychedelic Sally'. With its jubilant horn theme and funky Memphis soul-inspired bass riff, the track is a rollicking seven-minute classic that blends 60s funk with 50s bop. The rest of the album maintains a playful spirit. 'Rain Dance' presents a campy, American Indian-style theme, while 'Jungle Juice' offers an exotic, tribal flavour. The warm, loose-swinging title track, 'Serenade to a Soul Sister' and the ethereal 'Kindred Spirits' add depth to the set. The album closes with the gentle piano trio ballad 'Next Time I Fall in Love'. While the first half of the album leans into a bluesy, funky vibe with Turrentine's soulful saxophone, the latter half shifts to a more boppish feel with Maupin, is a different but equally engaging dynamic. Through it all, Silver's philosophy of keeping politics and anger out of his music shines, delivering a joyous and tightly performed soul-jazz classic.

Review: A decade into his career, Horace Silver recorded what many consider one of his finest albums at the renowned Van Gelder Studio. Joined by Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks, the session marked a key transition for his quintet. This album was released a year before his iconic hit 'Song for My Father,' which was indeed a tribute to his Cape Verdean father. This reissue for the Blue Note Classic series has been remastered by Kevin Gray from the original master tapes so it offers an all-analogue experience and delivers superb sound quality that honours Silver's legacy.