CALIBRE Vinilo y CD

Review: Calibre's brand new drum & bass album Rudy comes in a minty-fresh contrapuntal breath, following hot on the heels of a new white label reissue of his earliest and most enduring works from the mid-to-late 1990s. The sudden time-warp back into the present day proves just how far he has come since then, yet also just how much he has retained what worked, too; Rudy begins in an orthodox liquid jungle fashion with the likes of 'Stunted', before breaking away into impressionistic vocal free-associations like 'The Game' (with Dominic Martin) and halftime reese-swellers like 'Heaven'. All the tracks originate from the same aetheric stratosphere - imagine if drum & bass had kicked off not on a terrestrial, but totally gaseous planet - yet Calibre still gleans enough variation from this potent condensate to either pack both more vacuumy punches ('Cousin') or more laid-back but cerebral inhalations ('Dumb Bum').

Review: Anyone who avidly follows Dominick Martin's output as Calibre knows the man is insanely prolific. When you get past the sheer volume of his released work, there's also the oceans of unreleased exclusives from his sets throughout a monumental career, which is where the Shelflife series comes in. As you can tell by the triple-vinyl heft of this eighth entry in the series, the man is sat on an incredible amount of heat. Running the gamut from soul-soaked uplifters to atmospheric dreamers and on to sharp-angled, techy monsters, this is Calibre quality through and through.

Review: While Calibre's studio albums are invariably superb, his periodic Shelflife compilations of unreleased tracks and tried-and-tested dubplates are often even better. Predictably, this fifth volume in the series not only hits the spot, but also contains some genuinely grade-A material. Many will naturally gravitate towards high-class DRS hook-up "City Life" and the sought-after Marcus Intalex collaboration "Bluesday" (a typically warm, melodious and soulful affair), but there are plenty of other highlights amongst the 12 tracks on. These largely tend towards the more sun-kissed and breezy end of the D&B spectrum, though there are some tougher and darker workouts (see the low-slung sci-fi growl of "Jaboc") amongst Calibre's waves of dancefloor positivity.

Review: Drum & bass's most unique gentleman Calibre plunders his vaults to compile a new collection of unreleased gems through the ages. As you'd expect, the end result is a timeless assault of lush grooves, soulful sonics and sweet skippy riddims. From the soft jazz insistency of "Honey Dew" to the hollowed harrowed bass tones of "Bellamee" via the harder, rave-referencing "Sagan" and the deep bass gurgles and DRS's reggae-style vocals on "Eschaton", the only issue here is the fact Calibre hasn't released them sooner. Unarguably incredible.