Back catalogue:

Review: A releaser that crackles with an energy that could only emanate from the shadowy corners of the Swedish electronic underground. Anna Kohlin, label co-head and architect of hypnotic soundscapes, guides us through a diverse sonic landscape, her own 'What Time Is It?' leading the charge. Built from the evocative textures of the Roland JV-1080, it shimmers with a sunrise glow, ethereal pads interweaving with delicate melodies. Kohlin, a master of contrasts, doesn't shy away from the shadows, injecting her creation with sharper, dynamic elements that add a touch of grit to the dreamlike atmosphere. Eric OS throws down a challenge with 'Timeout', a sonic time capsule that transports us back to the early 2000s. Analogue warmth collides with the raw energy of digital sound, vintage synths intertwining with crisp beats in a nostalgic yet undeniably fresh sonic tapestry. Baby Rollen, armed with a looped double bass sample and the crisp snap of a 909, crafts a hypnotic groove with 'TwentyTwenty Home'. A warm 303 bassline snakes through the mix, adding a touch of acid-tinged euphoria to the already infectious rhythm. Basement Space and Mans Glaeser, never ones to shy away from the unconventional, deliver 'Space Glaezer', a sonic maze that twists and turns through intricate textures and unexpected rhythmic shifts. Kohlin's curation is nothing short of masterful, showcasing the diverse and ever-evolving landscape of the Swedish electronic music scene. Inside Out 002 is a testament to the power of electronic music to transport, inspire, and defy expectations.

Review: Exxtra Beats Records backs up its commitment to pushing things on with a new four-tracker of minimal and tech cuts. Edo Ecker's 'Extraluxxo' has warped synth lines that encourage introspection while the snappy beats make you move physically. Leff's 'Future Problems' has hazy and positive arpeggios that toot away over sustained chords and move at a nice inviting pace. Little Sea offers the snappy drums and gurgling acid lines of 'How I Wanna Feel' while Andrea Bertoli & DJ Bogdan's 'Extremely On Line' is a snappy and upbeat cosmic tech cut with wonky lines adding the charm.

Review: The Egyptian Lover's 2021 album 1986 was a widely-hailed blast of electro funk perfection from a true lifer - is there anyone other than Greg Broussard you would trust to bring the heat with an 808 and not much else? Now one of the album's standout cuts, 'Lose Control', is getting the single treatment with an extended mix which lets Jamie Jupiter and Brian Ellis' bonus musical contributions to the track take off in full flight. As a bonus treat on the flip, we get the sparkling new joint 'Vocoder Jam', ensuring you have two sides of raw electro heat from one of the sound's true originators.

Review: Believe In Records is a division of MixCult Records and this new EP is an extraordinary one that unites two broken-beat heavyweights, Electrosoul System and Dawn Razor. Drum & bass legend Electrosoul System channels his vast expertise in broken-beat rhythms, while Dawn Razor adds a distinct mutant edge to the tracks. The release is elevated by an on-point remix from the talented context, aka Dissident, who seals the deal on this dynamic, destruction four tacker which is perfect for every moment of the night with its unique, bass-driven sound.

Review: Gerard Hanson, known as techno don Convextion, delivered three deep electro gems as ERP for Frustrated Funk and the cuts were soon regarded as mini modern classics. As such the EP gets reissued on blue vinyl and from the off he lays down a killer moody electro-funk vibe with the elastic basslines and emotive synth strokes of 'Luctu.' The B-side 'Tuga' captivates with its beautiful strings and harmonised synths, while 'Pith' charms with its hushed, In Sync-style drum machine rhythms and a nocturnal vibe. Hanson's rich, emotive electro-artistry is fully on display here.

Review: After his recent releases on X-Kalay and Craigie Knowes, Melbourne's Escape Artist returns to Phonica where he has previously released his well-received Energy Breakthrough EP. Once again here he shows his love of serving up euphoric and energetic cuts with the A-side, 'Forgot Who I Was,' building great intensity with delicate melodies and a shifting bassline. The B-side, 'Remembering', offers a contrasting yet complementary vibe that keeps on with the previous track's two-step rhythm while evolving into a more uplifting direction with ambient techno elements and acidic breaks. It's potent stuff.

Review: Ralph Lawson's Leeds based 20/20 Vision label has made a distinctive shift into electro territory over the last couple years. It is a sound the boss has said has long been in his heart despite him being best known as a house head and longtime resident at Back to Basics, and the quality of the tunes he unearths to put out more than backs that up. The Exaltics & Paris The Black Fu kick off with a shiny, bright, visceral metallic electro workout then three further cuts take in dark wave drum machine rhythms and acid-laced bangers.

Review: Spanish label Fanzine keeps its quality output coming with this 19th EP, and it takes the form of a various artists' EP and the fourth instalment of the Xuntanza series. The Exaltics open up with some moody and stripped-back downtempo electro on 'The End' and Robot City then picks up the energy with the snappy rhythms of 'TerrorVision.' Elektrotechnik's 'Autopilot' is a nice bumping, tightly programmed drum workout with sci-fi effects and rising arps, then Acidulant brings some manic 303 action and Roi shuts down with more industrial electro tension.

Review: The Rx sub-label kicks on with four fresh remixes of an original by the great electro talent, Exzakt. Tipper opens things up with his take on 'Second Wave' which is dense with sonic invention, synth adulation and alien life forms. Uprokk keeps the digital aesthetic with bright sounds, icy hi hats and a rapping bassline that makes you want to jack and EMS's remix is a full-throttle assault with wispy melodies and snapping snares topped with sirens and vocal snippets that make for a high-impact sound. Imatron Voima's remix is a character closer with a wild lead synth that has a life of its own.

Review: EC Underground is back with more inquisitors of low-end heavy sounds on Bass Scene Investigation vol 1 and again digs deep into the worlds of electro, techno, breakbeat and IDM. The compilation kicks off with the skittish percussive patterns of Illektrolab's 'Making Heads Dip', then heads into moody ground with ADJ, Pablo Funk brings some menacing synth work and Errorbeauty gets all weird and trippy with some mad electronics. Francois Dillinger offers a dystopian electro sound full of irresistibly jacked-up drums. A fine investigation indeed.

Review: The Berlin-based 432HERTZ crew kicks on here with a new various artists 12" packed with electro heat. Rinaldo Makaj gets things underway with the serene grooves of 'Computational Universe', which has some of the nicest snares we've heard in some time. Rickie's 'Mesosphere' is a nice off balance sound with thumping kicks and melodic bass, then it's time to get sleazy and more than a little ghetto with the raw Electric City jam 'Escape From Reality.' Pumio Space brings a little colour and playfulness to closer 'Mario's Juice'.

Review: Night Defined Recordings is an Austrian electronic music label based in Salzburg that has featured previous releases by Spanish veteran Eduardo de la Calle, Romanian upstart Serb and label chief Juergen Vonbank. It now presents the second edition in the NDVAX various artist series, featuring Finnish producer Mesak (Klakson/Cleaning Tapes) with the hard minimalism of 'Palek', as well as Erfurt, Germany's Mary Yalex with the unsettling ambient house of 'Running Out Of Time' and Workshop affiliated Even Tuell with the dusty twilight dub of 'In Circles' delivered in typically understated fashion.

Review: Two And Half Records make the decision here to try and rid the A and B-side distinction on records that we are all very familiar with and instead they refer to each face of their latest 12" as 'dance' and 'listen.'' It makes sense frankly and is often how things go anyway. Swiss duo Quismi kick off this one with twitchy and narcotic tech house with an old school bent. French artist Groenogen then gets wild with bright melodies and grinding synths, r&b vocals and high speed tech funk on 'Twinkle Dance' while ILyes offers the tech silkiness of 'Starting Now.' On the flip is a trio of less direct, more experimental sounds that sure do offer plenty to get lost in on headphones.

Review: This release features four club tracks from the recent Cold Blow fifth anniversary CD compilation. It includes contributions from Matti Turunen of the renowned electro group Morphology who does a good job of serving up his signature while the EP also highlights a funky electro collaboration between Qwerty and Ed DMX. Additionally, there's a true minimal techno banger from the legendary Mono Junk and last but not least is the introduction of an enigmatic new producer named Sleep Mathew. He adds an intriguing touch to this diverse collection that marks five years of Cold Blow in style.

Review: Egyptian Lover has been kicking out the jams now for a full four decades. His famously hardware-driven sound is pure bay-popping perfection and has seen him define and redefine electro many times over. Staying true to his signature 80s west-coast electro sound, his new album 1987 echos classics of his like 'Egypt, Egypt' and Thebes of them all, 'I Need a Freak', by blending signature Roland 808 beats with Kraftwerk and hip-hop influences. He's a veteran at this stage, but he still moves a floor like few others can.