Glorious Liberation Of The People's Technocratic Republic Of Vinnland By The Combined Forces Of The United Territories Of Europa (1:07)
Wolf Moon (Including Zoanthropic Paranoia) (6:37)
Haunted (10:08)
Track 15 (0:10)
Review: Originally released in 1996, October Rust would serve as the fourth full-length from gothic metal legends Type O Negative, as well as the highly anticipated follow up to their 1993 career-height Bloody Kisses. Known for its markedly less gloomy doom metal approach when compared to prior and subsequent projects, the album has grown a devout cult following due to the extensive number of unabashed ballads and compositionally accessible goth rock bangers (reliably shrouded in their own sonic malaise). Boasting the hit single 'My Girlfriend's Girlfriend' as well as their much-adored cover of Neil Young's 'Cinnamon Girl', many could consider October Rust to be the most accessible entry point to those intimidated by the prowess, hair or jawline of the incomparable visionary Peter Steele. Now almost 30 years young, this long overdue reissue comes spread across a limited green & black marbled vinyl 2xLP pressing.
Out Of The Fire (Kane's Theme - bonus tracks) (3:24)
Suspended In Dark (8:36)
Blood & Fire (Out Of The Ashes mix) (4:38)
Cinnamon Girl (extended Depression mix) (3:54)
Black Sabbath (7:36)
Haunted (Per Verison) (11:30)
Review: The influence of Type O Negative continues to be felt long after Peter Steele's death signalled the end of the band. The goth metal band have a generous number of high points in their career, and 2003 album Life Is Killing Me is surely one of them. Drawing on his personal struggles at the time, Steele created a powerful statement draped in the grandiose style of rock he had cultivated since the band's debut. As well as the single 'I Don't Wanna Be Me', there was a cover of the song 'Angry Inch' and the opening track 'Thir13teen', a piece of music from classic TV show The Munsters. Two decades on from its original release, this is the first time the album has been released on vinyl, presented as a triple black and green pressing in a trifold sleeve.
Review: The first album on Roadrunner Records to ever achieve Gold status in the US, 1993's Bloody Kisses marked the third full-length from alternative/industrial gothic metal legends Type O Negative. Featuring some of the band's most essential bangers like 'Christian Woman' and 'Black No. 1 (Little Miss Scare-All)', while furthering their habit of contributing peculiar cover songs to their projects with an initially smutty re-imagined rendition of Seals & Crofts' track 'Summer Breeze' (which the band were forced to re-recorded and its revised lyrics discarded due to the writers' being disgusted with Peter Steele's "distasteful" interpolations), the work has since gone on to become regarded as the quintessential album which established the core sonic and aesthetic identity of Type O Negative. This expanded CD edition features Peter Steele's (at the time controversial) trimmed down digipack version with a plethora of bonus tracks and alternate takes.
Review: Originally released in 1993, and noted as the first album on Roadrunner Records to be certified as Gold in the US (before achieving platinum status in 2000), Bloody Kisses served as the third full-length from gothic alternative metal legends Type O Negative. Boasting some of the band's most renowned cuts such as 'Christian Woman' and 'Black No. 1 (Little Miss Scare-All)', while continuing their trend of odd cover versions with the controversial rendition of the Seals & Crofts' track 'Summer Breeze' (which had to be re-recorded and its revised lyrics restored to the original upon Seals & Crofts being offended by Peter Steele's "distasteful" reimagining), the project has since become the high watermark for the group's overall aesthetic and style. This green vinyl 2xLP reissue provides a new definitive home for Steele's revised digipack version that cut away many of the interlinking interludes in an effort to de-clutter the project. A move that may have left a bad taste in other members' collective mouths, but ultimately led to the project being one of, if not, the most notable and adored in the Type O Negative cannon.
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