Back catalogue: All genres

Review: Mr Bongo offers up an incredible 86th volume in the Brazil45 series, and this time it's Black Rio funk from two mainstays of the sound, Toni Tornado & Zeca Do Trombone. A-side 'Sou Negro' is from Tornado's 1970 EP on Odeon Records. It's a sought after number that despite lasting only just over two minutes still makes an indelible impression. Zeca Do Trombone & Roberto Sax join forces on the flip for 'Coluna Do Meio,' which is a more smooth, easy going jazz laced tune compared with the raw and direct a-side. This one has an acrobatic vocal and sunny riffs bringing pool-side vibes under clear blue skies.

Review: Zy The Way hails from Taiwan and are a jazz ensemble that interlaces their dynamic sounds with ancient Chinese poetry compiled by Confucius. They also bring in more contemporary compositions which results in an utterly original sound and great gateway to some of the world's oldest literary works. They recently finished a debut full-length album and now the single 'Blue Collar' from it comes on limited edition vinyl. The track tells the ancient tale of young scholars in love with a powerful narrative and moving melodies. The one and only DJ Spinna steps up on the flip to offer his own classy deep-house remix.

Review:  Zy The Way hail from Taiwan and are recognised as pioneers of the jazz scene in Asia. Their signature style is to infuse their work with ancient Chinese poetry and their first outing 'A Different Destiny,' reimagined 3,000-year-old poems curated by Confucius and earned them plenty of plaudits. Now, they unveil two EPs as a prelude to their upcoming album. Collaborating with renowned remixers who operate at the jazz-electronic crossroads, they present 'Ten Acres' with a remarkable remix by Mark de Clive Lowe. Maintaining jazz's essence while igniting the dancefloor, this EP bridges East and West, past and present and shows Zy The Way as a transformative musical force who are pushing boundaries.

Review: ***B-STOCK: Missing sleeve but otherwise in perfect working condition***


Zy The Way hail from Taiwan and are recognised as pioneers of the jazz scene in Asia. Their signature style is to infuse their work with ancient Chinese poetry and their first outing 'A Different Destiny,' reimagined 3,000-year-old poems curated by Confucius and earned them plenty of plaudits. Now, they unveil two EPs as a prelude to their upcoming album. Collaborating with renowned remixers who operate at the jazz-electronic crossroads, they present 'Ten Acres' with a remarkable remix by Mark de Clive Lowe. Maintaining jazz's essence while igniting the dancefloor, this EP bridges East and West, past and present and shows Zy The Way as a transformative musical force who are pushing boundaries.

Review: Individuality, Harmony, Wit.
Originating from the heart of Asia - Taipei, Taiwan, Zy The Way is a fusion collective spear-heading a new musical movement in a digital age. As the offspring of a film director, entertainers and multi-genre musicians, Zy The Way aims to create artistic content that will rock your socks. We believe that true balance is achieved not through the uniting of different social groups, but when we come together with our stories as an individual. Voices and vision, musical styles, personalities, and our own beliefs, Zy The Way is the fabrication of our collective imagination, where no one is left out.

Review: Since being founded in 2013 in Rome, Sonor Music Editions has become a treasure trove of archival music that was originally made for films, radio and television. The mysterious Mandrassi & Zollinger, here backed by the I Beati studio band, cooked up one such killer but hitherto unknown library session, Rhythm & Sound, back in 1973. Andreassi is said to one of the first female library music composers and likely the release of this album is going to change how she is perceived. It's packed with endless breaks, superb funk grooves and plenty of chasing beats with a loose, live jam session feel that makes it all the more vibrant.

Review: Originally formed for a one-time performance at the 2017 Bath Festival, vocalist and violinist Alice Zawadzki, pianist Fred Thomas and bassist Misha Mullov-Abbado have crafted a beautifully nuanced collection of songs drawing from diverse traditions such as European folk, Sephardic Jewish, and Latin American music. The album's title, meaning Behind the Mountains in Polish, reflects its rich, cross-cultural roots. Zawadzki's haunting voice brings the listener into each piece, while Thomas and Mullov-Abbado's instrumental interplay creates an evocative, fluid backdrop. Standout tracks include 'Sueltate as Cintas', where delicate piano and bass intertwine under Zawadzki's spellbinding vocals, and 'Tonada de Luna Llena', which rises and falls with an emotional intensity that builds on Venezuelan composer Simon Diaz's melody. Throughout the album, the trio's seamless fusion of folk, jazz and classical elements creates a unique sonic palette. Thomas' arrangement of James Joyce's Gentle Lady is another highlight, blending poetic lyrics with soft instrumental flourishes. Recorded in Switzerland under the direction of ECM's Manfred Eicher, Za Gorami is a stunning result to their collective chemistry.

Review: Udacha family band Zdehvedo Gob is a collective of musicians who all hail from various cities around the world. It consists of Udacha label head Alexey Kalik as well as drummer Roman Shestaev and Gamayun associates Anton Dvoenko and Stas Mitrofanov and they all got together in the studio in Moscow in summer 2023 and the results are now presented on this new album. Employing an organic music approach to instrumentation combined with subtle electronics, the group go wild for various combinations of off-kilter percussion, organ, chant and birdsong in full ceremonial swing, they trace a path through the various branches of 20th century minimalism, pan-global folk-ism's and the harmonious collective consciousness that My Life In A Bush Of Ghosts encapsulated. It's a gorgeous mix of world, jazz, spiritual percussive, experimental music that rides on nice loose and vibrant rhythms with a great mix of synthetic and organic sounds all offering plenty for the mind as well as the body to get excited about.

Review: Mutant has worked in collaboration with Milan Records and NEON to offer up this premiere physical edition of the OST for LONGLEGS which features music by Zilgi. The score accompanies Osgood Perkins' chilling thriller about an FBI agent hunting a brutal serial killer. To match the film's nightmare-like intensity, Zilgi crafted a dark and eerie soundscape using unsettling synths, warped instruments and subtle sound design. Sound designer Eugenio Battaglia contributes two tracks in collab with Zilgi and the result is a haunting, dissonant mix of electronics and rock that adds up to a spine-tingling experience that lingers long after the music fades.

Review: Hans Zimmer is out in a class of one when it comes to the most accomplished soundtrack designers of his era. He is behind plenty of the biggest Hollywood hits from Dune to Gladiator and now he releases part two of his acclaimed 2019 album. It blends the grandeur of symphonic music with the intensity of cinematic composition across 17 reimaginings of his most iconic soundtracks into epic orchestral suites. Highlights include a stirring cello-led 'Final Ascent' from No Time to Die, a serene 'A Time of Quiet Between the Storms' from Dune II, and a lush romantic suite from The Prince of Egypt and much more all performed by the Odessa Orchestra & Friends and the Nairobi Chamber Choir.

Review: Christopher Nolan's Dunkirk reimagines the war film as a tense, near-wordless "single-take" experience. Set during the 1940 evacuation from the beaches of Dunkirk, the film captures the claustrophobic chaos faced by Allied forces encircled by German troops. German composer Hans Zimmer's score centrally shapes the film's pressure-cooker atmosphere, as a ticking motif sampled from Nolan's own pocket watch circumvolves a Shepard tone, never ceasing to up the audiovisual tension. This limited edition release of 500 hand-numbered copies on dark green vinyl includes liner notes from Nolan himself, offering insight into the film's sonic and structural design. More than just a soundtrack, Dunkirk was marked out as a landmark in psychological intensity through sound, precision-engineered for immersive listening.

Review: Hans Zimmer is really in a class of one for his scoring work. Dune: Part Two is another sweeping masterpiece that perfectly complements one of last year's finest films. Zimmer's talent for both contemplative and epic themes shines through while blending beautiful love themes with bold, powerful battle cries that immerse listeners in distant, captivating worlds. Collaborating with illustrator Greg Ruth, known for his work on Dune: Part One and The Dune Sketchbook, the team aimed to merge the epic with the intimate here and do so with aplomb on a double 140g coloured vinyl in a quadruple fold-out sleeve.

Review: In many ways its weird that Hans Zimmer has only won two Oscars - Best Original Score for The Lion King and 2021's Dune remake, alongside four Grammys. Before we reel off a fraction of the movies he's soundtracked, allow us to clear our throat. OK, let's do it - Gladiator, Inception, Blade Runner 2049, Interstellar, The Dark Knight, The Last Samurai, The Rock, we could go on and on. But while Zimmer is often associated with big budget, big screen spectaculars, he's also scored a slew of more intimate films. Like the Jessica Tandy, Morgan Freeman and Dan Aykroyd comedy drama classic, Driving Miss Daisy. Showcasing a more human side to his oeuvre, the five original tracks here are beautiful, sweet, tender, and truly moving. Meanwhile, the addition of Eartha Kitt's seminal Christmas anthem, 'Santa Baby', and Louis Armstrong's timeless 'Kiss of Fire', elevate the package.

Review: For many people, the wait for the latest Bond movie to finally be released after long Covid delays has been excruciating. But for a certain group of us, the soundtrack will always be more anticipated, especially when it is by a modern great like Hans Zimmer. On this one, the masterful composer captures all the glamour, danger, high drama, class and suspense you would expect, but all in his own unique way. Johnny Marr, who is also the featured guitarist on the album, helps with the score and of course Billie Eilish's electrifying title track 'No Time To Die' also makes the cut.

Review: Dune: Part Two has been met by rave reviews form both critics and cinema goers and there is no doubt that yet another epic soundtrack from Hans Zimmer has helped contribute to that acclaim. His work is another masterpiece that perfectly complements the epic saga's grandeur. Building upon the thematic motifs established in the first installment, Zimmer's score transports listeners to the vast, mystical world of Arrakis. With its sweeping orchestral arrangements and haunting electronic textures, the music evokes a sense of awe and intrigue and Zimmer's mastery of cinematic storytelling shines through every note as he captures the emotional depth and complexity of Frank Herbert's universe. From the thunderous percussion of battle sequences to the haunting melodies of desert landscapes, this is a sci-fi soundtrack essential.

Review: With its vast emotional and sonic 'scapes, this special soundtrack spans an epic 100 minutes over just nine tracks all of which offer a perfect snapshot of Hans Zimmer's signature bombast and thunderous drums. These extended pieces feature sweeping arpeggiated synths, vocal chants and rumbling bagpipes and the moods range from ethereal to ominous, wistful to sorrowful, often building into massive, dramatic crescendos, sometimes even within a single cue. Zimmer's masterful compositions create a truly epic listen and reaffirm his status as one of today's greatest living composers.

Review: Let's face it, Hollywood director Christopher Nolan broke the mould with his re-envisioning of Batman. Taking things closer to the original comic books, themselves forced to 'go soft' by censors in the early-1950s, his films payed direct tribute to the saga's direction from the mid-1970s onwards. A trilogy of movies that were visually arresting, tonally dystopian, and viciously unhinged. It's not clear if we'll ever get a superhero (or anti-hero) film series of that class and calibre again, the world on screen so immersive you quickly feel like a Gotham native. A big part of that universe-building comes through the music, which enlists two of the greatest names in the history of soundtracks to help weave the tales. Hans Zimmer has composed for more than 150 films, James Newton Howard in excess of 100. This compilation of their shared caped crusader efforts proves why they're so well respected.

Review: Twilight of the Gods features one of many evocative soundtracks from Hans Zimmer, Omer Benyamin and Steven Doar. Between them, they bring a sweeping cinematic scope to an epic narrative with their usual sense of masterful scoring. Zimmer and his collaborators blend orchestral intensity with atmospheric depth here to enhance the mythic tone of the story. From haunting melodies to powerful crescendos, this soundtrack captures the emotional gravity and grandeur of the gods' twilight moments and each track layers intricate instrumentation that pulls listeners into a vivid, immersive world that echoes the film's themes of fate, power and destiny.

Review: In collaboration with Rob Zombie and Lionsgate, Waxwork Records proudly presents "The Words & Music of HOUSE OF 1000 CORPSES, a unique double album that offers an immersive experience by featuring the complete audio from the iconic 2003 film, HOUSE OF 1000 CORPSES. It comes on deluxe double LP vinyl and allows you to enjoy the entire movie in this innovative read-along format, perfect for horror and vinyl fanatics who want a different kind of thrill. The set includes new artwork by Pete Bregman, deluxe gatefold packaging, an 11"x11" 28-page booklet, printed inner sleeves, and a heavyweight character cut-out sheet to create your own scenes from the film.

Review: Bethesda Game Studios and Laced Records have teamed up to release the Starfield soundtrack on deluxe vinyl. Music is central to Bethesda's games and composer Inon Zur has worked with the studio since Fallout 3 in 2008. For Starfield, Zur crafted a blend of orchestral and electronic sounds to capture the vastness of space and human curiosity. Influences range from John Williams and Vangelis to Debussy and John Cage, and it was all recorded by the Budapest Film Orchestra. The score features sweeping melodies, cosmic textures and Aeralie Brighton's vocals which help bring it to life in HD sound.

Review: Bethesda Game Studios and Laced Records team up to bring the music of Bethesda's latest video game release, Starfield, to a deluxe vinyl edition. The anticipated follow-up record to titans in the open world genre, such as Fallout and The Elder Scrolls: Skyrim - also developed by Bethesda - the 2023 game makes ample use of orchestral scoring and motifs, befitting of the interstellar sci-fi genre it operates in. Suitably, they chose composer and producer Inon Zur for composition duties; Zur's deft electronic palette weaves astrally through orchestral and classical traditions, bringing several centuries' worth of musical convention into a single OST, backed by the Budapest Film Orchestra.

Review: Zy The Way's debut album, Then and Now, skilfully merges ancient Chinese poetry with jazz, improvisation and global musical inspirations. Drawing cues from the Shijing, China's first poetry anthology, this adventures record connects historical themes with contemporary sound nd features collaboration with scholar Dr. Annie Luman Ren. Aong the way, the artist explores timeless concepts having already earned two Global Music Awards and gaining international acclaim. Notable tracks like 'Blue Collar' and 'Agile' shine brightly and, additionally, remixes by Mark de Clive-Lowe and DJ Spinna offer new interpretations to add even more richness.