Back catalogue: All genres

Review: This package of remixes of tunes from Translations is a real gem for lovers of Future Sound of London. plenty of familiar samples and textures are worked into the five Yage remixes as are cosmic overtones, sitars, drones, backward guitars and more. 'The Big Blue' is a woozy intergalactic sound on slow-mo beats, 'Requiem' is a worldly dub, 'The Lovers' has psyched-out lead riffs that bring prog energy and 'The Great Marmalade Mama In The Sky' has drunken tabla drums and mesmeric strings for a perfect retro-future comedown. 'Wooden Ship' is a spine-tingling sound with choral vocals bringing the celestial charm.

Review: A genre-defying exploration of industrial, noise and breakbeat influences. With a strong vocal presence and a deep understanding of break-based rhythms, YSSUE creates a unique sonic landscape that challenges conventions. Side-1 opens with 'Count 7/8', blending acoustic and synthetic sounds in a way that feels both experimental and grounded. The track's rhythmic complexity and textural depth set the tone for the rest of the album. 'Wherever' follows, merging jungle breakbeats with industrial intensity, while maintaining a catchy, accessible edge that will appeal to fans of both genres. The title track, 'Human Nature', stands out with its gritty, downtempo atmosphere. Reminiscent of Massive Attack's Mezzanine, the track's production is dark and atmospheric, layering dub elements with a subtle, edgy intensity that captures the essence of the human condition. Side-2 opens with 'No Cops In Paradise', where dub meets breakcore in a clash of electronics, creating a chaotic yet controlled rhythm. 'Hefty Dub' closes the album with a tribute to dub, offering a deep, immersive groove that wraps up the journey with a satisfying, bass-heavy finish. Human Nature is a bold, boundary-pushing record that successfully fuses disparate influences into something entirely fresh.

Review: Pierre-Alexandre Busson, a producer known for his multifaceted talents in both music and photography, steps further into his Destiino alias with a darkly ambient collection that stretches across downbeat house, industrial electronica and melancholic disco. Having made his name in the world of French electro, Busson's transition to Destiino was marked by an exploration of improvised compositions following his participation in a sound installation at the 57th Venice Biennale in 2017. This shift from his previous styles allowed him to dive deeper into moody, atmospheric landscapes. The current project, released under CHLOE's Lumiere Noire imprint, comes as a continuation of this artistic exploration, breaking from the dancefloor-driven energy of his past work to embrace a more introspective and expansive approach. Opening with 'Yokohama,' Busson sets a pensive tone, layering soft synths over a minimalist beat. 'My Crush' follows with a reflective yet upbeat mood, while 'Somlake' (feat. Inigo Vontier) weaves light, meditative textures. 'Transe Has No Speed' dives into dense atmospherics and 'Imagery' introduces a rhythmic, bodily groove. The second side offers 'Musique Electronique Repetitive,' using looping motifs to create a trance effect, while 'La Houle' brings fluidity and 'Morning Routine' soothes with its gentle vibe. 'Pulsar' (feat. Inigo Vontier) pulses with cosmic rhythms, and 'No Pain' closes with a melancholy, reflective note.

Review: Shinichiro Yokota's legendary discography finally arrives on vinyl with The Pitstop Box, featuring 24 essential and exclusive tracks. Originally available only in Japan via Far East Recording, this long-awaited collection highlights Yokota's signature blend of funk, hip-hop, electronic and Japanese influences. It features house classics like 'Right Here Right Now' and 'Night Drive', plus a cover of Haruomi Hosono's 'Simoon' and a collaboration with Soichi Terada that is packed with signature melodic sugariness. Inspired by his love for sports cars, The Pitstop Box is a brilliant overview of one of house music's finest talents..

Review: Yomm's upcoming EP showcases a unique blend of City-Pop with diverse influences, solidifying her as a standout figure in the contemporary music scene. This six-track collection includes the pre-release singles 'Hatsukoi,' 'Alice,' 'Miraco feat. Layone,' and 'Saratto Patto Pitto,' alongside two new tracks: 'Hon de Yomitake,' penned and arranged by Kiseru's Gobun Tsujimura, and 'Scramble - Tokyo,' written and composed by yomm herself. A new project by Korean singer-songwriter and model Choi Jung-yoon, Yomm has quickly gained attention since its launch in April, with contributions from notable artists like Shota Araya (formerly of yonawo), Motoi Kawabe (Mitsume) and Jin Ono. The EP showcases yomm's ability to blend City-Pop with modern elements, creating a sound that feels both nostalgic and innovative. With its eclectic mix of styles and top-tier collaborations, this EP is set to be a refreshing addition to the evolving City-Pop genre.