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Back catalogue:
Juno's full catalogue of
Singles
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Review: Brooklyn producer Gerard Young aka Ge-ology has always championed intricacy in his original house productions, preferring to survey and purpose-build from the ground up, not prefabricate. His Versions series through Hot Biscuit has been going since 2025, with a higher-than-usual number of deep cuts (usually six in total for each 12") all given names like "Extended FeelTheFire Mix", "From SideToSide", "CapricornTribe Mix" and "Raw Stripdown Version", evidencing a sense of literary licence and playing on otherwise boxed-in remix titling traditions. Janky sampled refuse of disco-soul and gospel replay over 'Keeep The Beat' like trash-humped radio components larked from wreckage - our fave track here by far.
… Read moreIntérprete: Kisk, Charlie bucket/ dancing in space
in stock $45.19
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Cat: SJU 0125R. Rel: 29 May 25
in stock $19.77
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Review: Reagan Grey is a Toronto-based producer who impresses with this cultured new outing on Selections. 'What You Came Here For' is pure vibes - a house cut with old-school organ stabs and hints of US garage drum shuffle, all topped with a nice hooky vocal cry from Kayenne. Kai Alce's NDATL mix layers in some jazzy keys that take things to the next level and 'Undertones' then keeps the soul quotient high with some molten chord work and dusty drum loops that are warm and heartfelt. 'Don't Stop' shuts down with a heavier basement house vibe and more smart synth work.
… Read moreIntérprete: Shaka (Local Talk/ Nervous), Toronto Hustle
in stock $13.84
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Review: Chicagoan crate digger, DJ and producer Mark Grusane has long been regarded as one of the best re-editors in the business, with a long list of labels queuing up to put out his tried and tested reworks. Here be unveils a new project, The Tape Edits, in which he rearranges and revitalised cuts the old fashioned way - IE via the use of reel-to-reel tape, a scalpel and some sticky tape. There's plenty to admire across the six tracks stretched across two slabs of wax, from the high-tempo jazz-fusion-goes-disco hedonism of 'I Can't Come Down' and the killer-grooves-and-analogue synths flex of 'The Fever', to the low-slung disco-funk heaviness of 'Stomp The Floor' and the spacey disco-funk brilliance of closing cut 'Giving Nothing'.
… Read moreIntérprete: Soul Clap
in stock $45.19
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Cat: UAR 020. Rel: 02 Jun 25
Review: Norm Talley's Detroit label Upstairs Asylum comes through with another various artists gem here: Gari Romalis kick off with the sort of smoky house depths you always expect from this imprint. 'Electronix (I'm Ya Dancer)' is dubbed out but dynamic, then G Major's 'Metro To Downtown' brings an injection of soul warmth and percussive looseness. Chuck Daniels & Hazmat Live's 'I Want You' is a darker, more heads down affair with freaky vocals and digital synth patterns over gritty, US garage styled low ends. Max Watts then cuts loose with the undulating dub techno depths of 'Velocity' to round out a varied EP.
… Read moreIntérprete: Superbreak
! low stock $15.25
